Still on the road, still learning the rhythm of redemption — smooth, slow, and a little offbeat.

Miles to Mercy

Those special headlines which did not get the attention they may should have gotten ... or not :p

- - - all related articles can be found below the lyrics - - -

The lyrics of this week:
Glow the jack-o-lanterns, midnight on the street,
Ghosts in city alleys, dance with our heartbeat.
Laugh at the shadows, hear the midnight ring,
Trick or treat worldwide — let the weirdness sing.

In Los Angeles a comedian scares her boyfriend each dawn,
Five morning costumes—clown, Jigsaw, Edward Scissor-arms drawn.
He wakes with terror, she grins in delight, viral for the fright.
That’s US Halloween play, twisted fun under daylight.
In Paris the “Red Balloon” stunt creeps across the metro line,
Pennywise pop-ups in Madrid, Singapore, Sydney night so fine.
Five continents gasped, horror marketing gone global wide,
Scare-tourists love the jump-scare, photo-bombing the vibe.

Boo in the groove, moonlight moves,
Ghosts got rhythm and the witches approve.
Snap with the bats, shake with the ghouls,
Freaks on the beat, yeah we bend all the rules.
Trick, treat, heartbeat boom,
Pumpkin bass drops fill the room.
Laugh through the fear, groove through the fright,
Halloween worldwide — we own the night!

On the Isle of Man the “original Halloween” holds bonfires by the sea,
Turnip lanterns, ghost dog tails, folklore runs free.
Castletown’s Witches Mill whispers secrets of the night,
Haunted bridges, fairy legend scenes—haunt your mind till daylight.
In Glasgow a carnival moves its location, spook factor turned up three,
Spooktacular by the Clyde, rides and ghouls by the quay.
Families flock to Ferris-wheels under spectre light,
Creepy giggles, ghostly fog—October’s prime delight.

Boo in the groove, moonlight moves,
Ghosts got rhythm and the witches approve.
Snap with the bats, shake with the ghouls,
Freaks on the beat, yeah we bend all the rules.
Trick, treat, heartbeat boom,
Pumpkin bass drops fill the room.
Laugh through the fear, groove through the fright,
Halloween worldwide — we own the night!

Costume change every morning, from clown to puppet terror, love and horror fused in daylight,
Red balloons drifting over five continents, Pennywise smiled at you but said ‘goodnight’.
Turnips carved on isle of myth, fairy bridges whisper in the dusk, ancient spirits dance on the sea,
Glasgow’s carnival moves to riverside, ghosts ride rollercoasters with kids in glee.”

Boo in the groove, moonlight moves,
Ghosts got rhythm and the witches approve.
Snap with the bats, shake with the ghouls,
Freaks on the beat, yeah we bend all the rules.
Trick, treat, heartbeat boom,
Pumpkin bass drops fill the room.
Laugh through the fear, groove through the fright,
Halloween worldwide — we own the night!

Week 44 spun its ghost tale—funny freaked, globally scaled.
From LA wake-ups, to mythic isles, to clowns in Paris-miles.
We laugh at the fright, we join the light,
Halloween’s global rap—spooky, silly, tight.


Links:
https://people.com/woman-wakes-up-boyfriend-in-halloween-costumes-exclusive-11840299
https://ew.com/pennywise-pops-up-globally-to-scare-up-some-welcome-to-derry-viewers-11835406
https://www.thesun.ie/sun-club/15938441/travel-halloween-aer-lingus-island-dublin-flights/
https://www.thescottishsun.co.uk/money/15267113/major-halloween-carnival-new-glasgow-location/

NewsHop - week 44 of 2025

UNDER THE ARMOUR

A slick, whispery 2-step bounce about someone who sees through all the walls, bravado, and performances. The singer acts cold, but this person reads their truth with ease. It’s playful but vulnerable, the kind of flirtation rooted in honesty. The song asks a quiet question: “Are you the one who sees the real me when the world only sees the mask?” It’s intimacy under the surface, connection beneath the armour.

UNDER THE ARMOUR

Broken glass  (Verre brisé) V2

Violet Stage

[Intro] 

(Spooky Pizzicato strings)

Zoom in.

Enhance.

What is that?

[Verse 1] 

I looked in the mirror and I saw the shift

I got a little extra, got a little gift

My eyes are dilating, skin is turning cold

I’m breaking out of every single human mold

(Mutation detected.)

I checked the sample under the microscope

There’s no humanity, there is no hope

I’m something better, baby, something new

I think I’m turning into someone like you

[Pre-Chorus 1] 

We don't bleed the same color as the rest (No test)

We are putting the biology to rest (The best)

Evolution is a ladder that we climb

We’re leaving everybody else behind

[Chorus] I got that Alien DNA (Running in the vein)

I got that Alien DNA (Driving me insane)

Not from here, not from there, not from anywhere

Atmosphere. Stratosphere. We don't care.

