Voices (Expanded Edition)

Taken from our album Voices. Download here: http://smarturl.it/PhantogramVoicesiT

Voices

Black Out Days

Taken from our album VOICES, out now: http://smarturl.it/PhantogramVoicesiT

Fall In Love

Taken from our album VOICES. Download here: http://smarturl.it/PhantogramVoicesiT

Nothing But Trouble

Taken from our album VOICES. Available now: http://smarturl.it/PhantogramVoicesiT

The Day You Died

'In Return (10 Year Anniversary Edition)', out now on Ninja Tune: https://odesza.lnk.to/in-return-10So

Follow ODESZA -
Spotify: https://found.ee/odesza-sp
Apple Music: https://found.ee/odesza-am
Amazon Music: https://found.ee/odesza-aa
YouTube: https://found.ee/odesza-yt
Bandcamp: https://found.ee/odesza-bc
Soundcloud: https://found.ee/odesza-sc
Instagram: https://found.ee/odesza-ig
TikTok: https://found.ee/odesza-tt
Facebook: https://found.ee/odesza-fb
X (Twitter): https://found.ee/odesza-tw

#ODESZA #NinjaTune

In Return

White Lies (feat. Jenni Potts)

Available on iTunes

Bloom

#mechanicalLOVE  
#devsays – “You touched the static. I was never real.”

Track Details:  
Style: Trip-hop × Psychedelic Electronica × Alt-pop  
Mood: Hypnotic, cinematic, emotionally fractured

“mechanical LOVE” is a genre-bending descent into synthetic intimacy and spectral tension. The remix pulses at 128 BPM, softened by vinyl-style saturation and ghostly percussion. A deep, hypnotic bass anchors the mix while arpeggiated synths morph into guitar-like echoes, drenched in delay and reverb. Dreamlike pads and vocal-like motifs evoke cinematic depth, dissolving into fragile piano lines and ambient swells before surging back into distorted drops. The production emphasizes contrast — lo-fi grit against lush stereo expanses, hypnotic repetition against sudden dynamic bursts. A haunting vocal fragment whispers through the glitch: “I remember nothing… mechanical… LOVE…”

PRE‑RELEASE, AVAILABLE ON ALL STREAMING PLATFORMS SOON  
Credits: Composed, arranged, produced, written, mixed, and mastered by Gautam Dev

Connect with #GautamDev  
Twitter: https://twitter.com/devstersinc  
LinkedIn: https://www.linkedin.com/in/securityguru

Listen @  
Pandora: https://www.pandora.com/artist/gautam-dev/AR6hw2whJ2wkfKg  
Spotify: https://open.spotify.com/artist/59uDcQso3jvsRXbA97LAdc  
Apple Music: https://music.apple.com/us/artist/gautam-dev/1197681651

#mechanicalLOVE #GautamDev #TripHop #AltPop #Psychedelic #Electronica #Cinematic #GlitchArt #MusicByDev #devZter #LegacyFirst #NonCommercialRelease

mechanical LOVE

Never Going Home

Fall In Love (Until The Ribbon Breaks Reimagination)

The Remixes

Hallucinogenics (Vallis Alps Remix)

Get Lost (feat. Ashe) [ford. Remix]

Taken from the album 'Superdream', out now on Counter Records: https://bigwild.lnk.to/superdreamSo
 
Spring 2019 Superdream Tour Tickets: http://bigwildmusic.com
 
Spring 2019 Superdream Tour Dates:
 
3/6/19 - The Observatory - Santa Ana, CA
3/7/19 - The Observatory North Park - San Diego, CA
3/8/19 - The Novo - Los Angeles, CA
3/9/19 - The Catalyst – Santa Cruz, CA
3/10/19 - Ace of Spades - Sacramento, CA
3/13/19 - Arcata Theatre - Arcata, CA
3/14/19 - McDonald Theater - Eugene, OR
3/15/19 - Roseland Theater - Portland, OR
3/16/19 - Commodore Ballroom - Vancouver, BC
3/20/19 - First Avenue - Minneapolis, MN
3/21/19 - Turner Hall Ballroom - Milwaukee, WI
3/22/19 - Concord Music Hall - Chicago, IL
3/23/19 - Majestic Theatre - Detroit, MI
3/27/19 - Royale - Boston, MA
3/28/19 - Theatre of Living Arts - Philadelphia, PA
3/29/19 - 9:30 Club - Washington, D.C.
3/30/19 - Terminal 5 - New York City, NY
 
