Hoping your wishes come to fruition Phil. A very emotive composition,clever and subtle use of the Eastern vibe in Janine's vocal work. Quite Gary Numan sounding in your dreamy vocals.

In love with this epic masterpiece 🙏🔥🙏

The vocal style is so nuanced, really interesting and awesome work

Cool track!! Love the jazz and eastern tinges! Hard to believe the vocal was recorded on your iPhone! Sounds great!

Massive sounds. reminds me of Bowies last band in some ways. Really nice work guys, impressive!

excellent musical vision- hallucinatory stuff Phil

the beat, such a good setup, sonic dessert

Watch me perform this song live on GMAY's SHINEFEST www.youtube.com/live/fKb21owkOV4?…=FfrG-q582eHRw5si
This song is also the victim of my first video attempt - I have a lot to learn about making videos but you can check it out here: https://youtu.be/nTNOSvoCp1U?si=k23Rfdpvul4YtGbI
Take our time in the road
cause we ain't got nowhere to go
but only up from here after an all time low and if I thought you'd care I'd say I love you but we'll just close our eyes and let go
Leave me baby
Hold me maybe
Either way we'll learn to grow survive and find our road home and make it up from here
I'll lead the way and if you don't follow you'll still find your road home and make it up from here
Hatred breeding out of control
while blessed with what some will never know
Can't take that back after what you say when its in the past you'll regret someday and give anything to be here again
Leave me baby
Hold me maybe
Either way we'll learn to grow survive and find our road home and make it up from here
I'll lead the way and if you don't follow you'll still find your road home and make it up from here
Hold me baby you drive me crazy
I'm not going anywhere but if you want to leave you can go right now
Either way we'll learn to grow survive and find our road home and make it up from here
I'll lead the way and if you don't follow you'll still find your road home and make it up from here
Mastered by Woods Studio Free Mixing and Mastering: https://soundcloud.com/woods_studio       
All of the music on this song performed on Roland Jupiter 80 - endorsement please.

8/11/23

Up From Here

Years have passed and I will never forget my one regret. A friend of mine jumped off of the Tobin Bridge in Boston because of the pressure his family put on him to send money back to them in his native country - They should all be crucified. This is my recollection. I should have been there for him that day - instead I was looking to be seen "AGAIN" - always craved attention... Full lyrics below
"
who was I to you guess I was just a ghost reached out to everyone and played the clown but it turned out you needed me the most I wish i never ever let you down - but I was just a kid and i was oh so blind blinded by the selfishness that swallowed up my time craving the attention I missed out on as a child and made you feel alone that day in your darkest hour please forgive me cause I cant forgive myself so many days go by when I wish I was someone else I was just a kid wasn't there for you I know it wasn't what I did it was what I didn't do.
Was in the lunchroom making a cup of Joe - when you walked in trying to compose yourself - I felt like there was something I should know - but i bit my tongue cause I didn't want to pry - saw it in your eyes you were alone but carried on as if I didn't care truth was I was having a bad day consumed with all the problems of my own - but I was just a kid and I was oh so blind blinded by the selfishness that swallowed up my time craving the attention I missed out on as a child and made you feel alone that day in your darkest hour please forgive me cause I cant forgive myself so many days go by when I wish I was someone else I was just a kid wasn't there for you I know it wasn't what I did it was what I didn't do.
The next morning state police had questioned me they said that you had jumped the night before and even though they placed no blame on me - my aura showed that I was ugly
but I was just a kid and I was oh so blind blinded by the selfishness that swallowed up my time craving the attention I missed out on as a child and made you feel alone that day in your darkest hour please forgive me cause I cant forgive myself so many days go by when I wish I was someone else I was just a kid wasn't there for you I know it wasn't what I did it was what I didn't do.
please forgive me cause I cant forgive myself so many days go by when I wish I was someone else I was just a kid wasn't there for you I know it wasn't what I did it was what I didn't d----

One regret (for Diego)

Ladies and gentlemen, gather 'round the sonic hearth, for we're about to embark on a musical expedition that will tantalize your auditory senses and transport you to a realm where sound becomes a time machine. This is more than just a track; it's a sonic journey through the ages, a gastronomic feast for the ears.

Our melody is a guitar-based masterpiece, a siren's call that beckons you into the unknown. Picture not one, but two guitars, their parts doubling and intertwining like old lovers meeting after a long separation. It's a dance of strings that paints intricate patterns across your mind.

But here's where it gets truly mesmerizing – angular harmonic ideas that twist and turn like a serpent through the musical landscape. The harmonies defy convention, leading you down a labyrinthine path of sonic exploration. Your ears won't believe what they're hearing.

And then, the deep bass arrives, a rumbling undercurrent that resonates within your very core. It's the heartbeat of this composition, a primal force that anchors you to the ancient soil of the Sierra Norte here in Mexico.

Ah, but we're not done yet. The piano steps in, its keys a portal to nostalgia. It weaves a melancholic tale that tugs at your heartstrings, like the echoes of a long-lost memory.

Now, let's talk about the feel of the ancients. This isn't just music; it's a spiritual journey. It's as if the ghosts of the Sierra Norte have found a way to communicate through sound. Close your eyes, and you can almost see them, the indigenous people who once roamed these lands, leaving their indelible mark on the very air we breathe.

