Pfeffermouse - Contour

Mach Rider - Unusual Things

Night Waterslides

Up the Yellow River

Melodic & Progressive Techno artist Jason Still delivers deep, emotional grooves, driving rhythms, and atmospheric melodies built for late-night journeys and peak-time moments. Explore the full catalogue and download here:
👉 https://ffm.to/vobbjvp

#melodictechno #progressivetechno #melodichouse #progressivehouse #deeptechno #emotionaltechno #undergroundelectronic #jasonstill #technodownloads #electronicmusic

Crimson Waves

Breakthrough

ConKluZion

MIDNIGHT SANCTUM

Re Releasing some of my older tracks to be available on streaming sites. This was remixed from the previous album version.

Neo Lounge

Drums: TR-08 + DrumRack
Bass:  Minitaur +  TX7 
Chords: JX-8P, Prophet 6
Arps: OB-6, Reface CS
Sweeps: SH-01a, Neutron
Vox Synth: S2000
Lead Synths: Arturia Microbrute, Boog, SE-02

Reverb: Roland DEP-5, Alesis Wedge, Ventris
Delay: TC-Electronics D-Two, RE-20 Space Echo
Chorus: Yamaha SPX90

Break Room Boogie

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
____________________________________________________________

In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

____________________________________________________________

Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Panic Ft. Dominick Martes

lyrics -

You can feel by the drive
The demon side by side
Drag you down, to hell
Hot wheels that take the line
The power is the devil inside
Forever
Reason to fight the hyperdrive
For go to far
Leave the past and take my mind
I need time
Rise the synth and give up the time
When the darkness put in your face
The truth and faith
The living dead come out of the graves
What do you do
Beyond the night
Reason to fight the hyperdrive
For go to far
Leave the past and take my mind
I need time


This is Outrun is Dead, 6 tracks that run through different styles
Share Welcome
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ART BY JORDAN NOIR
https://www.instagram.com/jordan.noir/

Social link -
Mr Creep on Facebook: bit.ly/3kIsHQ9
Mr Creep on Instagram: bit.ly/35K4Nxr
Mr Creep on Bandcamp: bit.ly/3oETyPG
Mr Creep on Spotify: spoti.fi/3mAB7d6
Mr Creep on Soundcloud: bit.ly/3jzi012

Outrun is Dead

Bandcamp

Hyperdrive (feat. Glean FoxX)

Anders Bjørn Rørbæk Pedersen, under the moniker Pfeffermouse, has carved a niche in the synthwave genre with his distinctive sound that blends elements of electro-techno, retro, and synthwave. His work extends beyond producing music for albums to composing for video games, showcasing his versatility and creative prowess. Despite the contemporary sound, Pfeffermouse draws inspiration from classic video games of the late 80s and early 90s and incorporates the utilization of sound chips and samples commonly found in consoles and home computers such as the Sega Genesis, Commodore 64, and the Amiga series. The productions of Pfeffermouse place significant emphasis on memorable melodies, driving basslines, and crisp drum sounds.

If you need sound or music for a project, contact info is available at www.abrp.dk. 

You can also contact me directly on pfeffermouse@pfeffermouse.com

Pfeffermouse - Contour

Pfeffermouse

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