drift away omnichord

Johnny don't leave me

Bruno Coulais is a French composer, born in Paris on 13 January 1954. He has a father from Vendée and his mother is an Iraqi Jew. He is most widely known for his music on film soundtracks.

Coulais began his musical education on the violin and piano, aiming to become a composer of contemporary classical music. However, a series of acquaintances gradually re-oriented him towards film music. Coulais was particularly influenced by director François Reichenbach, who asked him in 1977 to write the soundtrack to his new documentary Mexico Magico. The first full-length production he composed the score for was the 1986 film La femme secrète by Sébastien Grall. Until the end of the 1990s, he remained low-profile, composing mainly for television. His name can often be found from TV films by Gérard Marx and Laurent Heynemann. He also composed the soundtracks for Christine Pascal’s 1992 film Le petit prince a dit, and Agnès Merlet’s Le fils du requin in 1993.

In 1994, he met the television producer Josée Dayan, who let him write a theme for the TV series La rivière Esperance, aired on the France 2 network in autumn 1995. He worked with Dayan again with other major productions such as Le comte de Monte-Cristo, Balzac, and Les nuiteux.

The largest turning point of his career came in 1996, when he worked with directors Claude Nuridsany and Marie Pérennou of the documentary Microcosmos. This single film, which gave a great significance to the music in it, was a great success and made Coulais one of the most wanted composers of French film music. In 1997, he won the César award for the best musical score in a film, as well as a Victoire de la Musique. His reputation was confirmed by the soundtracks to Himalaya (1999) and Les rivières pourpres (2000), and after that Bruno Coulais’s name was to be found on most new French blockbusters, such as Belphégor and Vidocq.

After producing the soundtrack to Winged Migration in 2001, Coulais announced that he wanted to significantly reduce his contributions to film music, and instead concentrate on other projects, such as the creation of an opera for children, and collaborations with Akhenaton, Akhenaton’s group IAM and the Corsican group A Filetta, with whom he had worked since he had made the soundtrack for Jacques Weber’s film Don Juan in 1998.

In 2002, his name was found on the ending credits of the animation L’enfant qui voulait être un ours, and in 2004, on Frédéric Schoendoerffer’s Agents secrets. The same year, he wrote the soundtrack to the film Les choristes by Christophe Baratier, which subsequently became an international hit. The music for this film received as great praise as the film itself, and it won Coulais his third César award. Since then, Coulais’s collaborations in cinema seem to be limited to works by directors with whom he already shares some history, in particular Jacques Perrin, Frédéric Schoendoerffer, and James Huth.

Bruno Coulais’s musical style may vary significantly between different projects, but there are some constant factors visible: his taste for opera and for human voice (in particular that of children), for a search for original sonority, for world music and mixing different musical cultures, and finally, a certain tendency to give preference to the ambience created by lighting rather than the film’s narration.

Coraline Soundtrack Song  Exploration

Exploration - Coraline

Army Dreamers- Kate Bush (but its on loop for almost 22 minutes)

army dreamers (instrumental)

hold me close

Mechanical Lullaby

Cover of Kate Bush’s song ‘Army Dreamers’. This ensemble version keeps close to the original but is augmented by Silvermoths distinct collage of instruments and voices, making it a version you’ll keep coming back time and time again.

Army Dreamers

She wanted to test her husband
She knew exactly what to do
A pseudonym
To fool him
She couldn't have made a worst move

She sent him scented letters
And he received them with a strange delight
Just like
His wife
But how she was before the tears

And how she was before the years flew by
And how she was when she was beautiful
She signed the letter

All yours
Babooshka, babooshka, babooshka ja, ja
All yours
Babooshka, babooshka, babooshka ja, ja

She wanted to take it further
So she arranged a place to go
To see
If he
Would fall for her incognito

And when he laid eyes on her
He got the feeling they had met before
Uncanny
How she
Reminds him of his little lady
Capacity to give him all he needs

Just like his wife before she freezed on him
Just like his wife when she was beautiful
He shouted out

I'm all yours
Babooshka, babooshka, babooshka ja, ja
All yours
Babooshka, babooshka, babooshka ja, ja
All yours
Babooshka, babooshka, babooshka ja, ja

Babooshka, babooshka, babooshka ja, ja
Babooshka, babooshka, babooshka ja, ja
Babooshka, babooshka, babooshka ja, ja



Babooshka

Exploration- Coraline soundtrack

I upload my random favorite music, and sometime my own. 


Exploration- Coraline soundtrack

Phenex1331

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Exploration- Coraline soundtrack

Phenex1331

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✰ Ryō✰

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