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RIVER

Kadebostany - Palabras

Mirage

AYTRA for piano

Created on iPad with AUM
Mixed and mastered with Cubase 13 and Ozone 10

Inspired by Naviar Haiku 541:
https://www.naviarrecords.com/naviarhaiku541-heat-in-waves/

Photo by zenbytes (2015, La Palma, Spain)

stones angry reverberations - Naviarhaiku 541

A textured drone sequence, a mix of original recordings & electronics.

More on the 647th weekly Disquiet Junto project, Day Drone — The Assignment: Make some daylight drones for Drone Day — at https://disquiet.com/0647/

The original image associated with this project is by Guillaume Pelletier, used with a CC BY-SA 4.0 license.

https://commons.wikimedia.org/wiki/File:Drone_bee_(32-image_macro_stack).jpg

https://creativecommons.org/licenses/by-sa/4.0/deed.en

Full Day (disquiet0647)

More on the 647th weekly Disquiet Junto project, Day Drone — The Assignment: Make some daylight drones for Drone Day — at https://disquiet.com/0647/

Drone Enters Tornado (disquiet0647)

Day Drone (Birth) - (disquiet0647)

Disquiet Junto Project 0647: Day Drone
The Assignment: Make some daylight drones for Drone Day.

Last week I had a workshop in the alps. I recorded some cow bells (around 5 minutes, early in the morning) that I liked very much (I instantly thought: this is pure ambient, even without any addition). I added some reverbs and other things to alienate them. I consider this drone, because it's always the same cow bell sounds. I think they do pretty well as "daylight drones"…

Fun fact: Because the musical mind of Soundcloud is just a few femtometres long, this track is apparently classified as ASMR. That's the only reason why I tagged it afterwards.

More on the 647th weekly Disquiet Junto project, Day Drone — The Assignment: Make some daylight drones for Drone Day — at https://disquiet.com/0647/

Alpine Cowbell Drone [disquiet0647]

OP1 Field, Cocoquantus, CB MOOD MKII, SOMA COSMOS

More on the 647th weekly Disquiet Junto project, Day Drone — The Assignment: Make some daylight drones for Drone Day — at https://disquiet.com/0647/

Central Europe (disquiet0647)

Rebekka Karijord - Wear It Like A Crown

Disquiet Junto 0657 was an invitation to compose a pice out of overlapping tones that start and stop suddenly.

I created multiple layers of synth pads, each holding a single note of random duration in the key of Am. Next I bounced the audio, slowed it by 75%, and reversed it to create abrupt stops in each tone. I blended that audio back into the mix to provide a low aural foundation. On top of this I recorded a couple of additional pads with held tones, chopped up with a grain stutter plugin. To wrap it up, I improvised a couple of wandering leads with "broken" synths in Cmaj/Amin.

I worked hard on the spacial mix, so headphones or a good pair of stereo monitors are recommended.

More on this week's Disquiet Junto: https://disquiet.com/0657

Disquiet Junto

Tails on Tones (disquiet0657)

Responding to Disquiet Junto Project 0658: Re-Amplify, I played “Kokytos” by Daniel Glaus through three sets of speakers in my living room, bedroom and at double speed on my mobile phone. I walked around the flat recording this on a Zoom mic, then uploaded the track to Ableton, adding lots of effects. This then became two versions that were played through Ableton Live. I then returned to this tonight and recorded another Ableton Live set, and with some shapeshifting of the live edit - out came this.

More on the 658th weekly Disquiet Junto project, Re-Amplify — The Assignment: Re-record and re-compose an organ improvisation by Daniel Glaus — at https://disquiet.com/0658/

RIVER

peter bark

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