Something for the Bag Season flip. Shouts to the whole #SampleRumble and #KoalaSampler family!

Pete Sasqwax - Bag Season chops

Pete Sasqwax - EBB3 X B-Boys

Pete Sasqwax - Elektronauts Beat Battle 4

A chopped up drum break + hi-hats from the disco record, pitched down timpani's from the OST & all the rest from the unreadably Cyrillic masterpiece

Elektronauts Hip-Hop Beat Battle 5: Less Is More

Extract from work in progress scratch production

Tritone(Scratch Production Version)(WIP snippet)

For the first Digital Vertigo remix competition of 2014, this is based entirely on Johnny Harris' 'Movements' LP, in particular the first track which is from the film 'Fragment of Fear.' I added the drums from elsewhere and the percussion is from another track off the same album (but also appears in the film). All the dialogue etc. is from the original film trailer. All melodic elements (including the fuzz guitar) are derived from the last 3 bass notes on that first LP track.

As it's just for fun, I figured that downloads should be enabled too. Enjoy.

DV vs JH

My side of the split tape release with Madslo. 40 minutes of original beats and oddness of which this is my 20mins.

If you don't already, keep an ear on Madslo here:
https://soundcloud.com/madslo

Temporal Audio Psychosis Exercise

From the late 90s, early 00s, but I can't be 100% specific. 30 mins a side. Download enabled. Fill ya boots!

Waxfactor - Battlecake Mix Vol 1 (side B)

Waxfactor - Battlecake Mix Vol 1 (side A)

Cometh The Man, Cometh The Power

Created for the Digital Vertigo beat battle

Pete Sasqwax x A Library Record Which I'm Not Going To Name

Big shout to Matt for the source material. 

RIP Percy.

Electricbirdhouse

Just dirt. I don't have words. 

Sounds like low-grade raw Octamed filth that came out of the Amiga in the late 90s. Certified Battlecake material. Nastiness. 

Pete Sasqwax - What This Button Do?

Ok, so I took a stab fade-out from a record I was supposed to be remixing, pitched it down an octave, pitched it back up 3 notes to make a 2 tone loop and then recorded about 10mins of that to a cassette. I recorded it back into my DAW a few times, each time through a different effect or guitar pedal (the first couple of times it was mainly the DBA Echo Dream 2, the third time it was more or less all using my Minibrute as the filter - hence the title). Why does it change halfway through to another thing? Well, I'd recorded that loop first and when the 10 mins were up and I was still playing with the Minibrute filter, that came on. Seemed to work nicely, so I pitched it down a bit so that it was in key and worked it in there.

For what it's worth, the only stuff on there that didn't originate from the record I was working with is a filtered 808 kick that shows up a couple of times and the drums.

The drums. Yeah - about those. The track does have drums in some parts (if you have enough patience). That wasn't intentional. In fact I more or less swore I wasn't going to use drums and that this was going to be the start of extended forays into beatlessness. Didn't happen. Sue me. I'm a dirtbeat obsessive. Like many a nun has discovered to her chagrin: old habits dye hardly.

Police MiniBrutality

Gobbler86

Matastrophe

By way of a tribute to David Axelrod, all the melodic elements on this track are derived from "A Divine Image" from his 'Songs of Experience' LP. RIP to a singular individual and a true musical genius. 

If you're not familiar with the original track I'd strongly suggest that your time might be better spent listening to that rather than this, but whether you heed that advice is obviously down to you, when all's said and done.

Sasqwaxelrod - Voice In The Wilderness

Vintage experimental electronic tapes pushed through the Waxfactory woemachines.

Cold Waves of Wax

This was for a remix competition. I've always liked the Nosdam gets down so I figured I'd put my flip on it. Nobody cared but then neither did I. I enjoyed it. Contrary to what the track might whisper in your ear, mescalin is mainly bad. Lots of is, anyway.

Odd Nosdam - Kill Tone Two (Pete Sasqwax remix instrumental)

Styx sample + MPC software + Maschine controller + Paulstretch + Effects

Possibly came out cleaner than I expected/wanted it to, but it is what it is...

BB207

9-track EP of previously unreleased material. Produced, engineered & mixed by Pete Sasqwax with the string plucking talents of the one and only John Rose featuring on track B4 "Zoeller". All cuts, scrapes, bruises and abrasions by Pete Sasqwax. Recorded at The Waxfactory at various points over the last decade - mostly in the last few years but "Schoolyard Sass" has been around (yet unreleased) for an age and a half. Mastering by Pete Phillips at Analogue Fidelity. Artwork by Pete Sasqwax.

Download available at:

waxfactoryrecords.bandcamp.com/album/sleeprs-ep1

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