Listening to this I imagine I’m looking out at its vastness, seeing all the undulations, overlappings, and feeling a deep serenity amongst it. Very nice work!

très bel arrangement des timbres, un orgue dense & profond.

Superb soundscape....wonderful rippling wave sounds!

Dauer is inspired by the poem "Gedicht an die Dauer" by Peter Handke.  

lyrics

[...] and could, there, describe the feeling of duration / as an event of attending to, / an event of contemplation, / an event of being embraced, / an event of being caught up, / by what?, by an additional sun / by a refreshing wind / by a silent delicate chord / moderating and uniting all dissonances /  

credits::

from Scanners, track released February 18, 2023.

Lorenzo Brilli - sampler, production

Mixed by Ruggero Fornari

dauer

Offworld MXMLXXX

The Pièces froides are two sets of piano pieces composed in March 1897 by Erik Satie. Unpublished until 1912 when Ravel played them publicly, they marked Satie's break from the mystical-religious music of his Rosicrucian and Gymnopodies period (1891–95), and were a harbinger of his humoristic piano suites of the 1910s. 

The title Pièces froides, translated as Cold Rooms or Cold Cuts, is a punning allusion to the dire poverty Satie experienced during his last years living in Montmartre. In July 1896, he had been forced to move into an unheated ground floor closet (he called it a "cupboard”. The space was so small that Satie's camp bed all but blocked the door shut, and on frigid nights he kept warm by sleeping fully dressed with the rest of his clothing piled on top of him.

This the second of the two cold pieces: Danses de travers (Crooked Dances)
1. En y regardant à deux fois (Give it a good look)
2. Passer (Go on)
3. Encore (Again)

Here i've arranged the original solo piano for 2 classical guitars, 12-string, celeste, woodwinds & strings.

cover art: Le Repas Frugal by Picasso

Erik Satie, Pièces Froides

Anomaly .7

Floating After The Flare

‘aqua aeterna’
Modular Eudemonism.
Track created in 2023.

Columbo on the beach.

Fully generative.

Tools :
Marbles (with jitter).
- E352 Cloud Terrarium (Morph+Phs) > Data Bender > Monsoon (Clouds mode).
Ochd, Batumi, Zadar.
Quad Vca, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Ocean Reflections [modular eudemonism]

‘quasi’
Modular Hedonism.
2023 live performance.

A wink to @mesmo1, to the consistency of his talent and creativity.

Tools :
Pam’s, Marbles, Varigate.
- DFAM.
- Loquelic Iteritas Percido.
- Plaits (chords) > FX Aid (#25 reverb room stereo).
- Pluck.
- Morphagene (voice sample) > Data Bender > Overseer > Monsoon (clouds mode).
Ochd, Batumi (saw).
Buff Mult, Sinc Defero, 3x MIA.
Mutes, StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Vulcana Popo [modular hedonism]

Alfa i Omega / Alpha and Omega

dichotomy

‘a divinis’
Wastes & Sequences.
2022 live performance.

Chaotic music engineering franchise.

Tools :
Marbles.
- Nebulae (personal sample) > Monsoon (clouds mode).
- Plaits (two operator fm) > Disting mk4 (C-4 clockable ping pong delay) > FX Aid.
- Vco2 > Optomix > Vcf1 > DSP.
Buff Mult, Batumi, Rnd Step, Zadar.
Quad Vca, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Geigeraptor Electrodon [wastes & sequences]

A piece I previously uploaded and wrote very quickly without thinking just letting go . 
Played through a strat neck end p/u with chorus and delay through my twin and there it is. I really surprised myself . Again too much noise and badly mastered .
Anyone out there with funds and nothing to do. Get in touch with me .

Sense of passing on

Softs, synths & modules.

'On ne devrait jamais quitter Montauban' (Fernand Naudin).

Merci pour votre écoute / Thank's for listening.

Ocean Reflections [modular eudemonism]

Petrus Major

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