Name: Warn Ya / Player Mash Up by SuperNode
Duration: 4 min 33 s
Description: Great Floor Slaying intro. This is big room music

Manchesters legendary two room clubnight Tangled returned once again bringing their much loved sounds back to the smiley, sweaty dancefloor. 

This event was also a very special Tangled Breaks 25th Anniversary. The DJ's on the night were resident Steve Thorpe alongside original Tangled Breaks resident Herbie Saccani and the mighty Evil Nine. The night was a huge success and every DJ played an absolute blinder. Steve started the night building from 110bpm mixing familiar cuts with some brand new breaks, then Herbie followed with chunky mix of electro tinged, bass heavy breaks. Tom from Evil Nine then played an awesome 2 hour peak-time set comprising a selection of fresh beats, uncovered gems and Evil Nine classics. Steve finished the night in true style with Tangled Breaks classics uplifting piano infused breaks to end on a high! Smiley faces everywhere!

Tangled Breaks 25th Birthday - 6hr Set - Manchester 02/06/22

Great Floor Slaying intro. This is big room music

Warn Ya / Player Mash Up

GLAUDE 101 "WHAT I PLAYED AT LEYENDA 2024 AND MORE" (FIXED)

Remaster of my 1998 Moonshine Mix CD Knee Deep.
Track Listing:
01 - Peace Division, "Tribal Phunk"
02 - The Mad Wheel, "Spirit Catcher"
03 - Melrob, "Incessant Sound"
04 - Ian Driver, "Filter"
05 - X-Cabs, "Engage"
06 - Uberzone, "The Freaks"
07 - John Kelley and DTSwendeman, "B-Line"
08 - CJ Bolland, "Horsepower"
09 - Brownie, "Fly Mutha Beatz"
10 - Jack Mackrel, "Drum Tumbler"
11 - Urban D.K., "Soul Survivor"
12 - DJ Icey, "As If"
13 - Rabid Punk, "Freewheelin' Franklin"
14 - Make Some Break Some, "The Vision"
15 - Sven Vath, "Breakthrough"

KNEE DEEP 2024 REMASTER

InStereo Recordings – Stereo Damage Episode 205
Exclusive Guest Mix: swing kidd 
https://on.soundcloud.com/LtXRok5VsdcekeKH7M
https://www.mixcloud.com/swingkiddsf/

Stereo Damage Podcast - Episode 205 (swing kidd)

Simon Shackleton’s Elite Force project began way back in 1996, debuting on his own newly founded Fused and Bruised label with a series of peerless 12s and remixes. After a successful five years, he put Fused and Bruised on the backburner to concentrate on production work, and following several years with Whole9Yards and Moonshine he became a mainstay recording artist for AdriftRecordings (formally known as Kingsize Records) before moving on to set up hisown hugely successful U&A imprint. 

Often credited for being a lynchpin in the developing the tech-funk genre (an amalgamation of breaks, house, techno and electro) he has released a series of highly successful singles in the past few years, finding broad support from DJs and musicians across the board, including the likes of James Zabiela, Sasha, Crystal Method, Laurent Garnier and Fatboy Slim to name but five. In 2008 released a semi-retrospective double album’s worth of remixes and re-workings of a 12-year back catalogue, with over 25 mixes coming from such luminaries as Miles Dyson, Rogue Element, Deepgroove, Dylan Rhymes & Calvertron.

In addition to these solo singles, Meat Katie has been a regular collaborator with Elite Force, a relationship that had begun in 2003 with the massive-selling 'Toba', and that will see their creative relationship come to fruition in 2009 with the launch of their new joint project under the name ‘Dustbowl’, as well as a series of singles under the ‘Meat Katie & Elite Force’ banner. 

As a remixer, Elite Force has always been in huge demand, with re-workings for the likes of Grandmaster Flash, Crystal Method, Jungle Brothers, Stereo MCs, UNKLE, Infusion, Rennie Pilgrem, Shiloh and Dylan Rhymes all contributing to his reputation as one of the most creative and effective remixers around. 

