nice song with many things that i like in your realisation.

Such deep production beauty in this creative pop rocker, wonderful harmonies and just a wonderful blend of textures and feel. Well done Phil! Durge

Fab sound on this great song, Phil! Love that bank of horns and with those obscure yet suggestive lyrics and the enthusiastically swinging harmonies, is giving me that Steely Dan vibe : )

Very nicely captured mood! Good horns and polyphonic vocals!

that brass section sounds amazing and gives the track so much fun and power.

I very much enjoyed all the brass arrangements from you, your excellent guitar chops and all the other details, which make this song so beautiful. And yes, you envy me with your yacht … 😀🎸🔥❤️

Laughing.... complex lyrics and complicated imagery... the sublime with the straightforward.... and some just for the sounds. Your work is ALWAYS interesting, Phil.

AMBROSIA COAST

Driving down the coast road
Looking for Ingrid’s hat
It doesn’t matter if we find the beach or not 
With it raining like that

Checking the important ones
Went out before midnight
I’d like to think we could be either in or out
To hit the waves like that

Oh can we do it?
Oh can we do it tonight?
Oh can we do it?
Can we do it tonight?

They came in in inflatables
But they weren’t looking for Ingrid’s hat
We spent some money dressing up the corpse
No-one had learned a move like that

Checking the important ones
Went out before midnight
I’d like to think we could be either in or out
To hit the waves like that

Oh can we do it?
Can we do it tonight?
Oh can we do it?
Can we do it tonight?

But we don’t wanna see where the birdie goes

Give me emotion (bow-wow-wow)
Lend me the potion (bow-wow-wow)
Rub me in lotion (bow-wow-wow)
Give me the motion (bow-wow-wow)
We need ambrosia
Because it’s cosier
Feed the gods with that bowl 
Feed the gods with that bowl, there...

Driving down the coast road 
Looking for Ingrid’s hat
It doesn’t matter if we find the beach or not 
With it raining like that

Checking the important ones
Went out before midnight
I’d like to think we could be either in or out
To hit the waves like that

Oh can we do it?
But can we do it tonight? (bow-wow-wow)
Oh can we do it?
Can we do it tonight? 
Bow-wow-wow

© Phil McWalter Sept 2019

The Drums @rick-4-1
The Other Stuff @phil-mcwalter

Ingrid's Hat

Ambrosia Coast

Written/Produced by: R.J. Dobben (RoTen)
Released on: 12/31/2023


-_-
_>_

Happy new year! (=

Zero

The Tumultuous Journey of the Reflection of Purple Hangings on the Soft Blue Sea...
Le Voyage Tumultueux du Reflet des Tentures Pourpres sur la Douce Mer Bleue...

Title 1 - 179
Title 2 - 089
Title 3 - 090
Title 4 - 091
Title 5 - 093
Title 6 - 190
Title 7 - 219 - Background atmosphere linked
Track duration - 16m.30.255s

Recording sessions from 08/12/2013 07/01/2024.
 track MOOG Modular V2 (vst Arturia),
 track vst Element of Surprise,
 track vst DSK Darkness Theory,
 track vst DoubleSx XXL V1,
 track Spark (vst Arturia),
 track vst KristalReverb,
 track vst Element of Surprise,
 track The Darker Blues,
 track vst Addictive Drums,
 track vst Purple2,
 track Prophet V2 (vst Arturia),
 track BeatBurner VSTi,
 track guitare Yamaha,
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________
❤️🕊️🙏

The Tumultuous Journey of the Reflection of Purple Hangings on the Soft Blue Sea...

I feel privileged yet again to have had a chance to collaborate with such talented and experienced musicians. Thank you all! 

The lyrics are dedicated to my former workplace from a few years ago. I knew I had to one day do something. Little did I know it was with music. 😉


All lead & backing vocals by Heidi K
Words by Heidi K

Alto saxophone solo by joerxworx: https://soundcloud.com/joerxworx
All electric & acoustic guitars by Martin Jansen: https://soundcloud.com/m_ja

Additional instruments and programming by Jeamland
Arrangement & sound design by Jeamland
Mix & mastering by Jeamland
Music by Jeamland

Cover photo: Heidi K

Lunch In The Park -Jeamland & Heidi K feat. Martin Jansen & joerxworx

The Space Between You And Me

Muster

Block them all.