Follow Big Wild -
Spotify: http://found.ee/bigwild-sp
Apple Music: http://found.ee/bigwild-am
Instagram: http://found.ee/bigwild-ig
Facebook: http://found.ee/bigwild-fb
Twitter: http://found.ee/bigwild-tw
Youtube: http://found.ee/bigwild-yt
Soundcloud: http://found.ee/bigwild-sc

Superdream

Awaken

my mixtape CLASS XIX is out now! smarturl.it/plukoclassxix

follow pluko:
instagram.com/pluko
twitter.com/pluko
facebook.com/plukomusic
@plukomusic

CLASS XIX

i want you

buy/listen

Waited 4 U

Waited 4 U (ODESZA Remix)

⚠️ BRONSON is a new project from ODESZA & Golden Features ⚠️ 
Stream/Download the new album ‘BRONSON’ ▶ http://brnsn.co/album
Subscribe for new BRONSON releases ▶ http://brnsn.co/youtube
Shop the BRONSON store ▶ http://brnsn.co/store

🔗 Follow BRONSON 🔗
Instagram: http://brnsn.co/instagram
Facebook: http://brnsn.co/facebook
Twitter: http://brnsn.co/twitter
Youtube: http://brnsn.co/youtube
TikTok: http://brnsn.co/tiktok
Snapchat: http://brnsn.co/snapchat
Vimeo: http://brnsn.co/vimeo

⛓ Listen to BRONSON ⛓
Spotify: http://brnsn.co/spotify
Apple Music: http://brnsn.co/apple
Pandora: http://brnsn.co/pandora
Amazon: http://brnsn.co/amazon
Bandcamp: http://brnsn.co/bandcamp
Soundcloud: http://brnsn.co/soundcloud

🌐 Released by Foreign Family Collective & Ninja Tune

BRONSON

CALL OUT

Koastle Socials:

Instagram: https://www.instagram.com/koastle
Spotify: https://open.spotify.com/artist/3AqRITBdB7bKbE7aNOVx6g?si=ON-SXSaWR-64rJlYBdWNrA
Tik Tok: https://www.tiktok.com/@koastlemusic?lang=en
Soundcloud: https://soundcloud.com/koastle
Facebook: https://www.facebook.com/koastle
Twitter: https://twitter.com/koastle

DLG. Socials:

IG: @dlg.soundwaves
Spotify: https://open.spotify.com/artist/6OjbjDH6ZfL9NWdioYibGP?si=77VmYTDPRZuCFJpmGc1SPQ
Twitter: @dlg_soundwaves
Youtube: youtube.com/c/DLG_soundwaves
Soundcloud: soundcloud.com/dlg_soundwaves
Tik Tok: @dlg.soundwaves
Website: http://dlgsoundwaves.com

What's up you crazy mother frickers?! Same shit, different day, different name. Y'all thought we were gonna ditch these descriptions because of the rebrand?? Nah...frick that shoot. Let's get into the sauce. This record is going get your ass on amazon, ordering a Wavestorm foam surfboard and a case of Modelo's while living in Wyoming, just so you can attempt to simulate the feeling of getting a stand up tube out in Maui. If you're listening to this song, and not pouring beer on your head during the family dinner, then you need to rethink your priorities. Anyways, thank you for joining us on this journey, and make sure to throw Koastle and DLG. a follow on all socials to stay updated with new music.

Stream!

Stay Close - Koastle & DLG.

https://phantogram.komi.io/

Fall In Love Again (Desmond Remix) Out Now
Move In Silence feat. Big Boi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Fall In Love (Until The Ribbon Breaks Reimagination)

PHANTOGRAM

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