@user-138663860: Thanks so much Sandy (Sorry I missed this comment!)

Sweet sound Phil and a slick follow up to part 1

very spacious huge sound. love the live feel :)

Love this guitar strumming Phil! Superb sound, Play and Production! So many fine details. Phantastic vocals and Text!

Love all the Beatles references, which instantly makes it a great tune. That's cheating :-D

There's something bluesy and sensual in this piece ! Thats so good !

After the Ball

In another time another place
We measure our progress through our disgrace
And danced in the halls knew who we were
Escaped the race and gave it away

Now we are set and running late
Hard to believe we lived so free
Bent in the way -the branch swings
Caught in the grace of the Byzantines

Mosaic of color helps escape
The beauty of art starts taking shape
Inspiring those from under its wing
this modern world is fleeting 
remembering days of creating
Byzantine dreams run through my head
Sometimes  I live there instead
 Beautiful locks of abstract gold
Perfect icons and frescos 

Living off the dreams of the Byzantines

Dreams of the Byzantines

"One day blooms, the next day blusters—spring keeps us guessing and growing."
this quote would perfectly describe my Lovely Niece 🪴😊
Happy birthday to my dear 'Iren'. ❤️

mix & mastering by @bahram-dashtii

Buy/Stream

Iren, the Spring Girl

This is another example of an excerpt of a previously uploaded track, originally written by steve vervaet, and performed by the Eclectic Collective. In this stripped down excerpt, it's just focusing on the organ part that comes in at the second half of the song, as well as Josh playing bass and electric piano, and Ken accompanying on the percussion. 

Here's a link to the full version, including all the guys playing along to Steve's heartfelt vocals:
https://soundcloud.com/user-432503709/please-come-home


More goodies in the "ISOLATED TRACKS" playlist:
soundcloud.com/user-432503709/sets/isolated-tracks

Please Come Home (stripped mix)

This is a collaboration with my friend xian3 https://on.soundcloud.com/QOm69lt9nGrn7W0dEL from SoundCloud. His original track had a rock flavor, but I halved the BPM and reimagined it with a tropical jungle vibe. I also got help from mozawa_*  https://on.soundcloud.com/CsHi8jD7VOjfujT9Dq on the percussion tracks. 
You can check out Xian3’s original version. https://on.soundcloud.com/U65g2z6R8LhU8NJ5N4

’Miss Terious’

Basically we're all the same Gifted with a body and a brain And a heart that beats us through all those ways Through glorious nights and fatal days
Still there's something...mysterious
We have changed the world so much In different ways we lost the touch But we don't want to take the blame There's no reason in this game Basically...
Still there's something...mysterious
Working hard in all different ways Winter, spring, summer and fall All the time again and again To deny who is to blame Basically...
Still there's something...mysterious
Still there' something more above A mysterious thing called love

Lyrics and Music by xian3
Percussion tracks by mozawa_*
Composition,Arrangement and Sampling collage by Synline.

Art by Henri Rousseau ’ Snake Charmer’

’Miss Terious’ Xian3=mozawa_*Synline

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

'Dont Smudge The Ink' is an easy listening laid back track and soundscape.

Dont Smudge The Ink

Invisible Agony

Wide Awake

Loretta - Part II

There was interest in the further story of Loretta (a fictional character originally appearing in The Beatles track 'Get Back' and then revisited in my track 'Loretta - Part I' ), so I wrote this sequel 'Part II'; in which Loretta ignores the advice she receives...

LORETTA- PART I is here: https://soundcloud.com/phil-mcwalter/get-back-loretta

There is an OPEN COLLAB too: https://soundcloud.com/phil-mcwalter/loretta-open-collab

https://youtu.be/gMHHYdbrXRk

LORETTA - PART II

Loretta Martin
Didn’t want to be another man
All the girls around her say she's got it coming
But she gets it while she can
   She gets it while she can

Sweet Loretta Martin
She broke a big man’s heart
You didn’t have to do it
You shouldn’t have made it hurt
All the girls around you watch the moves you’re making
Tell you to listen to your heart
But you get it while you can 
   She gets it while she can

Oh Loretta...

Older women round you tell you to be careful
But you can steal it from them 
She gets it while she can
  She gets it while she can
The cars waiting at the lights can see you coming
And you please them ‘cos you can
She gets it while she can
   She gets it while she can
   She gets it while she can

What have you done?

@rick-4-1: Drums
@phil-mcwalter: The Other Stuff

Loretta - Pt. 2

Spotify

!!!HOT NEWS!!! New Valuable Friends vinyl album and CD available! ALSO 2nd Deluxe CD+Booklet "Songs That Mean Something" See links below. 

Composer/Guitarist/Producer

Songs: We find them unpainted in our hands, throw them up into the air of our imagination, turning them in the colours we see after we close our eyes until they feel just right, and sometimes we catch them perfectly, without blemishing them...

My music is on most platforms for your ease.

Wow!!  417K+ plays and 4,000+ valued followers and friends on SC alone, that provide lots of wonderfully helpful comments that fuel the next track! Really big thanks to the SC community for listening and providing such brilliant feedback and support. It means so much to myself and my collaborators - huge thanks.

I work in different styles, as the inspiration, dreams or bubonic plagiarism comes! I use Logic Pro X on Mac.
 
I write, produce and play all my own stuff (unless otherwise stated), play vintage Tokai Strats mainly, PRS Torero, Steinberger, Gretsch G2627T, Classical, Fender Dreadnought, Yamaha and Rickenbacker basses, keyboards and sax. I use Native Instrument's Komplete, Omnisphere 2 and my own organic samples.

I mix on Sennheiser HD 280 Pro's and HD 650's (closed and open headphones) when not making a bigger noise through my Yamaha HS8 studio monitors. I use Focusrite Clarett 2Pre ThunderBolt and Apogee audio interfaces, Neumann & iSK condenser & AKG dynamic mics. 

Hardware: Feb 1978 Marshall JMP 50W Combo, BOO & BOSS stomps

I love collaborating with other musicians and will compose with, play guitar for, produce, arrange, master or even just hum along with other SC musicians. Please ask!

P.S. I am a long standing member of the Performing Rights Society and PPL through my old TV and theatre work as well as my record and publishing deals.

Loretta - Pt. 2

Phil McWalter

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