This is an absolute masterpiece. I just wish it were longer.

That vocoder climax is absolutely orgasmic.

This is just so incredibly good, I can't believe it's never gotten more attention than it has.

Tyler

Big Gigantic - Got Me Like (LP Giobbi Remix)

⬡ Listen/Save the new EP 'Flaws in Our Design' ▶ https://odesza.lnk.to/flawsSo
⬡ Listen/Save the 'The Last Goodbye (Deluxe Edition)' ▶ https://odesza.lnk.to/tlg-deluxeSo
⬡ Subscribe for more ODESZA releases ▶ http://odesza.co/youtube
⬡ Shop ODESZA store ▶ http://odesza.co/store

🔭 Follow ODESZA  🔭
Website: http://odesza.co/official
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Discord: http://odesza.co/discord

🎧 Listen to ODESZA 🎧
Spotify: http://odesza.co/spotify
Apple Music: http://odesza.co/apple-music
YouTube: http://odesza.co/youtube
Bandcamp:  http://odesza.co/bandcamp
SoundCloud: http://odesza.co/soundcloud

©2022 ODESZA, LLC All Rights Reserved

Better Now (feat. MARO)

Please.... allow me to show you something.

A Perfect World

⬡ Listen/Save the new EP 'Flaws in Our Design' ▶ https://odesza.lnk.to/flawsSo
⬡ Listen/Save the 'The Last Goodbye (Deluxe Edition)' ▶ https://odesza.lnk.to/tlg-deluxeSo
⬡ Subscribe for more ODESZA releases ▶ http://odesza.co/youtube
⬡ Shop ODESZA store ▶ http://odesza.co/store

Taken from the EP 'Flaws in Our Design', out now on Foreign Family Collective/Ninja Tune.

🔭 Follow ODESZA  🔭
Website: http://odesza.co/official
Facebook: http://odesza.co/facebook
Twitter: http://odesza.co/twitter
Instagram: http://odesza.co/instagram
Snapchat: http://odesza.co/snapchat
TikTok: http://odesza.co/tiktok
Discord: http://odesza.co/discord

🎧 Listen to ODESZA 🎧
Spotify: http://odesza.co/spotify
Apple Music: http://odesza.co/apple-music
YouTube: http://odesza.co/youtube
Bandcamp:  http://odesza.co/bandcamp
SoundCloud: http://odesza.co/soundcloud

#ODESZA #YellowHouse #ForeignFamilyCollective #NinjaTune

Flaws in Our Design

Dissolved in a Daydream

'The Learning of Urgency', released 07 June 2024 on Foreign Family Collective: kasbo.lnk.to/tlouSo

The Way You Had Me

Wild Beasts are to release a special edition of their fourth album, Present Tense, on 13th October 2014. To accompany the original, critically acclaimed album is a bonus disc of remix material from artists including Factory Floor, Juan Atkins, Lone, East India Youth, Sohn as well as a brand new remix of ‘Palace’ from Foals.
 
The Special Edition will be available on Double CD (WIGCD279X) and as a Digital Bundle (WIG279XD), with an instant grat of the Foals remix – you can order this at po.st/PresentTenseSE. There will also be a limited edition white label 12” (RUG630T) to accompany the CD release, featuring the Juan Atkins, SOHN, Steve Moore and Foals remix, released on the same date. The 12” will be limited to 500 worldwide and available to purchase at po.st/PresentTenseRemixes.

Palace (Foals remix)

Palace

Wild Beasts - Palace (Foals Remix)

Swedish smalltown hero Olsson's first single is a package holiday to your inner self, to loneliness, to your childhood, through your parent's home, into your future, beyond love and over the mountains, through the sun.

Buy on iTunes: https://itunes.apple.com/album/dimma-single/id917360726
Listen on Spotify: http://open.spotify.com/album/4K9oigpULngSNdmQhOxTQg

Olsson - Dimma

Couch Mammals

Stream/Purchase: https://bronzewhale.com/couchmammals

🤝 Follow Bronze Whale: https://ffm.bio/bronzewhale
🤝 Follow Sofasound: https://linktr.ee/sofasound

Couch Mammals

Moving Our Bodies

stream/download

Losing Me

'Teeth' from The Japanese House's debut EP 'Pools To Bathe In'. Out now on iTunes: http://po.st/PoolsToBatheIn Also available on limited pastel pink 12" Vinyl: http://po.st/Pools12

The Japanese House - Teeth

Follow The White Line

Buy on iTunes

All Over You

Full album tracks from Helen Jane Long's 2013 release of Porcelain, recorded at Air Studios.

