i'm tired, i need a name.

This is our debut record. You can listen to it here but I'd suggest that you download it from our bandcamp because it's free and comes with a neat-o little liner notes package and you can buy it on Vinyl: http://tvgirl.bandcamp.com/ 

Looking for a track to share with your friends, family, or potential future lover? How about bizarro-world hit single "Birds Dont Sing" 

What else can I say about it. Nah. That's all for now. Enjoy but be careful. 

The Blonde

from Kulla Sunset, out March 12th
https://orchid-mantis.bandcamp.com/album/kulla-sunset

Kulla Sunset

Sunlight

sunlight

"Oddly enough, the overriding sensation I got looking back at the Earth was, 'my god, that little thing is so fragile out there.'" 

-Michael Collins, Apollo 11 astronaut

enjoy!

Thanks to my amazing friends who helped make this track happen. 
Mastering: @ulterior-design
Cover Art: @jessekoenig

The Blue Marble

"Lucky 88" is the first single from Speedy Ortiz's forthcoming album, "Twerp Verse," out April 27th on Carpark Records.

AVAILABLE HERE
carpark shop: http://found.ee/twerpverse_carpark
speedy shop: http://found.ee/twerpverse_shop
digital: http://found.ee/twerpverse_dsps

TOUR DATES
March 13th - Austin, TX - SXSW
March 14th - Austin, TX - SXSW
March 15th - Austin, TX - SXSW
March 16th - Austin, TX - SXSW
April 21st - Lansing, MI - The Avenue
May 3rd - Hamden, CT - Space Ballroom
May 5th - Washington, DC - Black Cat
May 7th - Norfolk, VA - Charlie's American Cafe
May 8th - Durham, NC - The Pinhook
May 9th - Atlanta, GA - The Masquerade - Purgatory
May 10th - Nashville, TN - The High Watt
May 12th - Chicago, IL - Subterranean
May 13th - Detroit, MI - El Club
May 14th - Toronto, ON - The Legendary Horseshoe Tavern
May 15th - Montreal, QC - La Vitrola
May 17th - Brooklyn, NY - Music Hall of Williamsburg
May 29th - Lakewood, OH - Mahall's
May 30th - Louisville, KY - Zanzabar
June 1st - Little Rock, AR - Stickyz Rock'n'Roll Chicken Shack
June 2nd - Austin, TX - Barracuda
June 3rd - Dallas, TX - Club Dada
June 5th - Phoenix , AZ - Rebel Lounge
June 6th - San Diego, CA - Soda Bar
June 7th - Los Angeles , CA - The Echo
June 9th - Oakland, CA - Starline Social Club
June 10th - San Francisco, CA - Cafe Du Nord
June 12th - Portland, OR - Doug Fir Lounge
June 13th - Seattle, WA - The Vera Project
June 14th - Boise, ID - Neurolux
June 16th - Denver, CO - Larimer Lounge
June 17th - Omaha, NE - Reverb
June 19th - St. Louis, MO - Blueberry Hill's Duck Room
June 20th - Indianapolis, IN - The Hi-Fi

Speedy Ortiz - Lucky 88

'Her Majesty II' is taken from The Green Child's self-titled debut album out January 12th through Upset The Rhythm.

Available to pre-order here now:
upsettherhythm.bigcartel.com/

Artist: The Green Child
Title: The Green Child

Label: Upset The Rhythm
Catalogue Number: UTR102
Release Date: Friday 12 January

Track listing:
01. Traveler
02. Her Majesty II
03. Bertha
04. New Years Eve
05. 46 Timelines
06. Walking Distance
07. Marie Elene
08. Destroyer

The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their self-titled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikey's home studio. Some of the lyrical content and the band's name was inspired by Herbert Read's 1935 utopian, communist, sci-fi novel called The Green Child.

With such a choice name, it’s no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Raven’s calmly scenic and measured vocal flits like a will-o’-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions.

‘Traveler’ opens the album all redolent, beat-minded and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a “solitary man” lost to “green oblivion”. Similarly, ‘Her Majesty II’ glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst ‘Bertha’ slows things down with tumbling chimes and stately use of space.

