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Chicaneur - Inner
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☰ Chicaneur
Soundcloud : https://soundcloud.com/chicaneur

☰ Crosswalk Records
Website : www.crosswalk-records.com
Facebook : www.facebook.com/CrosswalkRecords/
Soundcloud : https://soundcloud.com/crosswalk-records/
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Chicaneur - Inner

SWS005 - The Reynolds 'Don't You Worry Baby The Best Is Yet To Come' the fifth release on the new Super Weird Substance label - release date August 14th 2015. 

Vinyl & Digital available here: http://bit.ly/SWS-005
Compilation CD available here: http://bit.ly/SWS-CD001

This is the full length Greg Wilson & Peza club mix, you can hear the radio version on YouTube:
https://www.youtube.com/watch?v=BHZUVedVtXw

The resplendent vocal versatility of The Reynolds has been indispensable to Greg Wilson's Super Weird Substance label over the first four releases and, as such, they have duly been awarded their debut solo release, mixed by Greg and Peza. Although only young, The Seacombe-based twins perform like veterans and in this case they have masterfully taken on Bessie Banks' 'Don't You Worry Baby The Best Is Yet To Come' - a cult Blackpool Mecca classic from the mid-70s. 

By playing contemporary disco alongside 60's soul rarities the Mecca was at the centre of the famous Northern Soul schism which put the venue at odds with the music policy of Wigan Casino. Whilst the Casino is remembered as the more famous venue, it's arguable that - via its most influential DJ's Ian Levine and Colin Curtis - more classic tracks were unveiled in Blackpool than anywhere else. 

The Mecca operated during normal club hours, closing at 2am, whereas the Casino was an all-nighter from 2am-8am - subsequently a number of people would leave the Mecca around 1am to get to the Casino for opening. This led to the final hour at the Mecca becoming more experimental and compilation albums have been made focusing purely on records that became popular there during this timeframe - 'Don't You Worry Baby The Best Is Yet To Come' being one, a Colin Curtis special.

It's such an obscure track that - unless you were there in Blackpool in '76 - it's unlikely you'll have ever have heard of it, having never been issued in the UK. The original vocalist Bessie Banks is best-known for her early 60's hit 'Go Now!' - later covered by the Moody Blues, gifting them their breakthrough hit.

Written by Clyde Otis and Banks' husband of the time, Herman Kelly - legendary in hip hop circles for 'Let's Dance To The Drummer's Beat' - 'Don't You Worry Baby The Best Is Yet To Come' was released in 1976, two years before Kelly's heavily sampled break.

Lending his hand to the recording and mixing once again, Peza cements an ever-fruitful association with producer Greg Wilson, as the Wolverhampton-based DJ and musician takes on a international focus, working with Chen Shi-Zheng in Shanghai on a project opening in New York - on the back of a mutual association with Damon Albarn.

The Reynolds are currently recording further tracks with the intention of a debut album release in 2016. The diversity of sound and nuanced vocal ability of the twins first surfaced on last year's 'Blind Arcade Meets Super Weird Substance In The Morphogenetic Field' mixtape and has become a hallmark of the label since.

Check out our Super Weird sounds at: https://superweirdsubstance.bandcamp.com
Stay up to date with the latest at: http://www.superweirdsubstance.com

The Reynolds  'Don't You Worry Baby The Best Is Yet To Come' - Greg Wilson & Peza Club Mix

Evening Skies

He watched, watch and will watch. Don't disturb.

Picture by Sven Lücke
Coverartedit by T.C.C.

Timekeeper

Following on from 2008’s critically acclaimed Stop, Space, Return, Crazy P return for their fifth studio album When We On, released September 27th through Smoke N´Mirrors (North America).

Alongside the wealth of brilliant remixes they have served up recently, When We On shows how far Crazy P have come since 2008. Whether it’s the anthemic ‘Beatbox’, with its freeform acapella work, grinding Prince—style guitar and haunting strings, the reflective ‘Eruption’, driven on by a rave piano figure and lead singer Danielle Moore’s plaintive cry of “Let me be the one you run to” or, at the other end of the scale, the Detroit techno-esque ‘Sonar’, with its increasingly frenetic payoff, this is an album packed full of potential singles. They might be crazy, but they sure know where the tunes are located.

“With Stop Space Return we wrote the majority of that as a band,” explains Jim Baron. “For this, we decided to strip it back to me and Toddy (Chris Todd. Guitar/Keys) writing with Danielle. We gave Danielle the Loop Station and she’s really taken to it. You can layer vocals, you can hear harmonies immediately, so she can jam along with us now. It shaped a lot of the vocal sound for the album. There’s a tune called ‘We Can Only Be Who Are’ which has big vocal layering, and there’s a lot of that. It’s probably a bit more… grown-up.” 

Chris expands on the theme: “We had quite a big year last year for lots of different reasons and we had difficulties too and I think a lot of the writing came out of that. It’s a little bit more reflective and thoughtful than previous albums.” 

For Danielle, it’s been a revelation in the way they work. “It was back to basics,” she says. “I’d have a go on the keyboards using two fingers or I’d have a go on the drum machine. It was like being at school or in a huge sandpit where you’ve been given loads of buckets to muck about with. We had a loop station as well which I’ve always been nervous of and this time it was like right let me have a go of this and it allowed me to record my vocals.”

For Danielle, the album narrative is the camaraderie between its protagonists. “Their friendship came through in creating this album. The way we worked created a lot of intimacy between us and a definite warmth to the album.” 

Despite the suggestions of melancholy from the band, and they certainly know how to emote when the moment’s right, they haven’t forgotten how to party. “We’re open for service, we’re open for love,” sings Danielle. Crazy, but true. 

Crazy P - Eruption

Merci à @Neovinyl-Recordings pour cette superbe première de "Mon Repos" par @Grigory_Babak - Un morceau à retrouver sur son prochain EP "Invisible Senses"

http://limonadier.net/premiere-babak/

Thanks to Neovinyl Recordings for this wonderful track called "Mon Repos" by Babak - A nice track to find on is forthcoming EP "Invisible Senses"



Babak - Mon Repos

https://www.facebook.com/soulcitysocialclub

FREE DOWNLOAD

Ebo Taylor - Atwer Abroba (Soul City Social Club Edit)

South London beat maker @Tenderlonious is back with his finest work to date, fusing wild flutes and global grooves into dance floor fillers. Off his forthcoming EP via @22a.

Read more & buy: http://www.stampthewax.com/2016/11/14/premiere-tenderlonious-song-for-my-father
Listen on Youtube: bit.ly/Tenderlonious-Father

Pre-Order

Tenderlonious - Song For My Father (STW Premiere)

Invisible Escape

Fuga Ronto - L'uomo Invisibile

Valparaiso (Pharao Black Magic Edit)

Free Download

Elder Island - Welcome State (Demi Riquísimo Remix)

An - 2 - Lazy Sun

Dear friends,
Ned Doheny's music has always been carved into my life since childhood.
I created this rework si i could play "Labor of Love" from the Prone album (1979)in my Dj'set the way i wanted.

Now i want to share it with you so you can enjoy playing it as much as i do.

Mastering by Sultana mastering.

Buy on Bandcamp

Ned Doheny - Labor Of Love ( HOLDTight Hot'n'Spicy Rework )

Flamingo Pier - Hold It

Crazy P   Never Gonna Reach Me (Hot Toddy Remix)

Mail : zapatonfelipe@gmail.com
Instagram : felipe zapaton

An - 2 - Lazy Sun

Felipe Zapaton

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