AHHHhhh, that was that one, yes... just awesome, if only there was one slot left for the proper bass, yeah. Still sounds beautiful, though!

Crazy for a single instance. Solid percussion and a great groove with great space in the mix. I love the track. Needs bass though!! Even if it's just a super low note from the pads.

what everyone else around town is saying: this is really impressive for a single-instance track!

good composition.  good sounds. it's a keeper.

It happens to me every time I listen to it: I admire your work, then I go down to the comments and realize that this is also one instance... then I get hit on the head and in a new perspective, as if I tried the same dish, but now generously sprinkled with glutamate, this track just shines! It's made of simple solutions, but it doesn't sound simple, it sounds professional and beautiful!

So impressive for a single instance. The balance is really good and the groove lively. Strong work as always.

This is really well produced. Excellent sounds and mix !  Very crisp and clear indeed. And enjoyable music too :)

I like the old school tracker vibe in this one. In 8-bit, this would have been a great Amiga demo soundtrack.

Congratulations -- awesome one instance track!

After finding out my boyfriend cheated on me, I take my silver Testarossa Spider for a late afternoon ride on Pacific Coast Hwy to clear my mind. Time to move on.

[My entry for the KVR One-Synth-Challenge Oct. 2024 / SixTraq plugin]

Santa Monica Sunset Drive '87

Made for KVR One-Synth-Challenge 188 using single instance of Six-Traq synth
https://sites.google.com/site/kvrosc/2024/osc-188-six-traq

bzz - Tracking to the End of the Tunnel

Hit em style: 212 BMP, 5/4 time signature. 
https://x.com/DDDrewDaniel/status/1817910903557570569

All sounds 38 instances of Full Bucket Six Traq in Ableton Live.

TDR Nova, Kotelnikov, Molotok, Brainworx Master Deck Classic, LoudMax, Valhalla Super Massive, and Ableton plugins.

Infernal Combustion Engine (OSC 188 Six Traq)

One Synth Challenge 188 entry by Seap, October 2024
Synth: SixTraq by Full Bucket Music

The year is 1981, and the disco is alive with the vibrant energy of Halloween night. The dance floor is a sea of costumes, from classic vampires and witches to the latest pop culture icons. The DJ, dressed as a futuristic robot, proudly showcases his brand new Roland TB-303, a synthesizer that promises to revolutionize the sound of the night. As he tweaks the knobs, the room fills with hypnotic, pulsating beats that make the crowd move in unison.

In the corner of the disco, an arcade machine stands as silent sentinel, its screen glowing with the sight of a yellow, cheese-like character being chased by ghosts. The game, a recent hit, draws a small crowd of enthusiasts eager to beat the high score. The clinking of quarters and the excited shouts of players blend seamlessly with the music, creating a symphony of sound that defines the era.

A group of friends take turns at the arcade machine, laughing and cheering each other on. Among them, a few are dressed as ghosts, their white sheets fluttering as they move. One person stands out in a bright yellow cheese costume, drawing amused glances and playful comments from the crowd. The DJ, noticing their enthusiasm, decides to mix in some of the game’s iconic sounds into his set, causing a ripple of nostalgia and excitement to spread through the crowd. 

As the night progresses, a girl dressed as a pink ghost finds herself dancing closer to the yellow cheese. Their laughter is infectious, and their eyes meet frequently, each glance lingering a little longer than the last. The chemistry between them is undeniable, as they move closer, their hands brushing and smiles widening. The music swells, and they lose themselves in the rhythm, feeling as if they are the only two people in the room. As the final song plays, they share a knowing smile, realizing that this magical Halloween night has brought them together in a way they never expected. With a promise to meet again, they part ways, each carrying the memory of this unforgettable night in their hearts.


Organic Synthesized Chaos

Ghost And Cheese [OSC188]

...but this synthesizer still found a little place in my heart, even for one short but bright moment!

One instance of Six-Traq in Cakewalk. FX: DReverb Light, Proximity.

IV - That's All... *sad sigh

Space opera track inspired by Vangelis and JM Jarre. Created for the KVR One Synth Contest (OSC). Photo by me. Please do not use without permission.

Spridgeon - Van Jam Jar in Space

My entry for OSC 188 - Full Bucket Six Traq.

Made in Reaper 6, using 21 instances of Full Bucket's Six Traq.

Pushed and prodded lightly at track level by TDR Nova, HOFA Gain, Kazrog KClip Zero, and Flux Bittersweet. 

Delayed to a fair extent by Hy-Delay 4.

Reverberated by Oril River, Protoverb, and ADverb. Assisted by TDR Nova, HOFA Pan,  A1 Stereo Control, and Flux Bittersweet.

Some more light prodding at the master level by TDR NOVA, Flux Bittersweet and A1 Stereo Control. Louderized using Limiter No 6.

Oh No !  Not Again !

Here's my OSC for November using only Dawsome's Myth in Bitwig
made with :
30x Instances of Myth and the following free VSTS and DAW Plugins:

VSTS:
AirWindows Infrasonic
AirWindows Monitoring 3
AirWindows UltraSonic
BusterSE
BX Masterdesk Classic
FericTDSMkII
Frontier
KHs TranceGate
Limiter No6
OTT
Pancz
RareSE
SuperCharger
TDR Kotelnikov
TDR Molot
TDR Nova
Valhalla Supermassive

Bitwig:
Arpeggiator
Convolution
Delay+
EQ+
FX Grid
FX Layer
Humanize
Instrument Layer
Mid-Side Split
Multiband FX-3
Note FX Layer
Note FX Selector
Note Repeats
Note Transpose
Sculpt
Stereo Split
Tilt
Tool

bzz - Tracking to the End of the Tunnel

Petr Němec

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