Elite Force's music has also been the soundtrack to many a movie, with a huge list of impressive A-list credits to his name, including the likes of the Matrix, Charlie's Angels, Arlington Road, Mortal Kombat, Crow, The Bone Collector, The Jackyll, Spiderman 2 and his music has appeared on a wide array of TV shows, from CSI to Top Gear, from Football Focus to LA Doctors. He's also soundtracked a number of computer games, including no fewer than 5 FIFA games, several of the Wipeout series, The Matrix and Motorstorm 1, and he is currently writing some bespoke music for forthcoming games for Ferrari and Motorstorm2.

On the decks, Elite Force has been a prime mover since 1990 when he cut his teeth playing huge student nights and self-promoted acid house nights in the South West of England, before moving up to ....London.... and ultimately gravitating towards his tech-funk style, with which he now has a full diary of global bookings. He has become known as one of the top technicians on a circuit that has included massive shows in Belarus, Hungary, Australia, Italy, USA, Czech Republic, India, Turkey, Spain, Japan, Georgia, Ukraine, Kazakhstan, and China, amongst others, as well as numerous festival slots including Glastonbury, Coachella, Bloom, Wickerman, the Glade and more recently Burning Man. 

He was also responsible for the hugely influential Strongarm Sessions webcasts which became something of an institution since their inception back in 2001, receiving as they did around 20,000 downloads per show, but now put on the backburner to concentrate on other projects, such as his own blog (Techfunkmanifesto) and his other musical projects, such as Dustbowl (with Meat Katie).

Bio courtesy of http://www.myspace.com/shackforce

Artwork courtesy of Thomas Reed (www.hivemanagement.net)

For more information on http://soundcloud.com/elite-force visit www.eliteforcemusic.com or http://www.facebook.com/djeliteforce

For more information on http://soundcloud.com/spacecowboys visit www.spacecowboys.org

Elite Force - Burning Man 2010 RIPEcast Mix

As part of our up coming 'Ten' project (which celebrates ten years of MC Shureshock and I having worked together) we are digging through the digital crates to find a bunch of old mixes we have done. This first one is a personal fave of mine. It's a mix I did for a magazine called 'Remix' in 2000 and was one of the first 'official' mixes I ever did. It may be from 2000, and it may now be 10 years old, but damn the beats still sound fresh! Oh and this was pre-Ableton days! i.e. it was done by mixing records together on two Technics turntables and a mixer (via pasting a hundred million takes together mind you!). Anyways, download and enjoy a bit of our ten year history! Much love, KK x. 

PS we will be uploading more mixes to soundcloud.com/klubkids also!

Remix Magazine DJ Mix (2000) - Kid Kenobi

Live from Mass Transit 40 Charles Feelgood blessed us with a night of house we are sure not to forget.  Thankfully we recorded it so you can enjoy the night as much as we did.  

Charles Feelgood loves music and even more, he loves sharing it with his fans. The man prides himself on his ability to connect with his audience – through a wicked combination of his exuberant personality and his exquisite ability to know what fills and keeps a dance floor pumpin’. 
 
His rise to dance music infamy dates back to his humble beginnings as the leading force behind the Baltimore / Washington DC electronic music scene. Alongside his partner, and fellow DJ, Scott Henry, Feelgood launched Fever, which for nearly a decade became one of the most sought after events for touring DJs from around the world. 

It was the days after starting Fever that Feelgood enhanced his reputation amongst those the international dance community. He parlayed his danceable brand of House music up and down the East coast and became renown for his creative ability to incorporate his love of 80’s music with a variety of different House styles into his sets. In the years that have followed, he has taken his talents to all ends of the earth – from North and South America to Russia and Asia, and everywhere in between. He has appeared at such seminal events as Coachella, and Lollapalooza, and has become a welcome fixture with Insomniac, Giant, and Karma Foundation. He also plays quite regularly in Los Angeles (Vanguard, Playhouse), San Francisco (Ruby Skye), and has been a part of the annual Mardi Gras festivities in New Orleans for over a decade.  

His initial popularity was assisted thanks in part to his legendary mixed series, "Time to Get Ill" and has continued to flourish though the release of remixes and singles such as “Hands,” “Aerobic Martini,” “Strobe Light,” and “Burnin”. He is a  mainstay in the Top 100 on Beatport and Top 10 on a number of other worldwide digital sites.  Feelgood has had several releases on Major and Independent labels such as PornoStar, Instereo, Guesthouse - with a breakout track called "Hands" on Ultra that made the Beatport Top 100 chart several weeks running with an Alex Kenji remix.

