Ci sono esperienze che lasciano un segno.
Un segno che è importante annotarci, rendendolo visibile e perenne.
Queste musiche sono nate da un connubio tanto intenso quanto fugace, una collaborazione con AkAb, al secolo Gabriele Di Benedetto, un artista talentoso per il quale ho avuto l'onore di intrecciare suoni e rumori per il suo cortometraggio all'interno del Film Fantasma prodotto da Carboluce.
Il tema del corto è forte e destabilizzante, e AkAb ha voluto che le musiche fossero un discorso sonoro a sostegno della voce narrante.
Ringrazio Carboluce e in particolare il suo direttore artistico Roberto Rup Paolini per concedermi l'opportunità di creare questa piccola creatura chiamata ||| RESPIRA |||.
Dedicato a AkAb.
Carboluce: www.carboluce.com/carbovirus.html

||| DIO MI AMAVA ANCORA |||

Queste tracce sono l’elaborazione del materiale realizzato per lo spettacolo teatrale “Architettura della Disobbedienza”, una performance immersiva e interattiva, che indaga il concetto di inconscio collettivo della città, interrogandosi sulle discrepanze che vengono a crearsi tra l’immagine istituzionale e mediatica dello spazio urbano contemporaneo e la percezione soggettiva che ne hanno gli abitanti.

Credits:
Ideazione del progetto Francesco Fassone Creazione e messa in scena Emiliano Bronzino, Francesco Fassone, Maria José Revert Drammaturgia Fabrizio Sinisi Performer Maria José Revert Voce narrante Daniele Timpano Paesaggi sonori Petrolio Performer trainer Alfonso Crosetto Collaborazione alla creazione Elisabetta Maniga Produzione Associazione Craft all’interno del progetto di ricerca “Tango-Down Athena, Il teatro come hackeraggio del mito urbano”, coordinato dal POLIMI DESIS Lab del Dipartimento di Design – Politecnico di Milano. Coordinamento Scientifico Davide Fassi (coordinatore), Annalinda De Rosa, Francesco Vergani, Virginia Tassinari

IL VECCHIO E IL BAMBINO

06 La Mater De Odio

PETROLIO+MAIMAIMAI
MAI MAI MAI
is the materialization of a travel in time and space. Born on a little island of the Aegean Sea around 30 years ago, Mai Mai Mai since childhood followed his parents around Europe and the Near East, assimilating the different cultures, atmospheres and sonorities of the places he was involuntarily taken to.
Short periods of time which were intense enough to leave indelible traces. This project is the transposition of those experiences into music and sounds: a mix of drone and ambient, steamy and phat beats, field recordings and soundscapes which lead to ancient and arcane ages, on the border between east and west.
In this space/time travel Mai Mai Mai seeks for a story, an identity, a face.

FISH FETISH /// VYNIL

PETROLIO+ARBEIT
ARBEIT
Jochen Arbeit (Germany) moved 1980 to Berlin and became part of the loose artist and music movement “Geniale Dilettanen”. Which had its roots in Punk Rock and Dada. In 1983 he became a member of the influential Instrumental-Band “Die Haut”, with whom he started touring in Europe and overseas. The band produced records in the USA with fellow like minded Artists as Singers. 
The band always wore suits on stage.In 1997 he became an official member of the Avant-garde Noise Band “Einstürzende Neubauten”, which he met in the early eighties and is working on all albums and tours since then.
In 2006 began working with dancer/performance artist Vania Rovisco and Abraham Hurtado, which led to the art project “AADK” 
From 2010 on he is also inviting like- minded musicians for his Concert Series "Soundscapes" in Berlin and other Cities. In 2011 he founded the Band AUTOMAT with members Zeitblom and Achim Färber,with whom he recorded 3 albums for Bureau B Records and played concerts and festivals all over Europe, Australia and China.Current works and collaborations in Performance/Dance with the finnish choreographer Milla Koistinen and AADK Spain and AADK Portugal. In 2014 a album production with Einsürzende Neubauten "Lament" and a following tour through Europe.
2015/2016/2017 Touring with Neubauten,Arbeit Solo Shows in Italy; Spain, Portugal, Denmark; Sweden and AUTOMAT.
2017 release of new Solo Album "Messages".
Ongoing projects are AADK (Abraham Hurtado/Vania Rovisco), Soundscapes (Live Improvisation Concert Series), Solo- concerts and the bands AUTOMAT and Einstürzende Neubauten.

