Cherry Bomb - (the Runaways-remix )

Space Inside

This is my remix of the track 'Dance With the Devil', original by the fantastic Ella Hayes.
Head over to her channels
https://soundcloud.com/ella-hayes-1
https://www.youtube.com/user/EllaHayz
https://www.instagram.com/ella_hayes_music_uk/
https://www.facebook.com/search/top?q=ella%20hayes%20music%20uk

Ella Hayes-Dance With The Devil (Surreal8Zero remix)

WORK IN PROGRESS!!!
.
The kick drum sounded huge on headphones, but now i think it sounds a bit flappy on speakers, what do y'all think? Also, it def needs another element, especialy during the mid section and onwards. I might ask my ''Bandmate'' for some guitar stems. Or maybe Sibby can send me something at last? Who knows, or dares to dream?
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And another thing, i have no idea how or why the fade out is about three times longer than i meant it to be. Ah well, it'll give Clownie-Boi something to rant about i guess.
.

Twisted

''Twisted (Ice, Ice, Badger)'' (W.I.P., 138.BPM, Dark Techno)

Sibby Ft Wonkey Alice - Played Real Dark Bouncy

Nas.Ma - Gewoon Patat

Quasimodo (remaster)

En Sang om at hejrerne kan tale så mennesker kan forstå dem

RAVIANTS - Coco Oil Drill

A much-anticipated milestone in W's blossoming catalog, we proudly unveil our first V/A compilation, Diptyque: our panoramic compendium of 12 original creations that traverse seamlessly across borderlines, featuring captivating works by Ander Race & HOMIEZ, Leo Som, Andrew Sar, Charlie Holmen, Vaderat x Matias Bordon x Octavio Gimenez, Mike Lang, Antonio Gaudini, Flaor & Bohdvn, Far From Home, and Maribella x Ghem x Jeaneiffel.

Diving off the deep end, Diptyque welcomes us with Ander Race & HOMIEZ's "Can't Get Enough", a throbbing piece that blends dubbed out stabs with classic house chords for an electrifying entrance that sets the bar for the rest of the record. Following up, Leo Som steps up to the fore with "Mascara". A masterclass in tension, our second cut expertly bides its time, as delayed sequences interlock with swelling strings for an enthralling delivery.

Proceedings continue with Andrew Sar's "Heaven". Signaling a swift return from Sar to W, this cavernous take that balances meandering blips with piano stabs and chopped vocals over a slithering low end as mesmerizing shapes come alive in spellbinding alchemy. Next up, Charlie Holmen's "Cant Make You" goes deeper as lush vocals anchor this gem firmly into our souls with emotional finesse.

Coming up on the halfway mark, Vaderat, Matias Bordon & Octavio Gimenez come together for another collaboration in "Away", featuring Desiree Nemcik. Grounded by Nemcik's pristine topline, this gorgeous cut finds the production trio delivering a sultry moment as melodic embers draw arresting swirls in a gripping act of creation. Meanwhile, Mike Lang and Richard Farrell "Go With The Flow" as this Afro-laced cut works its primal magic with Farrell's irresistible vocals and crystal-clear melody drifting into the sundown.

This first installment of Diptyque continues with Antonio Gaudini as he treads over twilight with "Love & Lie", a phenomenal exercise in contrasts as a powerful low-end pulse propels us across a velvet blanket that engulfs us in its warm embrace. Uping the ante, Flaor & Bohdvn's  "Obelisk" presents us with an electric surge as restless synthetic sequences lead washed-out vocals over rising stabs and clipped drum programming for a hypnotic moment.

Closing in on the last curve, Far From Home's "Crescendo" ventures into the battlefield with a bold stance as swelling synthetics wash over us before gated explosions in the sky take us higher with each burst of color. Next, Maribella, Ghem, and Jeaneiffel take it away with "Blue Clouds." Polished, yet brimming with life, pulsating baselines and dotted synths glide over strings, leading to a delectable break in the clouds 

Venturing closer to the sun, Om Lila's "Formentor" marks the beginning of our turnaround with its immersive, retro-laced vibes, shimmering stabs, and unmistakable warmth. A truly arresting view for our comedown, this piece is the perfect soundtrack as we watch colors collapse into each other. On our final escapade, Eykah's sultry "Ngoma Ya Afrika" feels like the perfect homecoming as soulful vocals burrow deep inside this Afro-inspired masterpiece that bridges past and present for a dazzling today.

Catalog Number: #W011
Release Date: 11th July 2025
Buy / Stream: https://lnk.to/nvJAat

© 2025 ICONYC All Rights Reserved.

Buy & Stream

Vaderat & Matias Bordon & Octavio Gimenez - Away feat Desiree Nemcik | W Berlin

BORNIN98 - NESA

I’ve complained in the past about modern music needing a jolt of innovation without coming off as pretentious. Phidippus seems to epitomize the desire to make great music while refusing to keep to one specific formula, making his trajectory as an artist fascinating to watch. I find Phidippus to be an immensely underappreciated musician who just needs one big hit to make his name reverberate throughout the densely packed world of electronica, and I hope that that day comes sooner rather than later.

​24ourmusicreview.com

++++

1974: Eric Salazar, aka Phidippus, is conceived then born shortly after.
1984: Plays first instrument, the autoharp.
1985: Joins a break dancing troop.
1986: Dad buys Amiga 1000. 'Sampled' music discovered.
1990: Gets hands on an Ensoniq EPS-16+ sampling workstation and proceeds to make bad music.
1998: CD EP, "Voluptuous", released. After receiving a demo copy, the staff of Peter Gabriel's record label enjoy the CD as they write memos.
1999: Produces remixes for New Vision Recordings and other labels in the UK.
2000: Mercedes, Smirnoff and other companies license Eric's music to promote their products.
2001: Launches New Vision America, a record label. After three singles are released, the label dies a quiet death.
2005: Scores the best selling game, "Belle's Beauty Boutique". What? Its cute.
2008: Releases full length CD, "ES: When I was Emptyhead 1997-2007". The CD goes on to receive airplay in major markets and commendations from the press, including such publications as Knowledge and XLR8R.
2011: Remixes artists such as The B-52s, Summer Channel and Sasha.
2013: Starts producing under the name Phidippus and begins work on the '170' project.
2019: 'When I was Emptyhead 1997-2007' is re-released under the Phidippus moniker and is made available in all major online music outlets.
2019: The Phidippus album '170.1' is released in all major online music outlets.
2020: The album '170.2' is released online
2021: '170.3' and '170.4' albums are released online
2022: http://www.soundcloud.com/phidippus reaches the 400,000 mark in total plays and 11,000 followers
2022: An EP concocted by Phidippus and producer Surreal8Zero is signed to Full Send DnB
2022: The hip hop single 'Starfish featuring Cap'n Fresh' achieves airplay in 30 states.
2024: The albums "Jinx" and "Lazarus" are released and critically praised.
++++

bookings: thedaringjumpingspider@yahoo.com

Quasimodo (remaster)

Phidippus

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