Accolades such as repeatedly being named to DJ Magazine’s Top 100 DJs aside, Feelgood remains committed to lighting up dance floors around the world – summing up his musical mission in one sentence: "I just want to do what the name implies, to make people have a good time and go home with a great feeling”.

Transit is a free weekly party held every Wednesday:
The Auld Shebeen Cellar
3971 Chain Bridge Road
Fairfax, Virginia 22030

Live at Mass Transit 40

Charles Feelgood Live at Mass Transit 40

Transit

JOHN KELLEY - MOONTRIBE DAYVIBE NYDay 2020

Two of the heavy weight artists that took the breaks movement to the next level would have to be Rennie Pilgrem and BLIM. Rennie considered the godfather of breaks and BLIM with his own unique style as a producer. Both artists providing various anthems over the years and both pushing the sound of breaks to the masses. Where BLIM is these days i do not know but Rennie is back in the studio producing a new album during the lockdown and believe it or not he is releasing it on the legendary TCR Records.

This mix was recorded live at the Breakspoll Awards back in 2005 and it has Rennie & BLIM going back to back with also the vocal talents of MC Chickaboo.


https://en.wikipedia.org/wiki/Rennie_Pilgrem

https://www.residentadvisor.net/dj/blim

https://en.wikipedia.org/wiki/MC_Chickaboo

Rennie Pilgrem Vs BLIM - LIVE @ Breakspoll - 25.2.2005

Exclusive mix for my good friends over at Camp Charlie's Virtual party for Burning Man on the playa... Enjoy!

DIRTY DISCO FOR UNICORNS CHARLES FEELGOOD 09 - 01 - 2020

Todd Pharoah aka Pharoah aka SuperNode  came to be in this modern-day and age from his humble beginnings as a vinyl shaman from the secretive land of misfit toys many decades ago. He and all the other rejected souls that were shamelessly cast from the everyday world would congregate every weekend with sonic rituals in dusty dark warehouses, abandoned buildings or anywhere else the broken souls could gather en mass to celebrate without the persecution of those that cast them out of society. While everyone in the real world slept, they would dance together throughout the night until the sun touched the early morning hours. In those days the music that moved them was vivid and dynamic. Completely original soundscapes that would make you forget everything for that moment as you lost yourself in the song as if you were on some unknown aural narcotic. Unfortunately, this hidden paradise was mistakenly discovered by the ones who had discarded the misfit toys in the first place and they were astonished by the wonder and power of this beautiful place the so-called miscreants had created for themselves. Eventually, they started infesting the discarded souls gatherings, hiding in the shadows yearning for the love and happiness they saw in the eyes of all the broken souls. Over time as more and more of the shadowy people slithered their way into this utopian tribe's celebrations, the misfit toys felt an emptiness eating its way through the very fiber of their sanctimonious society and in turn their souls. Before you knew it the passion that once resided in everyone's eyes at these sonic spiritual quests slowly faded into a dull look of UHF static. The misfit toys began to forget why they were there? What were they celebrating? Why was their weekly soul-feeding soiree's becoming more of a burden than a blessing? As the time bore on fewer and fewer of the enlightened would gather together until the shadowy people had splintered the once flourishing tribe once again banishing it from the world it had created to deal with the pains of their beliefs & circumstances. That was about the time our hero, or villain depending who you are talking too, disappeared from all his normal local haunts and happenings. As the scene slowly crumbled into oblivion Supernode traveled the world looking for the vibrations that once filled the listening windows of his being. In his vast travels, he found small isolated underground tribes scattered across the land that also yearned for the return of the sacred rhythms that once unified their consciousness and soul. After decades of traveling this tiny blue marble, One morning he woke with a brilliant moment of clarity. He knew what his destiny was as if touched by the gods themselves. He was to bring the color back into the world of the now monochromatic hiss that today's music had become. To create music that awakens the ears of the masses to the vivid and dramatic music that the vinyl shamans would bless us with so many lifetimes ago. He would become the villain or Arch- Angel of what is considered popular underground music. Genre mattered not as long as it moved their mind, body or soul. So began his quest to unify all the tribes once more through his music. And such is the story of his rebirth as "Supernode" A Sonic hero for us all.

Warn Ya / Player Mash Up

SuperNode

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