Yamaha saxophone
Korg N264 workstation
FL studio keyboards

The Deceitful

The Beginning Of Everything

Space Gate

The Trial
A Pico-Operetta for our Times

International Cast:

Lady Humanity - Oddrun Eikli - Norway, vocals and lyric on the last song; @oddrun-eikli
Lord Mammon - Peter - England, All poetic lyrics in the operetta, except the last song; soundcloud.com/user-264930040/tracks
The Judge - David Dunham - USA, nylon-string guitar in the song for Lady Humanity's defense; @david dunhamuser589535203
Music & Production - Seagull - Sweden, compilation, mixing, sound effects, and acoustic guitars in last song; @farout-music-studio

Here you can download all poetic lyrics: www.dropbox.com/scl/fi/37k203an5c…5u74dp2i&e=1&dl=0

Synopsis

Following unprecedented worldwide growth in human conflict, an emergency plenary session of the United Nations was convened late in 2023, tasked with finding new approaches to defuse global tension and ease conciliation. Recognizing the abject failure of extant UN jurisdictions and powers, and in a radical restructuring of the international legal and security framework, that session established a new UN institution to sit alongside the International Court of Criminal Justice. The International Court of Moral Justice was formally incorporated into the UN Constitution on 1 January 2024.

The foundations of this infant organization and those of the UN itself were shaken when it was revealed that the inaugural case to be heard by the ICMJ was to be a private prosecution brought by greed (Lord Mammon) against the defendant, mankind’s innate sense of humanity personified by Lady Humanity

In papers lodged with the court, the protagonist, Lord Mammon has asserted that the fundamental basis for human misery, the creation of discontent, thence envy and hence conflict, is to be found exclusively in false moral goodness and self-righteousness borne of a misplaced sense of benevolence. The human race survived and thrived, he states, not by moving at the pace of the slowest, or sharing resources with the weakest, but by taking and keeping, for the self alone, much more than is needed for basic subsistence, this being the singular route to strength, individual contentment and thus tolerance of others.

In reply, a broken and demoralized Lady Humanity has been compelled to present her own defense after failing to secure funding for a legal team to counter the advocates ranged in front of Lord Mammon. The case for the defense rests solely on the premise that good comes from within and cannot be created from nothing. So whilst she may try to bolster the moral cause in her work, she increasingly finds that the human souls she sees have no humanity in them whatsoever for her to strengthen, nothing to work with and as such, concedes that she has failed, but denounces the notion that it was for want of trying. Devoid of resources, supporters and allies of any kind she single handedly has held the fort against the self-perpetuating, self-reinforcing massed ranks of Mammon.

The Lord Chief Justice of the ICMJ along with his bench of associate judiciary adjourn proceedings to consider their findings and in the final act, return to deliver their verdict.

The Trial - A Pico Operetta for Our Times

Gigs Across The River -  Piano Solo 9

Composer/Guitarist/Producer

Songs: We find them unpainted in our hands, throw them up into the air of our imagination, turning them in the colours we see after we close our eyes until they feel just right, and sometimes we catch them perfectly, without blemishing them...

Most of my tracks are available on Spotify, iTunes, Apple Music, Google Play/YouTube, Amazon, etc, just search for Phil McWalter or follow the link below the track and stream or buy as you wish. 

Wow!!  417K plays and 4,000+ valued followers and friends that provide lots of wonderfully helpful comments that fuel the next track! Really big thanks to the SC community for listening and providing such brilliant feedback and support. It means so much to myself and my collaborators - huge thanks.

I work in different styles, as the inspiration, dreams or bubonic plagiarism comes! I use Logic Pro X on Mac.
 
I write, produce and play all my own stuff (unless otherwise stated), 'sing' if unavoidable, play vintage Tokai Strats mainly, PRS Torero, Steinberger, Gretsch G2627T, Classical, Fender Dreadnought, Yamaha and Rickenbacker basses, keyboards and sax. I use Native Instrument's Komplete Ultimate 14, Omnisphere 2 and my own organic samples. I love Hollow Sun.

I mix on Sennheiser HD 280 Pro's and HD 650's (closed and open headphones) when not making a bigger noise through my Mackie studio monitors. I use Focusrite Clarett 2Pre ThunderBolt and Apogee audio interfaces, Neumann & iSK condenser & AKG dynamic mics. 

Hardware: Feb 1978 Marshall JMP 50W Combo, BOO & BOSS stomps

I love collaborating with other musicians and compose with, play guitar for, produce, arrange, master or even just hum along with other SC musicians. Please just ask!

P.S. I use SC Repost to publish my work to other stores & streaming services. I am a long standing member of the Performing Rights Society and PPL through my TV and theatre work as well as my record and publishing deals.

Ambrosia Coast

Phil McWalter

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