Encore une monstrueuse claque made in Phaune <3

Tape Loops + Casio SK8 + Classic Guitar
Video https://www.youtube.com/watch?v=NV1fWbAHtzU

1 - CAMBIO D PERSPECTIVA

You From The Yew (electronica)

On the shore of the Lac du Der at night, a talkative Red fox meets a pack of responsive Common cranes.

Recorded with Mélia Roger on November 5th 2022 around 9:30pm.

Lom Usi Pro AB in PCM M10
Drop rig excerpt.

Illustration : Grues trompettant, Robert Hainard

Cranes and Fox dialogue - Mélia Roger & Grégoire Chauvot

2023.05.19 Microbat Nocturne. Mallee Country. Late Autumn.

30 May 2023

To get good recordings of birds you have to come close. On way of achieving this is to work with concealed microphones. It’s not easy to predict where the target bird/s will be, and I regularly fail in my attempts, but occasionally I succeed. I scouted a semi-open sandy area – a former tree seed orchard –  where I had encountered lekking Black Grouse last year, and hid a small stereo lavalier microphone overnight in the crown of an isolated small pine tree. One by one the Black Grouse males arrived in the late evening hours and immediately began displaying around the small pine tree.  

Umeå commune, Västerbotten County (63.39 N, 19.54 E)

Primo-EM172s

01_01.05

In the middle of the Black Grouse lekk

Onde

Two rigs simultaneously recording the same dawn within the same landscape, located about half a kilometre apart. The beautiful calls of a Pied Butcherbird can be heard from each location. Its first two sequences of calls are nearer to the first location (Perspective 1), in the background of a flurry of foreground bird activity. Its third sequence of calls are very near to the second location (Perspective 2), within a rather different soundscape mood. But all three sequences are heard from both locations, either as distant or as near.

Recorded respectfully on the land of the Meru and Danggali peoples.

Related playlist: https://soundcloud.com/frgtests/sets/lewitt-double-nos-examples

2023.10.29 Mallee Dawn in Spring with Pied Butcherbird: Perspective 2

Night Listening means sitting, through the night, in a chosen location, as still and quiet as possible, often for many hours, absorbed in purely listening, while recording. This is an excerpt from a recent Night Listening. It involves three Brushtail Possums, and one Red Fox. The responses of the Possums to the barking of the Fox are very interesting. (Don't start with the volume raised to more than 50 to 60 per cent: some of the fox barks are quite close and loud.)

Recorded on the land of the Kaurna people.

2023.12.28 Night Listening. Night Forest. Red Fox and Brushtail Possums. Early Summer.

PLEASE NOTE COMPRESSED QUALITY FOR SOUNDCLOUD
*Wear good headphones for Binaural sound**sound compressed for soundcloud,please message for pro mastered track*
Field recordings done on site and music composed and arranged by J R House.

200 km above the Arctic Circle, in the magical light from the midnight sun and the northern lights.
-20 degree intermittent snowstorms and blizzard.

I and a team of Aurora scientists led a group of artists into the unknown.Over the following days I made extensive field recordings and time lapse Photography.

Aurora Borealis: Solar Winds

Le travail rend libre. Mais qui ?
Pour la Biennale Internationale du Design de Saint-Etienne, le collectif Zanzibar et la Volte ont imaginé en 2017 une série de récits autour de l’avenir du travail, à découvrir par ici : https://soundcloud.com/la-volte/sets/working-dead-extravaillance

Tout en rebonds, un cut-up spécial, à la cadence effrénée et au rythme probablement intenable.
38 minutes où l’on se demande bien finalement, ce que travailler peut vouloir dire, aujourd’hui ou demain, cigale ou fourmi, bourgeon bohème ou vrillé ou start-up aware...

