One of two tracks I wrote simultaneously. I was experimenting with a new production technique at the time. "Forest" and "Trees" both grew out of the same concept melodically and rhythmically, but just a few plots away from each other. As a result, the finished products were always played back-to-back as a pair. The old philosophical technique of perception just fit for the two titles. Late spring/early summer 2007. Very hot weather!

The Forest

Something to do with permanence. Summer 2007. Clinton Ave. 

Put It In Ink

Late fall/early winter 2007. Wrote this for the score of the film Rocketfalls. 

Rocketfalls

Early summer 2009. A lot came together for me during this time. When I listen to it now, I am reminded of a period that was calm and clear-headed. 

Motivated to work with other instrumentalist musicians to build a sound that combines some elements of sequenced production with tracked instruments. After we have hand crafted our gems, find microphone specialists to say things with their vocals. Or do it ourselves. 

Ideally looking for another multi-instrumentalist who can think outside the box and combine many different elements. Also open to collaborating remotely through Dropbox or something similar. Message if you want instrumental tracks (Lo/No). Working on new album right now (3/2018).

Also interested in collaborations, band production/engineering opportunities, playing guitar, keys, or bass for a band. Rock, funk, hip-hop, trip-hop, ambient, groove, metal, dark, epic easy listening. 

Plus, looking to produce and write for a duo male/female who sing harmonies a la Fleetwood Mac, Jefferson Airplane/Starship, The Mamas and The Papas, Winterpills.

Phadaerus