A sensação de está em todos os lugares mas está apenas parado com o celular na frente de um espelho tirando uma foto minha

I can imagine this play as me and bro get blown up in slowmo after the GC gets leaked.

Классика

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

Chopin: Balladen

Nocturne in E Flat Major, Op. 9: No. 2

Chopin - Nocturne in E Flat Major op. 9 No. 2

Some people spend a lifetime figuring out why they are put on this earth.  Many are lost and confused about what they are doing here.  Sadness, fear, and feelings of being alone take over the hearts of many.  For those of us that have faith in our hearts, we need not feel afraid or alone.   There is one who exists who will not forsake you, leave you behind, or reject you if you truly seek to know and love him.  The One who exists is the Lord God.   I have written this album to show how much God is and will be a part of my life and the lives of all who have faith in Him.

Ballroom For Ghosts

Debussy's sublime summer prelude, 'La Fille aux Cheveux de Lin'.

The indicated 'Très calm et doucement expresiff' (Very calm and gentle in expressiveness) is quietly asserting tranquility. This is a piece to be savoured and experienced like a summer's gentle breeze; incentivised by the source for the prelude - the poem that bears the identical title of the prelude, written by Charles-Marie-René Leconte de Lisle in the mid-19th century (published in 1874). It is said that Debussy found the inspiration for the prelude within the poem, but for me, the prelude is almost a musical transcription of the poem. I include both the English translation (Laura L. Nagle, 2007) of Lisle's poem, and the original French version as well, below. Read the poem whilst listening to the recording and you will find more than a serendipitous likeness!  
____________________

The girl with the flaxen hair

Who sits upon the blooming lucerne,  
Singing from the earliest morn?  
It is the girl with the flaxen hair,  
The beauty with cherry-red lips.

Love, in the bright summer sun,  
Sang with the lark.

Your mouth has divine colours,
 My dear, and is tempting to kiss!
  Do you wish to chat upon the blooming grasses,  
Girl with long lashes and delicate curls?

Love, in the bright summer sun,  
Sang with the lark.

Do not say no, cruel girl!
  Do not say yes! I shall better understand  
A long gaze from your large eyes  
And your pink lips, o my beauty!

Love, in the bright summer sun,  
Sang with the lark.

Farewell to the deer, farewell to the hares  
And the red partridges!  I wish 
To kiss the flax of your hair,  
To press upon the crimson of your lips!

Love, in the bright summer sun,  
Sang with the lark.
  ____________________

La fille aux cheveux de lin

Sur la luzerne en fleur assise,  
Qui chante dès le frais matin?
  C'est la fille aux cheveux de lin,
  La belle aux lèvres de cerise.

L'amour, au clair soleil d'été,  
Avec l'alouette a chanté.

Ta bouche a des couleurs divines,  
Ma chère, et tente le baiser!  
Sur l'herbe en fleur veux-tu causer,  
Fille aux cils longs, aux boucles fines?

L'amour, au clair soleil d'été,  
Avec l'alouette a chanté.

Ne dis pas non, fille cruelle!  
Ne dis pas oui! J'entendrai mieux
  Le long regard de tes grands yeux
  Et ta lèvre rose, ô ma belle!

L'amour, au clair soleil d'été,
  Avec l'alouette a chanté.

Adieu les daims, adieu les lièvres  
Et les rouges perdrix! Je veux
  Baiser le lin de tes cheveux,  
Presser la pourpre de tes lèvres!

L'amour, au clair soleil d'été,
  Avec l'alouette a chanté.
  ____________________  
Charles-Marie-René Leconte de Lisle (1818 - 1894), "La fille aux cheveux de lin", from Poèmes antiques, in 'Chansons écossaises'
illustration: Monet - Monet - 'Woman with a Parasol, facing right', 1886, Musée D'Orsay, Paris

Claude Debussy - Prelude in G flat major - no. 8 from Book 1: 'La Fille aux Cheveux de Lin'

priscilla ahn - fine on the outside (when marnie was there)- slower ballad cover

Piano Concerto No.2 in C minor, Op.18- 2. Adagio sostenuto

Rachmaninov - piano concerto No.2 (Adagio sostenuto)

We can never tire of this delicious piece!

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Clair de Lune - Debussy

Music; Yuriko Nakamura
Original song album; Many Thanks to You
Cover Piano Solo; Tomoki Umeda

Piano Ballad  時は優しく流れて

More on YouTube: http://www.youtube.com/watch?v=9lKofYUaDTk

Chopin – Nocturne Op. 9 No. 2

Walter Morales, piano
Maria Sensi Sellner, conductor
All University Orchestra
November 20, 2011
Carnegie Music Hall

Rachmaninoff Piano Concerto No. 2 (Second Movement)

From my new album, "Illumination", coming July 16, 2012.  This is my arrangement of Clint Mansell's "requiem For a Dream" (Lux Aeterna), originally from the soundtrack of the movie "Requiem For a Dream".  This is a piano-based classical crossover version. Enjoy.

Requiem For a Dream

Chopin - Waltz No. 19 in A Minor (B.150, op. posth.) (08.01.19)

Liszt - Liebestraum No. 3 (Love Dream)

Kinderszenen Op.15 No.7, Träumerei by Robert Schumann

Robert Schumann - Kinderszenen Op.15 No.7, Träumerei

Dedico esta grabación con gran cariño a mis padres.

https://itunes.apple.com/us/album/debussy-deux-arabesques-single/id1109105473

Debussy: Deux Arabesques

Arabesque No. 1 in E Major, L. 66: Andante con moto

Claude Debussy: Première Arabesque

Ballade No. 1 in G Minor, Op. 23

Chopin - Ballade No. 1 in G Minor op. 23

For Phil, traditional classical piano training was something of a straitjacket. He rebelled from a very young age by teaching himself to improvise and play by ear. Fundamentally gentle by nature - he’s a vegan and life-long meditator - the competitive world of classical piano seemed brutal. Phil plays music simply for the love of it and nothing else matters to him. He’s not interested in definitive interpretations or who-can-play-the-fastest performances: what Phil offers is real musical sense, through delivering rhythm and groove, melody and harmony with depth, clarity and unconventional intelligibility.

Phil plays in a refreshingly unpretentious and accessible way, telling musical stories with vivid, straightforward passion. Being a Yorkshireman, he says it how it is, and music for him is profound solace, catharsis and joy: so this is what he offers. Being extraordinarily fluent in the language of music on the keys, he loves to improvise freely, allowing the music to pour forth spontaneously, from a place of deep body-and-soul consciousness. And he aims to make the music of Mozart, Chopin, Rachmaninov, and every piece he plays, come from this place of real transformation and healing.

Clair de Lune - Debussy

Phil Best

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