normally I would hate the scratches but they seem to to be meaningful in the overall feel of this track

Very cool done! you have a great feeling for the themes you handle!

alluring with a sinister edge my friend , excellent !

Wow, what an atmosphere. Disturbingly great.

Good electronic arrangements 💯💯💯😎😎😎😌

very good keyboards excellent 🎹🎹🆒🎹💯💯😎

Very good your work excellent 🎹🎹🎹💯💯😎👍

Don't Abandon All Hope

An instrumental lullaby that I wrote for my daughter who arrived recently and has turned my world on it's head (in the most amazing way) :)

Mia's Lullaby

All I ever wanted.
=========================
Rekha Iyern (Voice)
Manu (Delaflor) guitar riff
Midisound (Drums, bass, guitar, and synths).

Concept created in late 2022

When I heard Rekha years ago, I couldn't stop thinking about how I could adapt a song to her voice.

Thanks to Delaflor, who had already collaborated with her, she was able to contact me and offer me a song. After several weeks of work, Manu added an excellent guitar riff that partially camouflaged my horrible synth guitar.

thanks to my two traveling companions on this occasion for their patience and dedication.

Listen to ReKha and Delaflor's music at these two links.


https://soundcloud.com/rekha-iyern-fe

https://soundcloud.com/mercer-goldengalls


34 tracks MS2 and forum Xewton
3 Track Audiokit
4 tracks Sunrizer synth.
Software Music Studio 2
Hardware. iPad
Mix by Delaflor


Thank you everybody

All I ever wanted (Rekha Iyern [Fe], Delaflor & Midisound)

Last spring, I had a jazzy musical interaction with songbirds to produce Magnolia. This spring, I explore the genre of jazz once again but this time with a mockingbird.

A few weeks ago, I recorded a mockingbird singing a jazzy serenade a cappella from his perch on my neighbor's chimney. And oh my! The bird sang like he was the hot new kid on the block, and the whole neighborhood had to listen!

The Northern Mockingbird (Mimus polyglottos) can sing up to 200 different songs, some of which are original and others mimic the sounds of other birds and creatures, including insects and machines. 

I added electro — keyboard, piano, bass, and electronic drum kits — to the mockingbird audio recording using my MIDI and DAW, and I hope you find the music as amusing and entertaining as the jazzy mockingbird’s song.

Chill jazz fusion at 85 bpm

Audio of mockingbird recorded live April 2, 2025. The LoFi audio is raw, unaltered except for cuts to delete car noise and the conversation of neighbors, so that the music wraps around the birdsong.

With props to Harper Lee’s book, To Kill A Mockingbird, whose main character Atticus Finch teaches that it’s a sin to kill mockingbirds because they harm no one with their songs — a symbolic theme of the book — it’s wrong if not evil to attack or destroy innocent people.

“Mockingbirds don't do one thing but make music for us to enjoy…. they don't do one thing but sing their hearts out for us.”

…………………….
DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard
E-INSTRUMENTS:
Concert Grand piano
SoCal Ballad Piano
Ambient Lead
Warm Glow Chords synth
Lunar Strings synth 
Fingerstyle Electric Bass
Deep Round Synth Bass
E-DRUM KITS:
Drum ‘N Bass Remix 
Trip Hop Remix 
Trip Hop Remix Phaser
Trance Remix
2-Step Remix 
African
Latin 

COVER ART is a composite using AI-generated images created by the DaVinci app and then designed in Photoshop.
………………..

.

Mockingbird

For Earth Day, an electro hymn at a chill 70 bpm

In praise of water 
Created before we 
of land and sea came to be 
Glory to water 
Magic elixir 
Life sustaining 
Half of it containing 
My body 
Fills oceans rivers lakes 
And thirsty tree
Fatefully 
Where it chooses 
Water never loses 

Sacred aquifer
Whose travels blaze 
the paths we sail
To raise a glass of wine
To water!
To living well 
To drink of grapes that streams 
Feed over time 
To the majestic flow 
On and on and on we go 
Like a slave’s escape to liberty 
Wade in the water, children
Set yourself free 

With props to Ramsey Lewis, Wade In The Water, 1966.

…………………….
 DAW: Apple Logic Pro X 
MIDI: Akai Professional Keyboard 
E-INSTRUMENTS: Concert Grand piano SoCal Ballad Piano
Mexican Guitarron
South African Singers  Momentum synth Lunar Strings synth  Deep Round Synth Bass 
E-DRUM KITS: Drum ‘N Bass Remix  Trip Hop Remix  Trip Hop Remix Phaser Trance Remix
2-Step Remix  African Kit Latin Kit

Audio of running water recorded live on April 20, 2025.

