The Good The Bad and The Ugly

Clean to Filthy
The Good the Bad and the Ugly is a collection of 105 original-design loops for producers who work in heavy, impressive percussion. These loops were made with big bass, noise and grime, ideal for strikingly emotive music and soundtrack productions. Each loop comes in three uniquely affected versions, giving you tons of creative percussive elements to work with, from clean to destroyed.
 
PURE ANALOG DRUMMER
A beat is only ever as strong as its source. We recorded The Good the Bad and the Ugly with the Drummer from Another Mother (DFAM), Moog’s powerful member of their synthesizer family. An incredibly dynamic tool, DFAM makes pure analog sequencing dreams come true with wide-range oscillation and a classic Moog ladder filter. Processed through our collection of outboard analog effects, the beats we designed explode with heavy pulses and resounding bass, ready for grinding electronic music and intense cinematic scenes.  
 
TRIPLE DUTY
Powerful characters always have layers of personality; these loops play out in three forms. The clean version gives you the sounds just as the DFAM produced them, pure analog beats with creative rhythms. The effects version sends these loops through dark atmospheres, opening up rich echos and ambient reverbs for evolving industrial impacts. The third version is trashed, torn apart with spatial and distortion effects. These dirty loops are stylishly harsh and fabulously lo-fi, with crushed and mangled components.
 
ENDLESS ACCENTUATION
The clean loops are infectious and can easily elevate a track, as is. They also make a fantastic starting point for creatives who get thrills manipulating sound through their own favorite effects chain. The “Bad” and “Ugly” versions of The Good the Bad and the Ugly crave application in suspense and apocalyptic storylines. They are the beats of the rising resistance, the terrifying chase, and the final battle. Film and game composers will find instant inspiration as they delve into these heavy percussive accents.

Tech Specs
The Good The Bad and The Ugly - Individual Packs

- 37 x 24/441 total loops
- 1 loop presented as Clean, FX, or Dirty+FX
- Organized by BPMs 80 - 150
- 290+ mb

The Good The Bad and The Ugly - Complete Bundle

- 111 x 24/441 total loops
- 1 loop presented 3 ways (Clean, FX, Dirty+FX)
- Organized by BPMs 80 - 150
- 890+ mb

The Good The Bad & The Ugly 120 02 Clean

Sound example of Lush 2 - Multilayer Polyphonic Synthesizer - a plugin from D16 Group Audio Software.

All audio come from single Lush 2 instance with no extra processing added.

Lush 2 Factory Content Walkthrough

This is my contribution to the Quad song challenge. Enjoy!

Quadrilogy

am-bass

https://emergenceaudio.com/product/infinite-upright-textural-piano/

"When We Sleep We Dream" by Michael Vignola (Infinite Upright Only)

2600hz

Hear examples from Bitwig Lab, a sound package with nearly one gigabyte of signature clips, samples, FX, and device presets designed exclusively for Bitwig by Cristian Vogel. Dig deep to discover how the producer, performer, and sound designer behind NeverEngineLabs uses Bitwig Studio devices to create granulation, deep-freeze reverb, wavetable synthesis, beat-generating modulators, and more. 

Learn more about Bitwig Lab: https://www.bitwig.com/sound-content/sound_content-146/

Humblewave Holstein Dub - Bitwig Lab Demo

3 tracks of Moog Messenger (main 5th chord, FM shortwave sounds, arpeggiated high notes). CR-78 and 909 bass drum samples from Ableton. ValhallaFutureVerb™ used for reverb, spring reverb, and echoes.

Messenger From The Void

This is my contribution for Synapse Audio's The Legend Synthesizer Song Challenge!

The End Of A Legend

Sundial Tone

Mirage

Original music blending guitars, synthesizers, loops, samples, and noises using organic approaches.

2600hz

peterteipe

Related tracks