this the type of funky vibe I can get with 🔥🔥🔥

https://drive.google.com/file/d/1L8nRnLX1rKPuAyz5aJkpohm40vsAyNLz/view?usp=sharing

Skrillex vs. Kanye West - Way Back vs. All Of The Lights (FaFuze Mashup)

BBL DRIZZY BPM 150.mp3

Now That The Light Is Fading

Alaska

Produced by Peter Lee Johnson
Featuring Jacob Herring on Trombone & Cox Academy 5th Grade Music Makers
Album Art by Ryan Henry Ward

BETTER WORLD LYRICS

(Chorus)
I never knew that life would be this way
For all my peoples in the struggle who got bills to pay
I heard another young kid done got killed today
And I can't understand the reason god I feel your pain
While we sin and then we blame it on the times we live
We shouldn't have to work this hard just to be positive
I don't wanna hear you tell me that's the way it is
Cus don't we all know the world should be better than this

(Wilson)
Ayo it's more than just a story that you watch on the news 
Cus if you think there ain't a problem then I'm talking to you 
Like just the other day another kid got shot for his shoes 
They getting picked up for prison as they dropping from schools
Why they give us lack of options, tax dollars for troops 
Then got the nerve to turn around and ask "What's wrong with the youth?"
Most of y'all stuck in the middle trying to offer a truce 
Watch as they put up their hands, still the officer shoots 
I'm done fighting these laws, done dealing with cops 
I'm ain't done doing dirt, I'm just done getting caught 
Couldn't do it for myself but I could do it for pops 
It's twice as hard to ask for help when you could use it a lot 
But I'm so glad I listened when he said we needed to talk 
Cus just a week after that my boy Jay Weezy got locked
Now he's looking at 10 and get out who knows when 
So until that day, I'ma sing it again and again

(Chorus)
I never knew that life would be this way
For all my peoples in the struggle who got bills to pay
I heard another young kid done got killed today
And I can't understand the reason god I feel your pain
While we sin and then we blame it on the times we live
We shouldn't have to work this hard just to be positive
I don't wanna hear you tell me that's the way it is
Cus don't we all know the world should be better than this

(Pepe)
Somebody tell me what's the meaning of life
When people sleeping on the streets
God this shit isn't right
You at the strip club throwing dollars
Making it rain
Right offa skid row kids be putting H in they veins
I know some people chasing money
And the corporate thing
But sorta lost their value to me cus their morals have changed
We on our cellphones scrolling for the fortune and fame
Feels like the best that we could hope for is more of the same
The way they misuse religion god
It hurts my soul
To shame a woman for abortion or her birth control
When she can't afford a mortgage
Or put food on the stove
And the housing scandal went and dug us deep in a hole
Now bury the truth beneath a pile of money
Another cop on paid leave without a trial or nothing uh
Blame the victim it's time to change the system
I keep on praying for the day the world gon finally listen cmon

(Chorus)
I never knew that life would be this way
For all my peoples in the struggle who got bills to pay
I heard another young kid done got killed today
And I can't understand the reason god I feel your pain
While we sin and then we blame it on the times we live
We shouldn't have to work this hard just to be positive
I don't wanna hear you tell me that's the way it is
Cus don't we all know the world should be better than this

(Kids Singing)
I wonder if the sunshine feel the rain,
I wonder if the government feel ashamed,
We gon sing until we see things change,
Cus we don't believe it gotta be this way,
I wonder if the sunshine feel the rain,
I wonder if the government feel ashamed,
We gon sing until we see things change,
Cus we don't believe it gotta be this way

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KnowMads - Better World

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Instrumental version part 1 

John Morales presents The M + M Mixes Vol. 3
NYC Underground Disco Anthems & Previously Unreleased Exclusive Disco Mixes

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.




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