Echo

Phantogram - "You Don't Get Me High Anymore (ATTLAS Remix)" (Official Audio)
Available now http://republicrec.co/YDGMHAATTLASRx

Purchase/Stream the new album "THREE" -
iTunes: http://republicrec.co/PhantogramThree
Apple: http://republicrec.co/PhantogramThreeAM
Physical: http://republicrec.co/PhantogramShop
Google Play: http://republicrec.co/PhantogramThreeGP
Amazon: http://republicrec.co/PhantogramThreeAZ
Spotify: http://republicrec.co/PhantogramThreeSP

See all Phantogram tour dates at - http://republicrec.co/PhantogramTour 

Follow Phantogram on - 
Facebook: http://republicrec.co/PhantogramFB
Twitter: http://republicrec.co/PhantogramTW
Instagram: http://republicrec.co/PhantogramIG
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Tumblr: http://republicrec.co/PhantogramTumblr

You Don't Get Me High Anymore

You Don’t Get Me High Anymore (ATTLAS Remix)

"Heaven" is Big Wild’s single, taken from his debut album 'Superdream', out February 1, 2019 on Counter Records: https://bigwild.lnk.to/superdreamSo

"Heaven" is available worldwide on all download and streaming platforms now: https://bigwild.lnk.to/heavenSo

Big Wild Fall 2019 Superdream Tour Dates:
Tickets available at: https://bigwildmusic.com/shows 
9/19/19 - Morrison, CO - Red Rocks Amphitheatre *SOLD OUT
10/17/19 – St. Louis, MO – Delmar Hall
10/18/19 – Fayetteville, AR – George’s Majestic Lounge
10/19/19 – Oklahoma City, OK – Tower Theatre
10/23/19 – Austin, TX – Emo’s *SOLD OUT
10/24/19 – Dallas, TX – House of Blues
10/24/19 – 10/27/19 – Suwannee Hulaween  - Live Oak, FL
10/25/19 – Houston, TX – House of Blues
10/25/19 – 10/27/19 – Voodoo Festival – New Orleans, LA
10/30/19 – Tuscaloosa, AL – Druid City Music Hall
10/31/19 – Nashville, TN – Marathon Music Works
11/01/19 – Raleigh, NC – The Ritz
11/02/19 - Richmond, VA – The National
11/06/19 – South Burlington, VT – Higher Ground Ballroom
11/07/19 – Portland, ME – State Theatre
11/08/19 – Montreal, QC – L’Astral*
11/09/19 – Toronto, ON – Danforth Music Hall
11/12/19 – Grand Rapids, MI – 20 Monroe Live
11/13/19 – Columbus, OH – The Bluestone
11/14/19 – Madison, WI – The Sylvee
11/20/19 – Missoula, MT – The Wilma
11/21/19 – Boise, ID – Knitting Factory
11/22/19 – Seattle, WA – Showbox SoDo
11/24/19 – Wonderfront Music Festival – San Diego, CA
11/30/19 – San Francisco, CA – Bill Graham Civic Auditorium
1/22/20 – 1/26/20 – Holy Ship! Wrecked – Punta Cana, DO

Follow Big Wild: 
Spotify: http://found.ee/bigwild-sp 
Apple Music: http://found.ee/bigwild-am
Pandora: http://found.ee/bigwild-pa
Instagram: http://found.ee/bigwild-ig 
Facebook: http://found.ee/bigwild-fb 
Twitter: http://found.ee/bigwild-tw 
Youtube: http://found.ee/bigwild-yt 
Soundcloud: http://found.ee/bigwild-sc

Lyrics:
As colors stream from her eyes
And moonlight hits the sun
And raindrops on the ocean fill my heart

I caught a glimpse of heaven
I never thought it was true
I caught a glimpse of heaven
To find out it was you
I caught a glimpse of heaven

I caught a glimpse of heaven

As colors stream from her eyes
And moonlight hits the sun
And raindrops on the ocean fill my heart

I caught a glimpse of heaven
I never thought it was true
I caught a glimpse of heaven
To find out it was you
I caught a glimpse of heaven

I caught a glimpse of heaven

I caught a glimpse of heaven

Superdream

Heaven

Mess With Me

Spotify

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

You Don’t Get Me High Anymore (ATTLAS Remix)

PHANTOGRAM

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