great sound , nice evolution about this music production  ( but human , I 'm not sure ?)

sensational work... so well done.. immersive and engaging

great piece Pete! yes let's stay vigilant and uneasy ...

the primate challenge.... a very imaginative piece of work!!

great title for a very nice pulsating piece of insanbient! ☻

If this is insanbient, I am all for it :) Lovely stuff

Superb meditative piece - keep looking in and out!

MMXXIIIIIIIVKNDLNGCT

VB - 15

Ive always pursued my music from a very spontaneous perspective  starting with guitar, i try to approach  things in a very organic fashion even with electronic  modular  synths  i have logic + mother keyboard i never use it ! For me the work flow  must synchronise with how & what motivates me in the feeling of the moment in a natural chaos  ..deliberated yes of course but clicking around on a screen while writing makes me wanna blow my brains out . ! Anyway for me personally this track exemplifies that feeling of the moment in Celebration..One shot recorded live job done 🤗 Thanks for  listening 🤗🙏😊.This is a DAW-less production .

Celebration  🤗 🙏 😊

made for good headphones

method: harp, drumsticks, voice, shoegaze, etc
narration: in my mind, there's been this convoluted, overly-complex story playing out about a diplomat losing a note on a sidewalk and media spinning its content into disrespect and all that .... when all this poem really is about is a reminder to mentally adapt to and cater for the usual range of diversity, I guess.
image: copyright jo richter

poem / copyright jo richter:

all those who come here
hold dear what they fear
most in attendance
are in ego-state trance
some of those present
are neurodivergent
while we'd long to see
more of those thriving on empathy

reminder

Odysseus

Montage et photographies :
@ 2024, Chartrand Saint-Louis
Lien vers la vidéo : https://youtu.be/YtOpv0vo2fY 

Musique :
@ 2024, pièce de piano, titre : "Éveil printanier", par Albert, 2:28 min.

Mixage, révision et sonorisation par Albert

Éveil printanier

"Éveil printanier", par Albert; Mixage, révision et sonorisation par Albert [lien vidéo]

Performed by David Cooper

Written by:

Music - David Cooper

Lyrics - Ron Todd

"Dust Clouds On The Horizon"

Heading out across the plain   
Eyes can't focus in the driving rain  
Horse is tired underneath my jeans 
Easy life ain't as easy as it seems  

Worked the ranches  rode the rodeo 
Risked it all on one last throw 
But as the time it turns to sand 
Worldly goods here in my hand

Chorus

They say life is special  
They say life is good   
But the cold still gets underneath this hood 
But when the sun comes out  
Feel It burns like fire 
And the prairie dust gets higher and higher 

Old guitar strapped to my back 
Singing songs at the roadside cafe (sang caf)
Like Bronson said along the way 
Might go back  maybe some day 

Chorus

Bridge

Days leaving money lying on a night stand 
Women I’ve known some good  some bad
Some had grace just like a ballerina 
Others they rocked it  rocked it like Tina

Guitar break
 
Dreamt about a tired old man 
He was sitting by a rusty old van  
Watching waves come to the shore
Felt I’d walked this way before

I realised this guy was me 
Songs replaced by senility 
Poured myself a whisky glass 
Glory days they just don't last
 
Chorus

Give it everything you can 
Cos when it's over then it's over  
Whether woman or a man 

And that prairie dust just gets higher and higher
Yeah it just gets higher and higher

Dust Clouds On The Horizon (Cooper/Todd Collaboration)

Old track taken from "Eterociclica" (circa 1999). A description of the suggestions inspired by the molecular structure of the Thiazole molecule.

Electric guitar, real-time loops and electronics.

Tiazolo (1999)

on this version, Josh Guice plays drums and James Abendschan plays bass (but you can't hear that very well).

Mischief Noir

Standing Tall And Ready

from the 11 track album HOW TO BE A PRIMATE IN THE 21st CENTURY
Listen to it on The Church of Noisy Goat on Bandcamp :
https://thechurchofnoisygoat.bandcamp.com/album/how-to-be-a-primate-in-the-21st-century
Painting by Pete Swinton 1997

How To Be A Primate In The 21st Century

Pete Swinton is a half Hungarian, half Polish man born in London, UK in 1961. Between 1988 and 2003 he lived in Portugal. Since 2015 he lives in Jawa, Indonesia. He began playing guitar in the '70s. He started playing keyboards in the 2000s. He makes Ambient and Experimental music. And a cross between the 2 which he calls Insanbient music. He was using the name Srigala but has now stopped. (To hear the music as accurately as it was recorded and mixed the use of headphones is strongly recommended)

How To Be A Primate In The 21st Century

PETE SWINTON

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