As the notes swirl and dance, you'll find yourself ensnared in elusions of psychedelic experiences, like a shamanic ritual conducted by ancient gods, their names long forgotten but their presence still lingering in the hidden corners of our minds.

But don't be fooled, for there's a hint of the creepy, a shadowy figure that lurks just out of sight. It's the yin to the composition's yang, a reminder that even in the most awe-inspiring moments, there is a touch of darkness.

This composition is a testament to the Sierra Norte, a place where every tree tells a story, and every rock whispers the secrets of time. It's inspired by the walks in these woods, the people who call this place home, and the ancient souls who once walked this hallowed ground.

So, my friends, prepare to be transported to a world where music becomes a portal to history, where the past and present collide in a symphony of emotions. It's a feast for the ears, a journey for the soul, and an experience you won't soon forget. Bon appétit, or should I say, buen provecho! 🎸🌲🎶 

#SonicExpedition #SierraNorteSoundscapes #MusicalFeast #AncientWhispers

Ancient Harmonic Sueño

Music & lyrics:& all instruments: Bruno/ Loony 🎈
Art Cover: Nataly NGM 💙🖤❤️

Recorded on Yamaha 4tracks tape recorder in September 1990! / Mastered on Audacity in September 2023

Believe it or not… this title was composed almost entirely in a dream !! After three coffees I just had to work all the parts and recorded this in half of the day! 
The day after I mixed that stuff, which would  become - three years after - one of the biggest Cats Bleed success on stage 🔥

SUZY - Bruno C

Two Clans

Recorded in Modesto, Ca.   Featuring Steinway Acoustic Piano solo. Vibraphone solo. Hammond Organ solo. Acoustic stand-up Bass. Steinway Acoustic Piano Rhythm. Drums full Drum kit. Percussion Shimmer Tree, Tambourine, Zildjan 22" Ride & Crash Cymbal. Jazz Brushes.

Release me

Boppereno

Michael Mayo - Masterpiece (Paploviante Remix)
Michael Mayo:
https://www.looperman.com/acapellas/detail/21895/masterpiece-120bpm-funk-acapella
Paploviante E Bass, Keyboard, Backing track, Mix and Mastering

Michael Mayo - Masterpiece - (Paploviante Remix)

Wishing for peace in the Middle East…

The Valuable Friends are:

Janine Levinson @janinelevinson: Amazing Khamsin Vocals
Rick Medlock @rick-4-1: Magnificent Sandstorm Drums
Phil McWalter @phil-mcwalter: The Other Dune Dandruff Stuff

Production note: My Neumann stayed in the case on this occasion, the lead vocal was recorded on my iPhone!

Building Castles In This Hourglass

I've
Always
Got
Sand in my hair
Building castles in this hourglass
Lord it takes forever
Lord it takes forever

Sand in my hair

Lord it takes forever
Lord it takes forever

I've always got
Sand in my hair
Building castles in this hourglass
Lord it takes forever
Lord it takes forever...

© Phil McWalter Oct 2023

Building Castles In This Hourglass

Spotify

幻想

Hopeless feat. ODARKA / Paploviante Music
Vocals and Lyrics ODARKA:
https://www.looperman.com/acapellas/detail/21943/hopeless-150bpm-dance-acapella
https://soundcloud.com/odarkamusic
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

HOPELESS feat. ODARKA

Jenova

Composer/Guitarist/Producer

Songs: We find them unpainted in our hands, throw them up into the air of our imagination, turning them in the colours we see after we close our eyes until they feel just right, and sometimes we catch them perfectly, without blemishing them...

Most of my tracks are available on Spotify, iTunes, Apple Music, Google Play/YouTube, Amazon, etc, just search for Phil McWalter or follow the link below the track and stream or buy as you wish. 

Wow!!  417K plays and 4,000+ valued followers and friends that provide lots of wonderfully helpful comments that fuel the next track! Really big thanks to the SC community for listening and providing such brilliant feedback and support. It means so much to myself and my collaborators - huge thanks.

I work in different styles, as the inspiration, dreams or bubonic plagiarism comes! I use Logic Pro X on Mac.
 
I write, produce and play all my own stuff (unless otherwise stated), 'sing' if unavoidable, play vintage Tokai Strats mainly, PRS Torero, Steinberger, Gretsch G2627T, Classical, Fender Dreadnought, Yamaha and Rickenbacker basses, keyboards and sax. I use Native Instrument's Komplete Ultimate 14, Omnisphere 2 and my own organic samples. I love Hollow Sun.

I mix on Sennheiser HD 280 Pro's and HD 650's (closed and open headphones) when not making a bigger noise through my Mackie studio monitors. I use Focusrite Clarett 2Pre ThunderBolt and Apogee audio interfaces, Neumann & iSK condenser & AKG dynamic mics. 

Hardware: Feb 1978 Marshall JMP 50W Combo, BOO & BOSS stomps

I love collaborating with other musicians and compose with, play guitar for, produce, arrange, master or even just hum along with other SC musicians. Please just ask!

P.S. I use SC Repost to publish my work to other stores & streaming services. I am a long standing member of the Performing Rights Society and PPL through my TV and theatre work as well as my record and publishing deals.

Building Castles In This Hourglass

Phil McWalter

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