A sensação de está em todos os lugares mas está apenas parado com o celular na frente de um espelho tirando uma foto minha

I can imagine this play as me and bro get blown up in slowmo after the GC gets leaked.

infinite hyperdeath

Ultrakill ost The Fire Is Gone

Perfect music for resetting your life balance, stress levels and general wellbeing.

Piece written for solo piano by Claude Debussy in 1909-1910. The title "La fille aux cheveux de lin" translates roughly to "The girl with the flaxen hair"

Performed by Fiona Bechmann in October 2021

Debussy - The girl with the flaxen hair (La fille aux cheveux de lin)

This seldom heard work by Claude Debussy is from my new CD album:
 'Debussy-Nature Myth Legend'

YouTube link:
http://youtu.be/fX1fqb3bJLA


Debussy-Nature Myth Legend

Nocturne, L. 82

'Nocturne' by Claude Debussy

Famous piano piece written by Claude Debussy (1862 - 1918)

Arabesque No. 1. Andantino con moto is the first of the "Two Arabesques"  (Deux arabesques) composed by Debussy when he was still in his twenties.

Recorded in 2001 by Fiona Bechmann

Debussy - Arabesque

Debussy's sublime summer prelude, 'La Fille aux Cheveux de Lin'.

The indicated 'Très calm et doucement expresiff' (Very calm and gentle in expressiveness) is quietly asserting tranquility. This is a piece to be savoured and experienced like a summer's gentle breeze; incentivised by the source for the prelude - the poem that bears the identical title of the prelude, written by Charles-Marie-René Leconte de Lisle in the mid-19th century (published in 1874). It is said that Debussy found the inspiration for the prelude within the poem, but for me, the prelude is almost a musical transcription of the poem. I include both the English translation (Laura L. Nagle, 2007) of Lisle's poem, and the original French version as well, below. Read the poem whilst listening to the recording and you will find more than a serendipitous likeness!  
____________________

The girl with the flaxen hair

Who sits upon the blooming lucerne,  
Singing from the earliest morn?  
It is the girl with the flaxen hair,  
The beauty with cherry-red lips.

Love, in the bright summer sun,  
Sang with the lark.

Your mouth has divine colours,
 My dear, and is tempting to kiss!
  Do you wish to chat upon the blooming grasses,  
Girl with long lashes and delicate curls?

Love, in the bright summer sun,  
Sang with the lark.

Do not say no, cruel girl!
  Do not say yes! I shall better understand  
A long gaze from your large eyes  
And your pink lips, o my beauty!

Love, in the bright summer sun,  
Sang with the lark.

Farewell to the deer, farewell to the hares  
And the red partridges!  I wish 
To kiss the flax of your hair,  
To press upon the crimson of your lips!

Love, in the bright summer sun,  
Sang with the lark.
  ____________________

La fille aux cheveux de lin

Sur la luzerne en fleur assise,  
Qui chante dès le frais matin?
  C'est la fille aux cheveux de lin,
  La belle aux lèvres de cerise.

L'amour, au clair soleil d'été,  
Avec l'alouette a chanté.

Ta bouche a des couleurs divines,  
Ma chère, et tente le baiser!  
Sur l'herbe en fleur veux-tu causer,  
Fille aux cils longs, aux boucles fines?

L'amour, au clair soleil d'été,  
Avec l'alouette a chanté.

Ne dis pas non, fille cruelle!  
Ne dis pas oui! J'entendrai mieux
  Le long regard de tes grands yeux
  Et ta lèvre rose, ô ma belle!

L'amour, au clair soleil d'été,
  Avec l'alouette a chanté.

Adieu les daims, adieu les lièvres  
Et les rouges perdrix! Je veux
  Baiser le lin de tes cheveux,  
Presser la pourpre de tes lèvres!

L'amour, au clair soleil d'été,
  Avec l'alouette a chanté.
  ____________________  
Charles-Marie-René Leconte de Lisle (1818 - 1894), "La fille aux cheveux de lin", from Poèmes antiques, in 'Chansons écossaises'
illustration: Monet - Monet - 'Woman with a Parasol, facing right', 1886, Musée D'Orsay, Paris

Claude Debussy - Prelude in G flat major - no. 8 from Book 1: 'La Fille aux Cheveux de Lin'

Claude Debussy: Rêverie

Metaphors

We can never tire of this delicious piece!

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Clair de Lune - Debussy

Spring, Cherry blossoms and you

Classical Favoriyes

Pavane pour une infante défunte, M. 19

Pavane for a dead princess

Claude Debussy, composer.
La Plus que Lente (A Slow Waltz), waltz for piano, L. 128 [1910]

Carlos Marquez, pianist.

background painting by Renoir “Le Moulin de la Galette” (1875)

Claude Debussy: La Plus que Lente (A Slow Waltz)

i do not own this track. its owned by gigi on youtube (https://www.youtube.com/watch?v=k7CNG0BVEsM&t=13s)
this song is uploaded for your enjoyment

Valse De L'adieu By Chopin, But Your Depressed Neighbor Is Playing It While It's Raining Outside

Into the Fire from the upcoming game by new blood entertainment, ULTRAKILL. I do not own this track or any others. All credit goes to Hakita and New Blood Entertainment.

Ultrakill - Into the Fire

I do not own this song, and all credit goes to Hakita and New Blood Entertainment.

Ultrakill - Unstoppable Force

Ultrakill - Cerberus

Ultrakill - A Thousand Greetings

For Phil, traditional classical piano training was something of a straitjacket. He rebelled from a very young age by teaching himself to improvise and play by ear. Fundamentally gentle by nature - he’s a vegan and life-long meditator - the competitive world of classical piano seemed brutal. Phil plays music simply for the love of it and nothing else matters to him. He’s not interested in definitive interpretations or who-can-play-the-fastest performances: what Phil offers is real musical sense, through delivering rhythm and groove, melody and harmony with depth, clarity and unconventional intelligibility.

Phil plays in a refreshingly unpretentious and accessible way, telling musical stories with vivid, straightforward passion. Being a Yorkshireman, he says it how it is, and music for him is profound solace, catharsis and joy: so this is what he offers. Being extraordinarily fluent in the language of music on the keys, he loves to improvise freely, allowing the music to pour forth spontaneously, from a place of deep body-and-soul consciousness. And he aims to make the music of Mozart, Chopin, Rachmaninov, and every piece he plays, come from this place of real transformation and healing.

Clair de Lune - Debussy

Phil Best

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