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Escape

Escape (Subtronics Remix) [feat. Kx5 & Hayla]

Dashstar x Supersonic

Lost My Mind (Wake Up)

"Losing Myself to Find You" is a song about the emotional journey of sacrificing parts of oneself in the pursuit of love. We've all been there, right? Sacrificing parts of yourself, your identity, just for someone we think is our soul mate. But after the dust settles we all ask ourselves, who am I now? Was it worth it? I do believe there is someone out there for everyone, but we have to be honest for most of us, there is a price to pay.

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LYRICS:
Losing myself to find you 
Losing myself to find you
The greatest game of hide and seek
It not fun when you try’n cheat 
I lost my self to find you 

Where am I 
Vanishing or in stand by 
Where are we going 
Buckle up 
Sit down 
Take a look around 
Who am I 
Who am I
Am I lost in time 

They wanted me to stay, I don’t wanna go
maybe I should force myself to leave

Losing myself to find you
Losing myself to find you
The greatest game of hide and seek
It not fun when you try’n cheat 
I lost my self to find you 

Second verse:
Fade away
It’s a new world 
Cuz I’m not the same 
Where am I going    

Build it up 
Break it down 
Scattered all around 
Broken seconds 
Broken minutes 
Am I lost in time 

They wanted me to stay, I don’t wanna go
maybe I should force myself to leave

Losing myself to find you
Losing myself to find you
The greatest game of hide and seek
It not fun when you try’n cheat 
I lost my self to find you 

It's gonna be you 
Fading me 
Take it or leave it 
Im not dreamin 
you 
Fading me 
Take it or leave it 
Im not dreamin

Losing myself to find you
Losing myself to find you
The greatest game of hide and seek
It not fun when you try’n cheat 
I lost my self to find you

Losing Myself To Find You

Disclaimer: This is not an official version of REAPER's Remix. Segments of the unreleased song have been worked together with other variations, such as the original song and VIP. Some parts have been recreated to transition better.

Full credits go to NGHTMRE and Zeds Dead. Remix credits go to REAPER.

This is simply a way to enjoy what's known about the song until it's release.

REAPER: https://soundcloud.com/reapernoises

NGHTMRE & Zeds Dead - Shady Intentions (REAPER Remix) - Posix Rework

Listen & Download: https://johnsummit.lnk.to/WYAGRiZRemix

Where You Are

Where You Are (GRiZ Remix)

Black Out Days

Black Out Days (Subtronics Remix)

Flip it flip flip flip! Thank you all for the love on this one! <3
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Download

Levity - Flip It

Strangers - YEEKS Remix

Free Download

Kenya Grace - Strangers - YEEKS BOOTLEG - FREE DOWNLOAD

John Summit - Gas Pedal Edit [with John Summit & Subtronics & Tape B Remix]

Pretty Low

Pretty Low (Galantis & BULLI VIP Mix)

Fate/Light

Fate (Is When I'm With You)

what u want!

H0ll0w_R3s0n4nc3

We bring you the Vol II of the PsynOpticz Creationz compilations! This edition is selected by owner and creator of PsynOpticz, SwiTcHcaChe, as well as one of the labels longest standing family artists from Portugal, Space Byrd. Together they have compiled a powerful selection from around the world including 5 PsynOpticz artists accompanied by leading producers in the psychedelic realm. Get captured by the PsynOpticz Creationz again and again!

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www.facebook.com/Spacebyrd
www.facebook.com/PsynOpticz

01 / Liquid Viking - Project X
02 / Zezia vs Unlimited - Antares
03 / Underlevel - Star Gate
04 / Dark Nebula vs Scatterbrain - Little Green Men
05 / Egoflame vs Lost Signals - Virtual Dimension
06 / Attik vs Intelligence - Re - Cycle
07 / Chacruna - Advanced Energy
08 / Reverse Effect vs Zattera - Sacred Energy
09 / A-Tech vs Transient Disorder - Re-Evolution
10 / Tree Circuit vs Nailik -  Symbiotic Life
11 / Isralienn - Spaceology
12 / Sinestesia - The Right to Discover

Artist: Various Artists
Label: PsynOpticz Records
Cat no.: PR018
Format: Digital
Beatport Release Date: 24 July 2017
Release Date Everywhere : 07 August 2017

Follow PsynOpticz Records:
www.psynopticz.com
www.facebook.com/PsynOptcz
www.soundcloud.com/PsynOpticz
www.youtube.com/PsynOpticz
www.twitter.com/PsynOpticz
www.instagram.com/psynopticz

Chacruna - Advanced Energy

https://phantogram.komi.io/

Fall In Love Again (Desmond Remix) Out Now
Move In Silence feat. Big Boi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Black Out Days (Subtronics Remix)

PHANTOGRAM

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