COVER ART is original CGI by SUNNYBECK using a composite derived from AI-generated images rendered as original CGI, then retouched and designed in Photoshop. ………………..
.

Water Hymn

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Reminiscence – The Gentle Return
Sometimes the heaviest moments are the quiet ones.
When a single piano speaks louder than any voice,
not with words, but with the aching stillness left behind.

Reminiscence is the sound of looking back,
of revisiting the empty chair, the quiet room,
the laughter that once filled it – now just an echo.
It’s not a cry for comfort, but a slow exhale of memory.

This piece doesn’t try to escape the sorrow.
It walks beside it – unafraid, tender, honest.
Because some things cannot be forgotten.
They live on in sound, in silence, in the spaces between the notes.

Performed entirely on the Bechstein  –
a grand piano from EastWest, known for its haunting intimacy.
Its velvety resonance and delicate detail bring life to the sadness,
like a whispered goodbye that lingers in the air.
Every nuance was shaped by human hands – with reverence, with grief.

Part of the album Tides of Melancholy.
No AI. No shortcuts. Just soul, sorrow, and sincerity.

Composed, played, and felt by myself –
for all those who carry someone in their heart but can no longer hold them.
Thank you for listening – and for making space for this gentle return.


Reminiscence – Die leise Rückkehr
Manchmal sind es die stillsten Augenblicke, die am schwersten wiegen.
Wenn ein einziges Piano lauter spricht als jede Stimme –
nicht mit Worten, sondern mit dem Schmerz,
den nur die Abwesenheit kennt.

Reminiscence ist ein Blick zurück.
Zu dem leeren Stuhl. Dem stillen Raum.
Dem Lachen, das einmal darin lebte –
nun nur noch Erinnerung, verhallt im Nichts.
Dieses Stück sucht keinen Trost.
Es atmet die Trauer – langsam, behutsam, aufrichtig.

Denn manche Verluste verblassen nicht.
Sie bleiben – in einem Klang, in der Stille,
in dem, was zwischen den Tönen unausgesprochen bleibt.

Eingespielt auf dem Bechstein Sus Rep Lite DYN –
ein Konzertflügel aus der EastWest-Piano-Serie,
geschätzt für seine emotionale Tiefe und intime Klangcharakteristik.
Sein samtiger Ton und seine fragile Präsenz
verleihen dem Schmerz eine Stimme,
wie ein leiser Abschied, der in der Luft stehen bleibt.
Jede Note wurde mit Sorgfalt und Gefühl geformt – von echten Händen.

Teil des Albums Tides of Melancholy.
Keine KI. Kein Trick. Nur Seele. Nur Trauer. Nur Wahrheit.

Komponiert, gespielt und empfunden von mir –
für all jene, die jemanden im Herzen tragen, den sie nicht mehr in den Armen halten können.
Danke fürs Zuhören – und dafür, dieser leisen Rückkehr einen Platz zu geben.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Reminiscence

Well’s track Glycerine with Llanpsych guitar

GLYCERINE - with WELL

An unsettling meditation on perception in the digital age. Through dark ambient textures, experimental pulses, and fragments of glitch and cinematic sound, Raw Cognition explores how human awareness burrows into the fabric of our hyperconnected society... restless, hungry, and never quite at ease.

In this world, the human body becomes a metaphor for our digital landscape, and the chigger... tiny, invasive, relentless, embodies human perception: feeding on the endless scroll of content, reacting to the invisible hum of online life, and leaving a lingering psychic itch.

Dig Deeper Little Chigger is a journey into the spaces where technology, isolation, and introspection collide.

Deeper Little Chigger #6


In this collaboration, Radboud Mens and I explore the tension between stasis and movement. Operating within the realm of drone and electroacoustic music, we construct a sonic landscape where sustained tones and microscopic events constantly shape and reshape each other. What initially appears static reveals itself to be rich with detail: tiny acoustic shifts breathe life into apparent stillness, inviting focused and attentive listening.

The album emerged from a process where sound research, improvisation, and sound design merge. Self-built instruments, the search for timbre and texture, and recordings of the learning process itself form the foundation of these compositions. Rather than following a traditional musical structure, the result is a sonic field in which the minimal continually transforms depending on the listener’s perspective. This is a layered and handcrafted album that doesn’t narrate, but questions. Marking A Boundary With The Turning Point is not a boundary. It’s an invitation to listen differently.


released June 9, 2025

All music by Ard Janssen & Radboud Mens
Mastered by Stephan Mathieu at Schwebung
Artwork & design by Ard Janssen

Manufactured by Record Industry
Distributed by Clone Distribution

Spirit Level II

God’s Acre

I am Musician,explorer, sculptor and painter Petri Kiviniemi from Finland. 


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MOONDUST

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