The Green Child are adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realise and build to their potential. Tracks like ‘Walking Distance’ (featuring Al Montfort on saxophone) and ‘New Years Eve’ are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The band’s cover of ‘Marie Elene’ (by Keith Pearson) and closing track ‘Destroyer’ are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself don’t want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?

‘The Green Child’ is due for release on January 12th through Upset The Rhythm on 180g black vinyl, accompanied by some spirited sleeve design by James Vinciguerra.

The Green Child

The Green Child - 'Her Majesty II'

Panic Blooms

Black Moth Super Rainbow - Mr No One

From the album No Fool Like An Old Fool available March 16th from Western Vinyl

Bandcamp: https://carolinesays.bandcamp.com/album/no-fool-like-an-old-fool
iTunes: https://itunes.apple.com/us/album/no-fool-like-an-old-fool/1337343096?ls=1&app=itunes
WV: http://westernvinyl.com/shop/wv164

No Fool Like An Old Fool is the sophomore LP from Austin via Alabama musician, Caroline Sallee, aka Caroline Says. Moving beyond the surf-folk foundations of her debut, on No Fool... Sallee loosens her earthly tether, allowing her songs to float to ever higher altitudes on clouds of loops, immaculate melodies, and hypnotic harmonies, as she sings about aging, the daily grind, and hometown stymie.  Moving to Austin in 2013 gave her a new perspective on her hometown of Huntsville, Alabama, which informed the overall vibe of the album. “I think leaving my fairly small hometown and then going back to visit it inspired the feeling I went for on this album. I observed that so many people I knew were content doing basically nothing. Or that they were scared to try to do anything or leave town, like they felt stuck there.” 

The first few notes of the Daniel Rossen-esque opener “First Song” dutifully establish the surreal and slightly tragic tone of longing maintained throughout the album. The curiously upturning melodies ride out on a rich ambient texture before “Sweet Home Alabama” cuts the fog with a crackling 60's soul loop that's charming and catchy enough to induce a cathartic laugh from the listener.  The brightness fades with the frosty and propulsive “A Good Thief Steals Clean,” which features lyrics inspired by the 1971 film Panic in Needle Park, and the idea of being in love with a heroin addict. “I tend to write from the perspectives of characters in dark situations, even though my songs may sound bright,” Sallee notes of her alluring juxtaposition of sunny production and grim lyrics.  She employs this dynamic again on “Rip Off,” a frenetically percussive song with lyrics inspired by an NPR story about a young Iraqi man who was killed in an ISIS bombing just before moving to NYC to become a professional dancer.  Inspired by Terrence Malick's Badlands and Bruce Springsteen's "Nebraska," the song “Black Hole" features multi-voice harmonies sung from the perspective of 50's spree killer Charles Starkweather.

Finding time to record while working three jobs was no easy task, and her living situation didn't make it any easier.  Sallee explains "I lived in a disgusting mildewed basement apartment that was like living in a gross cave. My landlords were a crazy old couple that lived above me, and it was like living inside of a drum. I could hear their footsteps, and their dog’s footsteps, and a lot of the time it just sounded like they were throwing things on their floor. It was so hard to find a perfectly quiet time to record. I recorded all my loud stuff (amped guitar, drums) during the day, and had to do quieter stuff like vocals late at night."  The hurdles she navigated to record naturally led to ad hoc recording techniques, and endless sonic experimentation, often leading to her use of the computer as an instrument.  She remarks “I did a lot of recording in a state of exhaustion from working so much. I was so worn down that these songs were able to just come through.”  No Fool Like An Old Fool is a fine soundtrack for this kind of liminal state, honest in its weariness, glad to be done with the day, carrying itself into tomorrow with a bleary-eyed sense of wonder and hope for the future.  A tireless worker, and a wellspring of creativity, whatever Caroline Says, we will be listening.

