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"It was my pleasure to remix Dave Angel's recent single "Homage", a track that he devoted to his Detroit influences. I took the main elements of the original track and built a new groove behind them and gave it my touch. Musical yet powerful. Hope you like it :)" - Christian Smith

Buy at Beatport: http://bit.ly/HomageCSMix

Dave Angel - Homage (Christian Smith Hypno Remix)

Almost a year after the release of Peter Van Hoesen’s highly acclaimed album 'Perceiver' on his Time to Express imprint, the Belgian producer returns with ‘Life Performance' - a brand new live recording which was captured into a single, long- form listening experience during a specially curated Time to Express label night at Tresor on July 19, 2013.

Coming in October on Berlin's techno institute and record label, Tresor, this new live album represents an important step forward for the producer. Since 2006, Peter has played live in a variety of different settings and situations, from festival circuits and dark, sweaty venues to working with dance and theater companies on stage. Each live performance brought with it a necessary evolution in approach, which led to a varying sense of real ‘live’ interaction. At first, with a setup centered around a laptop, a drum machine was added, then slowly more and more machines entered into proceedings. 

Ultimately though, it was the computer that was to hold central guard in the coordination of each disparate sonic element.

Now, the laptop is being pushed aside, making way for the hardware to be brought fully to the fore, allowing for greater artistic freedom and expression. The focus is to be placed upon live improvisation in the creation of something wholly unique and ever-evolving. Sculpting this sound in real-time, allowing for the exploration of a multitude of possibilities and contorting parameters, in essence, a child-like approach to the idea of ‘playing’, of not being limited by the world around, is what drove this project forward. As Peter explains,

“Making the tracks with the setup in mind as opposed to transposing tracks made in the studio into a live setting is much easier, and much more fun. You can improvise with it freely - and for me that [improvisation] was most important - then decide, in that specific moment, about its tonality and its synthesis. I’m a big fan of synthesis. I don’t work with samples often. If you use samples, there’s no way to really sculpt them - not just from a technical perspective, but also from an artist viewpoint. There’s a freshness and directness you get from being able to interact with the music and audience on a much deeper level than normal.”

Over the course of sixty minutes, the listener is exposed to a broad palette of sounds and patterns. Textural shifts, gentle rhythmic blends, dynamic synths, hooks and arpeggios coagulate into an exceptional aural experience, exemplifying an approach to music production in a live context that is both personal and unique.

10. Peter Van Hoesen - Causal Condition

The Bopeter House Madness Part I by Peter Schumann & Bo Irion

Buy on Bandcamp

Los Niños Del Parque (Djs Pareja Rework)

Fusion 2024 Sunday 6-8 pm Bachstelzen / Panne Eichel 

perfect place, perfect moment, perfect people, perfect vibe🙏🏼🥹❤️
still no words for what happened there...

mastering by @billy-caso

Mira @ Panne Eichel - Fusion 2024

Here is my opening performance at Garbicz 2024, a trippier than usual sunset dj set that lasted almost 7 hours, hope you enjoy it as much as we did in those beautiful magical polish woods by the Garbicz lake.

Nonnus Sunset DJ Set @ Garbicz 2024

Thank you very much for the opportunity to play at this festival. Last year I told myself that my dream was to go to this festival, and two months ago I found out that I would play there. Dreams come true. I felt at home, safe, and many wonderful things happened. I wholeheartedly thank everyone for their support, everyone who was there, listened and was enchanted by my sounds.
I wish you a pleasant musical journey. The calm before the storm.
Love, GregMirror.
MODU village

Greg Mirror @ Garbicz 2024

Thank you for joining me on this incredible journey into the sunset on Sunday evening at the Wald floor. It was a true honor and so much fun!

Franca @ Wald - Garbicz Festival 2024

My Saturday morning sunrise set closing the Crazy Paradise stage at Garbicz Festival 2024.

So much love on the dancefloor, so many positive messages, so many hugs. ❤️

Thanks to all who were there that morning and everyone who makes Garbicz the incredible vibe that it is. Can't wait for next year! ❤️❤️❤️

Hope to see you all soon in Berlin.

Folllow me here on Insta: www.instagram.com/maddix.it/

Maddix @ Garbicz 2024 (Crazy Paradise)

FÜR IMMER PATZIG ! Britta Arnold @ Garbicz 2024

Social Media:
www.instagram.com/mira_kater/
www.instagram.com/schwrzwldr/
www.facebook.com/Mira.Artist
tinyurl.com/ChrisSchwarzwalderFacebook
Beatport:
www.beatport.com/artist/christoph…arzwalder/171338
www.beatport.com/artist/mira-berlin/385397
Bandcamp
schwarzwalder.bandcamp.com/album/ritterwald

Seebühne 

Mira & Chris Garbicz 2024

Saturday from 9 a.m. 
What an honour to play on THIS stage

Dr. Gonzo @ Garbicz Festival 2024  @ Seebühne / Seafloor

Anyone who knows us, knows that Bucht der Träumer is a festival that's been a big part of our journey these last 8 years. It's such a gift to be able to really, really do our thing, be ourselves and play whatever we want. And this year was no different! Thank you so much for having us back, we had a blast and hope you enjoy these 3 hours as much as we loved playing it. Lovelovelove, C&S

@sarahkreis
@caleesi

Bucht der Träumer Festival 2024 | Atlantis

Caleesi & Sarah Kreis @ Bucht der Träumer Festival 2024 | Atlantis

In the kiosk at kater blau, it's always the easiest way to remember Bar 25. I'm very grateful to have played an anniversary set at this venue.  I've been there since the beginning of this journey, Bar 25, kater holzig, kater blau - exciting... the mix is rather atypical for me at the moment. But if you're playing at kiosk, you shouldn't knock around, you should groove away..

