My crappy neighbors decided to play music at 6am so I have been blasting this right back since 6am 😂🙂‍↕️ LETS GOOOOOO

Daily Drops 20 of the most emotional,powerful, And melody headbanging melodies of June 20th

phanto remix (dnb Flip)

Remix I did for one of my favorite bands currently called Rivals.  Been super excited for this to come out, I hope you dig it! :)

Follow BALLMER
Facebook: www.facebook.com/ballmerofficial
Instagram: www.instagram.com/ballmerofficial/
Twitter: twitter.com/Ballmermusic

Follow Rivals
Facebook: https://www.facebook.com/WeAreRVLS
Instagram: https://www.instagram.com/wearervls/
Twitter: https://twitter.com/WeAreRVLS

Rivals - Dark Matter (BALLMER Remix)

Black Out Days

Black Out Days (Subtronics Remix)

OMENS VOL.2 picks up where VOL.1 left off as the world has finally met its end, the HARBINGER of the Apocalypse has scorched the Earth and has left a desolate wasteland in its wake. This chapter explores the fallout of end of all things.

OMENS VOL.2

A Remix of SoDowns Running Out Ft. Bailey Flores on vocals.

Myself and Zegan used a combination of Ableton Live 10 & Live 11 to create custom sound design and a unique feel.

Music Video Link:  https://www.youtube.com/watch?v=sNa9vHuQxLA

@zeganbass

www.instagram.com/zeganbass

www.instagram.com/chromevtose

Enjoy 🪩🌩️

Worlds Beyond

Running Out Ft. Bailey Flores (Zegan & CHROMEVTOSE Recharge)

Recorded from Livestream, started a few minutes into the set.

GRiZ - Live at Bonnaroo 2023, majority of set

Tove Lo - Habits (Stay High) (Subtronics DnB Bootleg)

Strangers - YEEKS Remix

Free Download

Kenya Grace - Strangers - YEEKS BOOTLEG - FREE DOWNLOAD

Paramore - Decode (Jack Ross DNB Remix)

Ryan Nevis x Wass - You (make me forget)

Toxic Edit

Toxic -K1NG Edit

Go Back (YDG Remix)

John Summit & Sub Focus - Go Back (ft. Julia Church) [YDG Remix]

PUT IT DOWN

Drugs I Like

Stream Now

Free DL

The Mandalorian (WAVHART Mandohart Flip) [HALLOWEEN FREEBIE]

https://phantogram.komi.io/

Move In Silence feat. @bigboi Out Now 

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

What's good SoundCloud Owner of Galaxy Wolf Productions Here My name is  Matrix.
Here At Galaxy Wolf Productions we try our best to bring you the most Hype and vibe worthy Music. These are the type of music genre's we produce
(Melodic dubstep, Trap, Dubstep, Experimental dubstep and trap, Hybrid trap and Any badass type of songs and or remixes we come across So we can produce them to our listeners.  (Just remember we only produce playlists of music not albums or singles) If you have any questions or suggestions or if you want to share or request a song that in the Genres that we listed off above then Please share them in the comments. Yours truly Galaxy Wolf Productions( Owner of G.W.P. This is Matrix signing off for now. Out

Black Out Days (Subtronics Remix)

PHANTOGRAM

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