AVEC DES VRAIS MORCEAUX DE : (Dis)Honesty - The Truth about Lies (Yael Melamede), Ah! si j'étais riche (Michel Munz), Alexandre Le Bienheureux (Yves Robert), American Psycho (Mary Harron), Ants (Manuel Calurano), Automata (Gabe Ibáñez), Baloo's Song (Le livre de la Jungle), Boom Bust Boom (Terry Jones), Brazil (Terry Gilliam), Bruce Lee : In His Own Words (John Little), Buffet Froid (Bertrand Blier), Demolition Man (Marco Brambilla), Discours de Francois Hollande pour les 25 ans d’Eurodisney, Escape from the Incubator (Shigeto), Ex Machina (Alex Garland), Experimenter (Michael Almereyda), Expert (Youtube Video), Factory (Christian Zanesi), Fight Club (David Fincher), Flesh Gordon (Howard Ziehm & Michael Benveniste), Fourmi de feu, Gattaca (Andrew Niccol), Gotham (Danny Cannon), Horrible Bosses (Seth Gordon), I Am the Pretty Thing That Lives in the House (Oz Perkins), IBM MT - The paperwork explosion (Raymond Scott), If You've Got The Money I've Got The Time (Hank Snow), Introduction à la société automatique: entretien avec Bernard Stiegler (Atelier des Medias - RFI), Jacques Brel - Entretien avec Henri Lemaire à Knokke en 1971 (Marc Lobet), Je Ne Veux Pas Travailler (Pink Martini), Kotex, l'éveil à la féminité, L'écume des Jours (Michel Gondry), La Loi du Marché (Stéphane Brizé), Le Bonheur au Travail (Martin Meissonnier), Le Couperet (Costa-Gavras), Le désarroi esthetique (Pierre Carles), Le Magasin des suicides (Patrice Leconte), Le Port de Tacoma (Mikael Yaouank), Les 12 Travaux d’Asterix (René Goscinny, Albert Uderzo, Henri Gruel, Pierre Watrin), Les 4 Saisons d’Espigoule (Christian Philibert), Les Bobos (TV Quebec), Les Bronzés font du ski (Patrice Leconte), Les Gardiens de la Galaxie (James Gunn), Les Shadoks (Jacques Rouxel), Life (BBC), Lo & Behold (Werner Herzog), Marocco Bubbles (Félix Blume), Merci Patron (François Ruffin), Michel Foucault - entretien (Radioscopie - Jacques Chancel), Million Dollar Baby (Clint Eastwood), Minimalism: A Documentary (Matt D’Avella), Money 4 U Honey (Six Drummers), Money Money (Liza Minelli & Joel Grey), Mr Nobody (Jaco Van Dormael), Mr Robot (Sam Esmail), Mutliexerciseur K-Tel - face A (Mutliexerciseur K-Tel), Near Death Experience (Gustave Kervern, Benoît Delépine), No Step (Filastine), Pareil à un voyageur perdu (Francis Dhomont), Pierrot Le Fou (Jean-Luc Godard), Ralentissez les cadences (Gil J. Wolman), Requiem for the American Dream (Noam Chomsky)    Kelly Nyks, Peter D. Hutchison, Jared P. Scott), Robots are coming (Android Sisters), Silicon Valley (Mike Judge), Slimnastics (Dr Charles A. Bucher), Speak White (Michèle Lalonde), Star Wars (George Lucas), Sur les Epaules de Darwin (Jean-Claude Ameisein), Terra (Yann Arthus Bertrand), The 6th Sense (M. Night Shamalyan), The Code (Marcus Du Sautoy, BBC), The Fifth Estate (Bill Condon), The Network (Cristobal Tapia de Veer, Utopia), The Office (Greg Daniels), The Office Space (Mike Judge), The Secret Rules of Modern Living: Algorithms (Marcus du Sautoy, BBC), Tout va bien (Jean-Luc Godard), Travail fictif pour tous (France Inter), Trepalium (Antarès Bassis, Sophie Hiet), Tropismes (Nathalie Sarraute), Un homme qui dort, remix (Amandine Casadamont, Atelier de Création Radiophonique), Vitesse & Pouvoir (Paul Virilio), Wall-E (Andrew Stanton), Where Is My Mind (The Pixies / Maxence Cyrin), Wild Tales (Damián Szifron), Wiplash (Damien Chazelle), Zoo (CBS), Zootopia (Byron Howard, Rich Moore)

Working Dead - Extravaillance

The Bear Minimum  _ Cut-Up _ Working Dead ≠ Extravaillance

Beat Furrer - A Sei Voci

Webradio et studio de production indépendant de podcast, Phaune Radio est une bestiole aussi curieuse que sauvage qui émet des sons étranges 24h/24 sur le web et sur vos mobiles. Phaune Radio, c’est aussi un univers de créations et bruicollages fait maison. Ici, on chatouille l’imagination. Ici, on prête à rire ou on donne à penser. Ici, c’est à vous de voir… Fauve qui peut !

_-_

PHAUNE RADIO is a little bug as curious and wild as the strange sounds it airs 24h/7 on the world wild web & on your mobile phone. Phaune Radio is also an ever-expanding world of homemade sound creations.
Around here, we tickle your imagination.
Around here, things that cannot be possibly taken seriously can still give food for thought. Around here, that’s up to your ears.

The Bear Minimum _ Cut-Up _ Working Dead ≠ Extravaillance

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