DAS FEST@katerblau Kiosk

Artist: coss & Peter Schumann
Title: The Islands
Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 030
Release Date: August 30, 2024
Buy Link: https://kioskid.bandcamp.com  

Follow & Support: 
Kiosk I.D. 
SC: @kioskid  
FB: facebook.com/KioskIDMusic 
Bandcamp: kioskid.bandcamp.com/releases  
Beatport: beatport.com/label/kiosk-id/80379  
IG: instagram.com/kiosk.id  

Peter Schumann:
SC: https://soundcloud.com/peter-schumann FB: https://www.facebook.com/PeterSchumannMusic/
Beatport: https://www.beatport.com/artist/peter-schumann/8886
Spotify: https://open.spotify.com/intl-de/artist/53xUjVBCaTHEXSrFFnup3I
IG: https://www.instagram.com/peter_schumann_kater

Coss:
SC: https://soundcloud.com/coss
FB: https://www.facebook.com/cosslive
Beatport: https://www.beatport.com/artist/coss/212284
Spotify: https://open.spotify.com/intl-de/artist/3YdYc0Ewo5Vpejw0r3dV74
IG: https://www.instagram.com/cossxxy/


About:  
From the very beginning, Kiosk ID catalog no. 030 was destined to be a declaration of love
to the city whose area code it shares and the vibrant culture that once planted the seed for
our home at Kater Blau. For our anniversary release, veteran Kater Blau residents Coss and
Peter Schumann put a melodically charged twist on the enveloping experiences that made
Berlin the epicenter of electronic music. ‘The Islands’ delivers a beautifully engineered
long-player that takes the duo’s warm, chord-driven soundscapes to the farthest reaches of
genre and emotion. 

‘The Islands’ is not the first venture for Coss and Peter Schumann as a duo. Across a string
of groove-centric releases that merge Peter’s House-infused joie de vivre with Coss’s
blossoming soundscapes, the twosome developed a profoundly floor-focused melodic
repertoire with refreshing dubby undercurrents. ‘The Islands’ is the much-anticipated
pinnacle of their artistic symbiosis: bringing together beautifully nuanced sound design and
driving drum structures, Coss and Peter Schumann offer a journey through their deep and
uplifting aesthetic, showcasing the forward-thinking eclecticism that happens when two
storied producers fuse minds and sensibilities.

Openers ‘Arrakeen’ and ’T Step’ build on the duo's signature shimmering harmonics and
throbbing housey substructure reminiscent of the 2023 Kiosk ID smasher ‘Baba.’ Resonant
synth stabs and arpeggios ricochet across a dubby low-end, conjuring a driving floor-focused
aesthetic with beautiful, weightless qualities. 

‘The Box’ and ‘Reminder’ put a moodier twist
on the duo's synth work: ominous pads and darkly throbbing percussion weave mesmeric
energy arcs, compacting their overwhelming harmonics into stripped Micro House smashers
with razor-sharp build-ups and mangled synth eruptions.

‘Maro Reef,’ ‘Kitty Su,’ and ‘Two Tree Island’ explore the twosome’s introspective deep end.
On ‘Maru Reef,’ a warm field of cavernous pads, staggered piano chords, and brightly
shimmering electric blips form a jazzy and glittering cinematic journey with subtle ethnic
undercurrents. Set to a subdued trip-hop beat, ‘Kitty Su’ unfolds feedback-driven
atmospheres with electric strings, far-away vocal chants, and a resonating metallic arpeggio.
‘Two Tree Island’ unfurls a powerfully anthemic hook, delivering an uptempo rendition with
hymnal vocal chops and warm sawtooth pads.

‘Mellum,’ ‘Mercer Island,’ and ‘Cuor di Mela’ venture into airy Techno and Fast House.
‘Mellum’ unleashes a fluttering explosion of blippy synth themes across a throbbing staccato
bassline and brightly pulsating chords. On ‘Cuor di Mela,’ a powerful Techno groove and
compact kick drum merge blippy chiptune synths and gated vocal chops into a beautifully
cinematic dancefloor anthem. ‘Mercer’ layers the duo's cascading synth work with
syncopated funkiness and a searing ride-driven groove, energetically supercharging their
mesmeric harmonics across a driving Techno substructure.

No one is an island, each a part of the main. Peter Schumann and Coss’s first joint
long-player is a beautiful representation of the magic that can happen when two artists
spend years honing their joint vision. ‘The Islands’ ends up being much more than the sum
of its parts, unfolding a bright and melodic energy arc across ten genre-defying and
emotional productions.
Booking contact: julia@katerblau.de / Katzengold Bookings
www.katzengold.berlin
https://deeperconversationsep.lnk.to/PeterSchumann

BIOGRAPHY:

The Schumann resonances (SR) are a set of spectrum peaks in the extremely low frequency (ELF) portion of the Earth's electromagnetic field spectrum. Schumann resonances are global electromagnetic resonances, generated and excited by lightning discharges in the cavity formed by the Earth's surface and the ionosphere.

Lightning discharges are considered to be the primary natural source of Schumann resonance excitation; lightning channels behave like huge antennas that radiate electromagnetic energy at frequencies below about 100 kHz. These signals are very weak at large distances from the lightning source, but the Earth–ionosphere waveguide behaves like a resonator at ELF frequencies and amplifies the spectral signals from lightning at the resonance frequencies.

The Bopeter House Madness Part I by Peter Schumann & Bo Irion

Peter Schumann

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