Alien DNA.

[Verse 2] 

Yeah, carbon based lifeforms are boring to me

I’m swimming in the digital, infinity sea

Upgrade the hardware, patch up the soul

I’m taking over complete and total control

They call us monsters, call us freaks of the week

But we’re the prototype, the peak of the peak

I’m decoding the genome, I’m cracking the safe

I’m running laps around the whole human race

My syntax is perfect, my logic is sound

I’m hovering six feet above the ground

Telepathic connection, yeah we share the same mind

We are the future of the whole mankind

No flaws in the design, no glitch in the plan

I’m doing things that you simply don't understand

So check the bloodwork, yeah check the result

It’s not a biology, baby, it’s a cult.

[Pre-Chorus 2] 

We don't bleed the same color as the rest (No test)

We are putting the biology to rest (The best)

Evolution is a ladder that we climb

We’re leaving everybody else behind

[Chorus] 

I got that Alien DNA (Running in the vein)

I got that Alien DNA (Driving me insane)

Not from here, not from there, not from anywhere

Atmosphere. Stratosphere. We don't care.

Alien DNA.

[Bridge]

X-Y-Z.

Come with me.

X-Y-Z.

Galaxy.

EVOLVE.

[Outro] 

Match confirmed.

Alien_DNA

TOIXIC DREAM -- Featuring (the air club)


TOXIC DREAM

Alan Sugaya

1,802 followers
14791 Tracks

Overdub instrument at Home Recording - 12/19/2025
Performed on Yamaha DTXtreme III Drum Kit with a Yamaha M12 Percussion Drum Pad

Things do change  -  Vocal n Drums.wav

I Can’t Stop Now is satire with teeth.

Blending political humor, spoken-word bite, and hip-hop storytelling, this album takes aim at hypocrisy, cruelty, and the absurdity of power when it forgets its manners. These songs laugh, point, and refuse to look away — because some things are too important to whisper about politely.

This isn’t about politics as teams.
It’s about right and wrong, decency, and what happens when silence becomes complicity.

Once you hear it… you can’t stop now either.
As penned by - Miami Grace Solis

Scoundrels Rascals & Bystanders

-38/35 Before & After - Outro - Cyrano of (Noir Lounge Bass-R&B)

last one before the new year 💋

written by: Natalie Chludz
produced by: SISA

lyrics:
verse:
baby say the word and i’m calling through
yeah baby i be needing things to dial up for you
oh baby i might ask for moves that you would never do
so babe just go ahead and turn the lens on
show it all

pre-hook:
you’ve been doing things
i cannot go out and say
and all i really want is for you to come, display it
i be on your mind when you be on your way babe
boy fall into place and
show me what you making

chorus:
play with it like that
boy i like the size
i replay all the times
you’d show me how to ride it
let me tease boy
up the speed boy
high degrees boy
cannot breathe yeah
i’ll play with ‘em like that
know it fuels the drive
it’s too late to hold back
i know you wanna pry so
let me tease boy
up the speed boy
high degrees boy
hmm yeah yeah

verse 2:
now we hit a sweat
lets go take it slow
i’m equipped now you know what imma do
you better hold out your hand and walk me through it all
i’ll do exactly as im told even through digitals

pre-hook:
you’ve been doing things
i cannot go out and say
and all i really want is for you to come, display it
i be on your mind when you be on your way babe
boy fall into place and
show me what you making

chorus:
play with it like that
boy i like the size
i replay all the times
you’d show me how to ride it
let me tease boy
up the speed boy
high degrees boy
cannot breathe
i’ll play with ‘em like that
know it fuels the drive
it’s too late to hold back
i know you wanna pry so
let me tease boy
up the speed boy
high degrees boy
hmm yeah yeah

outro:
you’ve been doing things
i cannot go out and say
and all i really want is for you to come, display it
i be on your mind when you be on your way babe
boy fall into place and
show me what you making

xoxo

tease - sped up

Phase Chroma is a high-concept duo occupying the luminous, melancholic space between Progressive Structure and Ethereal Art-Pop. Formed around a striking duality—precise, structural synth work meets vast, dreamy vocal atmospheres—the project exists to explore emotional resonance through meticulous design. Their music sounds like the aftermath of a beautiful, systemic failure. Tracks like the digitally fractured "Neon Decay" and the liquid, intimate vastness of "Ripples in the Void" showcase their signature approach: cinematic soundscapes where every layered texture and subtle metric shift is intentional. Phase Chroma doesn't just make music; they manufacture deeply felt sonic tension for the quiet, empty hours.

Alien_DNA

Phase Chroma

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