Name: Schubert Impromptu In G Flat Op 90 No 3 by Phil Best
Duration: 5 min 15 s
Description: You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

i'm playing this too atm, love using this as reference regarding dynamics etc

Am I a genius or what? :) This is lovely.

Nice way to start the day, listening to this, Phil "-)

I love that piece of Schubert - so poetic and soulful. Wonderful playing also.

Julian Kuerti conducts the New England Conservatory Philharmonia in a performance of Mendelssohn's A Midsummer Night's Dream Overture, Op. 21. Recorded live in Jordan Hall October 23, 2013.

Mendelssohn: A Midsummer Night's Dream Overture, Op. 21

A cello quartet arrangement of the second movement from J S Bach's Orchestral Suite No. 3 in D major, BWV 1068.
Cello arranged and performed by Deryn Cullen
Mix and mastering by @dan-cullen

J S Bach - Air on the G - String

Franz Liszt must have really been blown away by the cities of Venice and Naples on his travels with Marie d'Agoult, because he ended up composing four pieces named after them: Venezia e Napoli. But apparently, the original four pieces weren't good enough for old Franz, so he went back and revised them until only the last two were left: the Andante placido (aka Gondoliera) and the Tarantelles Napolitaines (aka just plain ol' Tarantella). Then he stuck a sad song called Canzone in between them and voila! The triptych known as Venezia e Napoli was born. It was published as a supplement to Deuxième Année in 1861, so if you want to check it out, you better hit up this recording!

Liszt must have been feeling pretty darn romantic when he composed Gondoliera, because it's based on a love song by Giovanni Battista Peruchini called "La biondina in gondoletta." But unlike the original version, Liszt's revision starts off with a fancy introduction in the key of F-sharp minor. The music sounds all calm and serene, like a peaceful Venetian canal (or at least what I imagine one would sound like). And then, once it hits that F-sharp major chord, it's like BAM! The melody comes in and it's all lovey-dovey and stuff. And let me tell you, it's so sweet and soft, it'll make your teeth hurt. But don't worry, there's some fancy flourishes in there to keep things interesting.

The Canzone that comes after Gondoliera (or "Gondolier's Song") is actually part of a larger piece, and it leads directly into the Tarantella without missing a beat. It's based on a song called "Nessun maggior dolore" from Rossini's opera Otello, which is weird because the opera is set in Venice but it premiered in Naples. Anyway, Liszt messed around with the melody and rhythm a bit, and he also changed the key from G minor to E-flat minor, which makes it sound all dark and moody. It starts off with some creepy tremolo, and then the melody comes in and it's all woe is me. But don't worry, it's not all doom and gloom, because there's some fancy piano stuff in there to keep things interesting. And at the end, the music gets all happy and major-key-y, so it's not a total downer.

The Tarantella is like a firework show on piano. It's based on some themes by a French composer named Guillaume-Louis Cottrau, who lived and worked in Naples. It starts off with a Presto tempo, and the introduction leads you from the E-flat key of the Canzone to the G minor key of the first theme. And let me tell you, this thing is full of energy! The music shifts between different meters, so it's like a never-ending party. Then the second theme comes in, and it's like BAM! Fortissimo! And then the music goes to the relative major key, but it doesn't stay there long because it sidesteps into D-flat major with a funny little passage in contrary motion. And then it's back to G minor, and the first theme returns, and it's like a three-part design or something. And then the music closes in B-flat major, and there's a pause, and then there's a new theme in E-flat major, and it's all lyrical and stuff. And then there's some fancy flourishes and variations, and then it goes to E major, and then to G major, and then there's a coda and it's like WHAM! Prestissimo! And the music is rushing towards the end, and it's all virtuosic and impressive.

I. Gondoliera
II. Canzone
III. Tarantella

Recorded live from Dublin City Gallery - The Hugh Lane on July 27th, 2014 as part of the concert series of the Dublin International Piano Festival & Summer Academy.

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Official Website: http://www.archiechen.com
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Youtube Archie https://www.youtube.com/c/ArchieChenPianist
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Piano: Bluthner Model 1
Piano Technician: Martin Walsh
Recording Engineer: Darby Carroll
Piano provided by Bluthner UK

Franz Liszt Venezia e Napoli, s. 159

Hear Anna Polonsky's live performance from WQXR's Greene Space, included in the show "Discovering the Cosmology of Bach." 

Computer scientist Bernard Chazelle has an original take on what music works in us — especially the music of Johann Sebastian Bach. Just as mathematicians talk about discovering rather than inventing great equations, so, he says, Bach set out to “discover” the musical rules behind the universe. After hearing this conversation, you may never listen to any piece of music — whether Bach or Jay-Z — in quite the same way again.

See more at www.onbeing.org/program/bernard-chazelle-discovering-the-cosmology-of-bach/7026

Anna Polonsky — "Sinfonia" from Partita No. 2 in C Minor for Solo Piano by Johann Sebastian Bach

Chopin - Piano Concerto No.1 Op.11 E Minor 2nd Mvt Romanza

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Schubert Impromptu In G Flat Op 90 No 3

Ponchielli. Dance of the Hours arranged for string quartet. Download PDF sheet music at <a href="http://www.musicforstrings.com/en/string-quartet-sheet-music/121-ponchielli-dance-hours-gioconda-string-quartet.html" rel="nofollow" target="_blank">www.musicforstrings.com</a>


Ponchielli. Dance of the Hours. String quartet arrangement

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

European Melodies

Spanish Rhapsody

Liszt - Spanish Rhapsody (Live)

Andante Spianato et Grande Polonaise Brillante in E-Flat Major, Op. 22

Chopin - Andante spianato et grande polonaise brillante in E-flat major, Op. 22 (Live)

Badarzewska - La priere d'une vierge

S.Rachmaninov - Rhapsody On A Theme Of Paganini - 18th Variation

Follow me on Spotify at https://spoti.fi/2N29ify.

For Phil, traditional classical piano training was something of a straitjacket. He rebelled from a very young age by teaching himself to improvise and play by ear. Fundamentally gentle by nature - he’s a vegan and life-long meditator - the competitive world of classical piano seemed brutal. Phil plays music simply for the love of it and nothing else matters to him. He’s not interested in definitive interpretations or who-can-play-the-fastest performances: what Phil offers is real musical sense, through delivering rhythm and groove, melody and harmony with depth, clarity and unconventional intelligibility.

Phil plays in a refreshingly unpretentious and accessible way, telling musical stories with vivid, straightforward passion. Being a Yorkshireman, he says it how it is, and music for him is profound solace, catharsis and joy: so this is what he offers. Being extraordinarily fluent in the language of music on the keys, he loves to improvise freely, allowing the music to pour forth spontaneously, from a place of deep body-and-soul consciousness. And he aims to make the music of Mozart, Chopin, Rachmaninov, and every piece he plays, come from this place of real transformation and healing.

Schubert Impromptu In G Flat Op 90 No 3

Phil Best

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