Name: Someday by PHANTOGRAM in floatilla dilla
Duration: 3 min 30 s
Description: Proceeds go to American Foundation for Suicide Prevention

Love y’all 💜💜💜💜💜💜💜

i love how her soul comes through her vocal clouds

I jen what a beatiful Dimples and big brown eyes hi my name Eddie

THIS SONG IS SOO GODAMN BEAUTIFUL! THANK YOU FOR CREATING IT!!!! 🤍🤍

Her voice and lyrics always make me wanna tear up 😭😭

floatilla dilla

Animal Shapes EP -- Released 2010 on Tricycle Records

Geographer - Kites

Surfing In Iceland

Love Unlimited

sotto voce

gray

note from https://soundcloud.com/mister-lies: "this song was initially intended for my LP for orchid tapes, “shadow”, but it almost felt too sanguine compared to the other material i had written for it. while that album is about living in a state of flux, this track is about the quest to get out of it and (in the process) discovering a rare escape in the form of another person. thanks to the boy ryan for this opportunity – so happy this song finally has a home!"

note from ryan: "there's so many places music can take you, in the world and in time, and i try to keep myself open to visit anywhere. but i think where songs like 'Wait?' take me is the best. in this instance it's that developmental shitty period of high school, where we're surrounded by sparks and magic, and uncertainty and endless worrying. it's scary and defining; the perfect time for a soundtrack. i probably would've had a lot of Mister Lies on my burnt CDs if i could've back then."

shh021: Mister Lies - Wait?

"Washed Away" by Eyes on the Shore. 

www.eyesontheshore.com

Washed Away

Limits of Desire

No Stranger

Breathless

vocals by me
prod by @swll and I
tweet me twitter.com/verzachemane
____________________________________________________________________
I want to give a huge thanks to Anh @yunganh , Jonathan @tregsmusic  , Sam @imgoldwater and Ezra @swll for helping me make this thing. This project has sucked the life out of me and I'm glad that I can finally release this now. I guess the whole point behind this project was to compile some songs that describe my musical tastes and ideas, but i think also to give the listener a grasp of some sentiments that I wouldn't really be able to explain to anyone face to face.  Hopefully this relatively big EP will please your earholes but also your heart, as cheesy as it sounds, haha peace yo i love you all. 

Also big shoutout to Rasha @rashaonsc and Motti @m_tti for helping me with the artwork!!

Waiting for u

stream / buy

waiting for u w/ swell

What Now

Radio

"Tape Machine" is the 1st track on our new album "Being No One, Going Nowhere" out 11/4/16
Pre-order LP/CD/TAPE/DIGITAL: http://plyvnyl.co/beingnoone
Pre-order on iTunes - http://smarturl.it/beingnoone
Pre-order on Bandcamp - http://plyvnyl.co/beingnoone-BC
Lyrics:

thin and white and kinky hair
a shadows climbing up the wall
your letter lying near the phone 
with honors for the patient one 

I know your dark side is stronger than you think 
you always were underneath

was this trouble your nature
why can’t you shake it
even like this
was this trouble your nature
why can’t you say it
even like this
 

I don’t know why


they always have so much to say
and no one there who cared to hear

I know your darkness better than you think
while all your old lovers falling on their knees
and all their hearts exploding underneath
you always were good to me

was this trouble your nature
why can’t you shake it
even like this
was this trouble your nature
why can’t you say it
even like this

Tape Machine

Track now on HYPEM, plz ♥ it :) http://hypem.com/item/2jgvp

A lil bonus track ft. Aftrparty on the guitar
Buy/Stream: https://fanlink.to/ydu_Aftrpartyremix
Free Download: https://www.toneden.io/aftrpartymusic/post/opia-ydu-osho-remix

Follow Aftrparty:
@aftrpartymusic
www.facebook.com/aftrpartymusic
www.twitter.com/aftrpartymusic
www.instagram.com/aftrpartymusic

Follow Opia:
@opia-official
twitter.com/opiaofficial
instagram.com/thisisopia/

Buy/Stream

Opia - YDU (Aftrparty Remix)

"Satellite" is the 2nd track on our new album "Being No One, Going Nowhere" out 11/4/16
Pre-order LP/CD/TAPE/DIGITAL: http://plyvnyl.co/beingnoone
Pre-order on iTunes - http://smarturl.it/beingnoone
Pre-order on Bandcamp - http://plyvnyl.co/beingnoone-BC

Lyrics:
Fall away from the edge of the world
where I’m fine on my own
felt right alone
bled
white

soft cell where there’s nowhere to go
there where nobody knows
theres nothing at all
shadow light
shadow light

my thoughts all evil and pure
gone away from my own design
satellite
show me light

I felt so close to a cure
in a moment of passing time
Show me light
Satellite
Show me light
Lonely light
Show me light
Only light

slow wave tangled up in a haze
of a short faded memory
moving down there in front of me
relaying
repeating

body rides over the falls
where I'm finding my home
where theres nothing at all
shadow light
shadow light

Being No One, Going Nowhere

Satellite

Today we present to you this experimental trap track from underrated Dutch talents ÈDNULAC and Nobinh'. Their production style incorporates a jaw-dropping bassline and melodic sound design to make a perfect atmosphere for casual listening and to vibe to as well! The second break takes on a different style with 'Nobinh', a rapper with insane bars and melodic structure brings a whole new vibe to the track. This one is certainly something special! 

Stream / Download: https://fanlink.to/eventually1
Spotify: https://open.spotify.com/track/0UriYYQVAlSogFQPgLZ2bO
Itunes: https://itunes.apple.com/us/album/eventually-feat-nobinh/1327112461?i=1327112808&app=itunes&ign-mpt=uo%3D4

Support Nobinh:
Soundcloud: https://soundcloud.com/nobinh
Instagram: www.instagram.com/n0binh
Facebook: www.facebook.com/n0binh
Youtube: https://www.youtube.com/channel/UCGULL2ExC4sP5D3xmTgoDiA

Support the label:
Snapchat: ChillPlanet
Facebook: www.facebook.com/chillplanets/
Twitter: twitter.com/chillplanets
Instagram: www.instagram.com/chillplanets
Youtube: www.youtube.com/channel/UCGJRhYe9HVqdZxiJrAwkppw

<a href='https://theartistunion.com/tracks/a53c04'>Download for free on The Artist Union</a>

Stream / Free Download

ÈDNULAC - Eventually. (ft Nobinh)

Listen to Team EZY on Spotify
open.spotify.com/artist/11hcFxBAtGtAFcXFrKjHG8

Follow Team EZY 
https://facebook.com/teamezy
https://twitter.com/teamezy
https://instagram.com/teamezy
https://soundcloud.com/teamezy

Follow Skrillex
http://facebook.com/skrillex
http://twitter.com/skrillex
http://instagram.com/skrillex
http://soundcloud.com/skrillex
 
Follow Poo Bear
http://poobearmusic.com
https://facebook.com/poobear
https://twitter.com/poobear
https://instagram.com/poobear
https://soundcloud.com/poobearhb

Would you ever ride a wave with me
Would you ever take a chance with me
Would you ever take a leap with me
Would you ever change our frequency
Would you ever hope for a never ending
Would you ever hope for a new beginning
Would you ever promise not to break
Would you ever give chance opportunity
Would you ever

Skrillex & Poo Bear - Would You Ever (Team EZY Remix)

Proceeds go to American Foundation for Suicide Prevention

Someday

https://phantogram.komi.io/

Move In Silence feat. @bigboi Out Now 

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Someday

PHANTOGRAM

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