No Fool Like An Old Fool

Caroline Says - "I Tried"

Cinema

from the album 'grid of points' available 4/27

Grid of Points

grouper 'parking lot'

Beginners

Verse 1

Never gunna be worth nothin
am i gunna be worth something Oh 
Id really like to know
Never gunna try for nothing 
never gunna die for nothing Oh
Welcome to my world

Chorus

I don’t wanna tell you i don’t know your name
I don’t wanna tell you i don’t feel so great 
I don’t wanna tell you i don’t know your name
I don’t wanna tell you i don’t feel so great 

Verse 2

try watching TV for nothing
Gunna fall asleep or something Oh 
I think Im gunna go
heard you called police or something
Never catching me for nothing oh
I thought that you should know

Verse 3

try to change my mind in the last chance
looking straight at you for another dance
I really wanna know
am i gunna change for someone 
always stuck in place is no fun

Chorus

I don’t wanna tell you i don’t know your name
I don’t wanna tell you i don’t feel so great 
I don’t wanna tell you i don’t know your name
I don’t wanna tell you i don’t feel so great

Vinyl

I Don't Know Your Name

Taken from the upcoming album Wax Man, out May 4th on Muscle Beach Records

Preorder (Vinyl/Tape/Digital): hyperurl.co/WaxMan

https://hazerous.bandcamp.com/
https://www.facebook.com/harrypermezel/
https://twitter.com/harrypermezel?lang=en
https://www.instagram.com/harrybarrylarrygary/

https://musclebeachrecords.bandcamp.com

Harry Permezel - Bonehead

Vinyl: http://bit.ly/hw-lavender-vinyl
Stream: https://lnk.to/hwlavender
___

'Torches' is the second single from Lavender, the new album from Half Waif. 
___

Half Waif on FB: http://bit.ly/hw_fb
Cascine on FB: http://bit.ly/cascine_fb

Lavender

Torches

Stream / Pre-order

Half Waif - Torches

download here:* https://pynkie.bandcamp.com/
on all streaming sites:** https://open.spotify.com/artist/45GkpefZW8F5td5gkU8f29?si=UYcfG0sBTjOnxFtedT06ug 
New music video (out 5/1/18) !! ~ https://youtu.be/cKJTKJwr6hk

~the original version (featured in da vid ^^^) will be on my debut album out June 1st!

ENJOY~~~~~

Lindsey Radice: singer/songwriter
Dylan Sky Herman: engineer/producer

p.s. Lyrics! (requested by @vanillacaterpillar ) ~~~

Stay with me, my morning dew
Won't you be my love?
I need all you're givin me
It's you, oh you I'm dreamin of

All day long I'm day dreamin
Lookin out the window at the sun
In my tiny mind, I'm hiding out
Thinkin bout my lovely little one

In the time I spend with my head up in space, man
I am thinkin of your face
And when the morning sunlight brightens up my basement
I can feel your warm embrace

Since the day my love was born,
He was bound to come my way
Now he's here and here to stay,
Right until my dying day

In the time I spend with my head up in space, man
I am thinkin of your face
And when the morning sunlight brightens up my basement
I can feel your warm embrace,
Lover.

:*

Dew ♥ [Lo-Fi Version]

Pill

"Young" is the first single from Sun June's debut album "Years" coming June 14 via Keeled Scales on LP, CD, CS, & digital release.

Preorder link: http://keeledscales.com/store/sunjune

sunjunemusic.com
facebook.com/sunjunemusic
instagram.com/sunjunemusic

keeledscales.com
facebook.com/keeledscales
instagram.com/keeledscales

Artwork by Thomas Dahlberg
http://thomasdahlberg.com/

Years

Young

Sun June "Young"

when i think i control it
that's when i know i'm too controlling..

EMOTIONAL ROBOTS EP SOON.

produced by Son!
altor sax by Emlyn Agnew
tenor sax by Nathan France
trumpet by Isaiah Agnew

mixed by Son! & Aidan Sigel-Bruce
mastered by Michael Kolar

spotify

WHATS GOOD (ft. Emily Massey)

Critical Equation

Buzzing In The Light

We got Vinyl: https://bit.ly/2KmVVl5
Check out the music video: https://youtu.be/PiFbguSEg-8

www.gingerrootmusic.com 
@gingerrootmusic

Call It Home

I'm Still A Man

A metalhead on a journey through sonic landscapes; accompanied by pizza and cake.

i'm tired, i need a name.

Himanshu Arya