With Each Passing Regression (2021)

14-channel piece made from contact microphone recordings.

Featured in one of Sonophilia’s headphone installations at Stokes cafe within The Collection, Lincolnshire. 

http://2016.sonophilia.co.uk/installations/

Balancing Act (2014)

Composition built from corrupted audio files that originally contained 4 minutes and 33 seconds of silence.

Featured on 'Fragile Existences', isthisit. Curated by Bob Bicknell-Knight.
http://www.isthisitisthisit.com/fragile-existences

Variations on Silence (2015)

Improvisation with prepared guitar. Made in 2010.

Prepared guitar

Work made of sounds generated from the synthetic process of creating sounds from scans of image files depicting a selection of maps of the Borneo island located within the geographic centre of Southeast Asia. The maps illustrate the impact of deforestation between the period of 1950 and 2005 with projections towards 2020. Through synthesis algorithms, the works bears resemblance to the nocturnal soundscape of a rain forest.

Nocturne (2017)

Sound work with rhythmic feedback generated by small microphone attached to a metronome. 

Recorded 14/04/2018.

Untitled, 2018 (amplifier, metronome, microphone, headphone, recorder)

Inwards (2018)

Those were The Days

Radiophonic work fusing sounds sourced from a single multi-band radio receiver tuned at different frequencies.

https://peterbarnard.bandcamp.com/releases

credits
released January 14, 2019
Mastered by Andrew Weathers

Trajectories

An eulogy for an area cut from the final release of a game.

Unfinished Area

A Sub Ratio (preview)

Short snippet from new track crafted from a few old recordings created during my time at art school.

Available for download at:

https://peterbarnard.bandcamp.com/track/the-small-hours

The Small Hours (Preview)

Light at the end of the tunnel.

Audio taken from a glitchy iPad headphone socket and turned into a set of harmonics.

https://peterbarnard.bandcamp.com/track/the-world-over

Peter Barnard

Pinned to spotlight

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