Hi Peter, very well done. This is emotional and epic, section from 1:40 around is perfect. Congrats

It's a very delicate sadness for me. Quite  deep also. Thanks for the magic.

Very impressive composition and beautiful piano!

A very harmonizing soundtrack, and it sounds badass!

Indeed, I can feel the frailty in this track. I love how it collapses at the end. Nice work!

What a beautiful piece, it places me directly in the Scottish wilds and highlands.

I always wanted to write a song that featured a steam train of a harmonica solo in the spirit of Neil Young. The song is about living life on your terms.

© Copyright Mark Zimmerman 2021. All rights reserved

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Melodic guitar driven rock with a 90's feel.

The Forecast

The Forcast

Epic Orchestral Music || Cinematic Piano Background Music.

🎧 STREAMING LINKS:
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Delicate

Delicate (Emotional Piano Orchestral)

The Place With No Name

Music for piano and string quartet.

Strings: leos-strings.com brookspearemusic.com

Artwork by Katja Lang: https://www.katja-lang.com


Follow:

Links: hoo.be/stevengutheinz

Spotify: open.spotify.com/artist/2pHCm7cvE0ADlPp68tScqW

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The Near Side

Zavata: A Slice of Time soundtrack by Ruslan Perezhilo. The film is directed by Fernando Antonio Maffei, produced by Francesco Tribuzio, with cinematography by Lisa Muzzulini and sound by Massimiliano Borghesi. The cover features a painting by Barbara Stefani. This international project was shot in Trieste, Italy, with some post-production completed in the United Kingdom. The film features actors Francesco Tribuzio, Alessia Franchin, Zoe Pernici, Mefehnja Tatcheu, Susanna Gilardi, Michela Cembran, and Lorenzo Acquaviva.

This is Track 5 out of 6.

A Healing Spice

The next soundtrack for Shadow Slave, focusing more on the moments in-between.

Drifting Threads

Dance In The Shadows

Springs Songs (for Tenor and Chamber Ensemble)
Duration: ca. 20'

MOVEMENTS:
I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II. April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

Performers: American Modern Ensemble; Alok Kumar, Tenor
For More Information: https://robertpaterson.com/spring-songs
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
Also available as a version for tenor and piano: https://robertpaterson.com/spring-songs


PROGRAM NOTE
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller for the American Modern Ensemble.

AME ARTISTS
Robert Paterson, Conductor
Alok Kumar, tenor
Grace Law, flute
Nuno Antunes, clarinet
Samuel Z. Solomon, percussion
Geoffrey Burleson, piano
Victoria Paterson, violin
Peter Sachon, cello

The Four Seasons

Spring Songs - IV. The Widow’s Lament in Springtime (Text by William Carlos Williams)

Musica pensada para ir de compras. Un día por la zona comercial del centro de Zaragoza pensé: ¿Cómo se puede crear esto? y aquí esta....

Sonido Ambiente

Hi! My name is Peter. My works are combining epic and delicate orchestral elements. I started playing cello in Jokilaakso Music Institute at the age of 7, so orchestral music has always been close to my heart. I've also done guitars and vocals in many bands (rock/pop, acoustic, folk).

If you need some other music for you project, please contact me!

Delicate (Emotional Piano Orchestral)

Peter Widebay

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