Who Would Know What The Morrow Brings

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Even When I Lose, I'm Winning

Holy Sexuality is a visionary, genre-defiant concept album that explodes the boundaries of spirituality, gender, erotic expression, and sacred truth. Inspired by the mystical teachings of the Vilna Gaon, Ramchal, and the Zohar, this album is a full theatrical prayer—celebrating queer divinity, sacred flesh, and the fire of real love in a world of illusion.

From the multilingual cabaret invocation (“Overture: A Divinely Frank Conversation”) to club bangers like “There’s No Gay Messiah on Broadway” and the deep soul ballad “Return to the Palace,” the album merges electro-oratorio, EDM prophecy, disco Torah, and Leonard Cohen-style lament into an ecstatic celebration of self, God, and others.

It includes the blazing heart-cry “Real Love” — an anthem for queer couples who discover not just each other, but the presence of the divine in every honest touch. These are not just songs. They are sacred transmissions.

Come in. Take your seat. The Shechinah is waiting in the wings.
Let’s dance through the veil.

For licensing rights and production schedules, please contact Akiva David via bebeyondbest@gmail.com

Track 5 The Hidden Truths of Torah Love

The tide is a whisper a secret it keeps
A mirror of heavens where the old sea sleeps
I cast my shadow on the edge of the deep...

Mariner’s Dawn

Be With You 2

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Addicted

4TRAX composes in quiet defiance—“Sonata for Shadows” is a whispered reckoning, a duet between the one who builds and the one who watches. Structured like a classical sonata but dripping in ambient dread and spectral warmth, this track moves through grief, reflection, and eventual reconciliation. The ghost doesn’t haunt—it advises. The beat doesn’t drop—it exhales.

Operatic samples float like memories, while dub swells anchor the truths left unsaid. This is music for the in-between: between failure and forgiveness, intention and execution, past and possibility. It’s not about defeating darkness. It’s about giving it a desk, a voice, a seat at the boardroom of your becoming.

7. SONATA FOR SHADOWS

When man seeks to kill how can he be the king of nothing the Victor of None !

Who can call himself the Victor

Sad Songs are for Sad Days

Une chanson en provenance du Futur, adaptation d'une chanson écrite par Ffynnon Chapman (mon frère), chanté par Alouma Aves (personnage de l'Autre Version de l'Histoire)  

Tourbillonne, tourbillonne, énergie sans frontière,
Dans nos veines, elle murmure, une mélodie légère.
Intelligence symbiotique, dans l'univers se lie,
Là où l’esprit et la matière se fondent en harmonie. 

Energie sans frontière

Rising From Shadows

Peter is a member of STEF (The Performing Rights Society of Iceland) and FTT (The Icelandic Society of Authors & Composers).
He has made around or more than 15 thousand music works, 7 thousand poems and 5 thousand landscape paintings...

Mariner’s Dawn

Pétur Söebech Quinn

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