WOOD AND THE LEAF RITE /// TAPE

PETROLIO + N RAN
RAN 
born after a lucky tarot reading, and its name  comes from the hippies inclinations of his family. He grows secretly listening to Laurie Anderson and Lou Reed records many years before they become a couple. When he was a teenager, punk and hardcore opened the doors about counterculture, and noise becomes an great part of his life. Disappointed with writing, his first love, he started his military career in several bands of the underground, and he understood that screaming in a microphone is more poetic than a film by Frank Capra.
At the beginning of 2013 he founded the underground label Dio Drone, a small reference point for extreme local music, and he start to experiment with his own more drone, ambient and noise inclinations, alternating atmospheric material with wild readings on industrial carpets.

BleuAudio Records took care of the first release on November 22, 2017 titled 'De Profundis Clamavi Ad Me Demon', a 7 '' containing a single track made with the sole use of voice and an iron object.

In spring 2018, instead, 'Martyris Bukkake', the first official album, is produced and distributed by a group of homegrown labels.

VUOTO À PERDRE /// TAPE

PETROLIO+SIGILLUM S
SIGILLUM S, 
have been covering unknown territories among extreme electronics, fringe acoustics and occultist noise since 1985, with an original line up of Eraldo Bernocchi, Paolo “NG5361” Bandera and Luca Di Giorgio having now evolved to the current formation, where Eraldo and Paolo have been joined by Bruno Dorella, with Petulia Mattioli taking care of visuals, while through history many other friends and collaborators have participated at different level.
SIGILLUM S have been continuously developing their own special brand of post-industrial audio investigations of many different natures, where theories have led the effort and employed sound as a tool for the mapping of the neglected areas of the subconscious.
The result has been an endless paradigm of decadent electronic mutations, merging concrete gust research with acoustic transmigration, while visuals and many other forms of channels have been also adopted, in order to achieve maximum interaction intensity.
It’s a glowing blend of magical anomalies, radical knowledge and esoteric carnality, crawling and expanding through what tens of releases and extensive live performances through man
The current configuration of SIGILLUM S merges all the layers of their post-industrial past (…from blackened ritual drones to glowing sequence explorations…from controversial body mutation to full blast assaults….) into the most recent recordings: taking inspiration from the fractal soundscapes of 2017’s “23/20” and 2013’s “GLAMOUR & DECADENCE ACROSS GALAXIES” in  2013, ranging then through the 2016’s 30^ anniversary “NON SERVIAM” Trilogy, the new 2018 album, “THE IRRESISTIBLE ART OF SPACE COLONIZATION…”, sees the trio line up of Eraldo, Paolo & Bruno scratching all sort of alien conceptualizations and defining an ever changing continuum of post-noise beats and sudden shift in experimental atmospheres. 
Beyond every limit, they inflate their obsession for psycho-geographic themes into a morbid collection of unprecedented novelties and forgotten sound archaeologies, exploiting at best also the unique power of Petulia Mattioli’ s devastating art works.
In a vortex of decayed sensuality and apocalyptic references, perceptions crumble and demons explode, dropping knowledge outside of every comfort zone…. embrace the intoxicating scent of their iridescent silence dust.

PEREGRINOS DE ALMAS /// TAPE

Some songs part of comps, collaborations published in different sites and dates..

7 05

||| RESPIRA |||

||| RINASCI |||

Is Superman Covid Fear Free?

Me temo que el Mundo está cerrado

Experimental one man project formed by P. 
P.: synth, noises, drones, drums, bass
P.: these are noises with spatial emotions
P. wants only to play the doom days soundtrack..

Petrolio ///

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