Theme and variation for 10 instrumentalists

Flute: Sigríður Hjördís Indriðadóttir
Clarinet: Kristín Þóra Pétursdóttir
Oboe: Rögnvaldur Konráð Helgason
Trumpet: Þórður Hallgrímsson
French Horn: Guðmundur Andri Ólafsson
Violin I: Agnes Eyja Gunnarsdóttir
Violin II: Sólrún Ylfa Ingimarsdóttir
Viola: Sigrún Mary McCormick
Cello: Sverrir Arnórsson
Contrabass: Ásthildur Helga Jónsdóttir

Hnignun

Piece for 5-12 instruments and excessive score.

Flute: Björg Brjánsdóttir
Bassoon: Ásthildur Ákadóttir
Saxophone: Tumi Árnason
French Horn: Guðmundur Andri Ólafsson
Trombone: Ingi Garðar Erlendsson
Soprano: María Sól Ingólfsdóttir
Violin: Agnes Eyja Gunnarsdóttir

Ekkert Kjolston

Allir voru bara frekar hressir og héldu svo bara áfram

Time Combinations - for Harp, Flute and Four Vocalists.
Text created by Gertrude Stein and Google Translate
Recorded at Mills College, April 2019

Harp - Jennifer Ellis
Flute - Stacey Pelinka
Soprano - Christina Stanley
Alto - Leandra Ramm
Tenor - Kevin Baum
Bass - Richard Mix

Time Combinations

Performed at Mills College, May 1st 2019

Rodolfo Cordova-Lebron - Voice
Lee Hodel - Double Bass
Nayoung Young - Piano

12 Circles

My Laces Are Constantly Coming Undone - String Quartet
Performed by Eclipse Quartet
Recorded May 2019

My Laces Are Constantly Coming Undone

The performance installation "Krosssaumur" Took place at Mengi in Reykjavík, Iceland on August 16th 2019. The performance explores the relationship between machine sewing and musical performance and whether music can be captured in a physical object. Two performers, Lilja María Ásmundsdóttir playing her unique instrument "hulda", generating both sound and light, and Pétur Eggertsson, performing on a sewing machine created a dense, sonic and luminous atmosphere based on an aleatoric graphic score by Pétur. Both instruments would furthermore influence each others sound through electronic processing and while performing, Pétur would create a sonically informed textile sculpture. 

Length: approx. 4 hours.