Sarah Nemtsov  
"Schwelle" (2019/2020)
Version für Diskant-Zither und Cello
nach dem Choral "Komm, O Tod" von J. S. Bach BWV 56

Leopold Hurt, Zither
Sonja Lena Schmid, Cello
(Decoder-Ensemble)
*
Aufnahme Oktober 2021 DLF - mit freundlicher Genehmigung
*
Bild: Ausschnitt "Weiß" (1985, Öl auf Papier) von Elisabeth Naomi Reuter

"Schwelle" (2019/2020) - Zither & Cello

The next track of our free download series is a bomb dropped by our new member, Rotten. Straightly from Seville this producer enters Audiophobia with "Malatesta",  his first official release. Deep atmospheres, gritty basses, hard hitting drums and vocal references from Stanley Kubrik's "A Clockwork Orange". Malatesta is more than a dancefloor smasher, it's an ode against the established society.

FREE DOWNLOAD ➟https://hypeddit.com/lxbbaj

➟ Title: Malatesta
➟ Artist: Rotten
➟ Mastering: @mattsmurder
➟ Artwork: @misshapenmind

➟ Follow Rotten on Soundcloud
https://soundcloud.com/rottenworld
➟ Follow Rotten on Instagram
https://www.instagram.com/rottendnb/

➟ Follow Audiophobia on Soundcloud
@audiophobiadnb
➟ Follow Audiophobia on Instagram
www.instagram.com/audiophobia_/

[APAFREE-007] Rotten - Malatesta (Free Download)

Link Free Download- https://hypeddit.com/8wi7me

Master: https://soundcloud.com/misshapenmind

Muy buenas aqui teneis un temita de neurofunk en free download para que lo gozeis.
Salud y Rebeldía.

Rotten-N.S.A (Original Mix)Free Download

Summer

www.beatport.com/release/one-on-one/1827995
www.traxsource.com/title/665309/one-on-one-ep
www.whatpeopleplay.com/albumdetails/…-EP/id/133281

As &MEs last two EPs on Keinemusik have been hitting the bulls eye of public perception immediately, his KM034 for sure will meet high expectations from DJs and crowd alike. What should one do within this sort of spotlight? Boil up the same old formula? Milk the cow? Play it safe? Well, &ME is rather going for the dont overthink it and just do whatever you like-option. Which in case of this "One On One"-EP is a collaborative effort with English singer/songwriter-enigma Fink thats letting musicality rule over functionality.
The titletrack on A comes creeping over the floor like an ash cloud. Built up on a grainy beat-pattern, having all lightness dashed out by droning bass, before Finks vocals are exorcising the ghosts of a heavy comedown. "One On One" has shaken off the facility of peaktime-consensus, before the straight kick comes in, but even that unmistakeable floor-referral is invalidated by gloomy harmonies after just a few bars. An obvious move against leadsingle-standards, but considering its omnipresent dark narrative and ultimately condensed vibe, "One On One" is without a doubt one of the strongest &ME cuts ever.
The offering on B1 might be considered as a bit more handy, but still: "Cape Coast" is rather grooving along a serious jungle-delirium than delivering easygoing beach-pleasure. A lot of hissing and chirping and rattling going on in between dense synth- and bass-layers, while live-recorded percussions are escalating into frenzy. Tribalhouse of a rather demonic breed.
Finally, Fink is stripping down the original outline of "One On One" into a sinister and subtle Dub-interpretation on B2. Blurred delays, sparse synths and occasionally implemented kick-detonations, reminding of an alarmingly lowered RHR. Meaning even wider room for his charisma breathing croon.

One on One

&ME - Cape Coast

for cymbalum, harp, clarinet and alto
Ensemble Les Temps Modernes
Disque "Azulejos" - Continuo Classics

Canto d'infanzia (2008)

Nature reserve in Floi 2011 – Part 2. Listen and see more at: http://fieldrecording.net/2012/01/21/fridland-i-floa-2011-2-hluti/

Nature reserve in Flói 2011 – Part 2

All sounds in this recording is made by one phase power line (picture), bass from nearby party, strong gust, sheep and birds. No post work.
More information and another part of this recording can be found at:
http://fieldrecording.net/2012/06/22/opus-for-power-line-bass-wind-and-birds/

Opus for power line, bass, wind, sheep and birds.

Written for the 'Hyperorgan' at Orgelpark, Amsterdam. Performed by Ere Lievonen (15.02.20)

The Path Contorts as the Traces Fade

Ocean Waves

Electronica B • Minor Crush

for Microtonals Accordions ©Xamp
Electric Guitar, Amplified Harpsichord, 
Piano, 3 Percussions, 3 doublebass,
& Wind Ensemble (with NO electronics)

For my beloved friends <3
Tribute to Mark Fell

Conducted by Julien Leroy
With Duo Xamp (F.Vicens & J.-E.Sotty)
R.Reber (Guit.), P.Hattat-Colin (Pno.),C.-U.Kim(Clav.),
& Musicians from the CNSMDP Orchestra
Live Recording by Jean Marc Lyzwa 18th September 2020
Paris CNSMDP
Edit & Mix Samir Amarouch
Master Charles D. Wajnberg

Electronica B • Minor Crush , for 21 musicians | 2020 • J. Leroy

Prix de la meilleure musique de film au Festival de Locarno 2004,  pour “Aghate” un film de Anne Deluz.  
Nommination aux Jutra 2011 à Montréal pour la meilleure musique de film “La cité”  film de de Kim Nguyen.  
 Je compose essentiellement de la musique au service de l’image. Pour  le cinéma, la danse contemporaine, le théâtre, la pub et les jeux 3D. 

Summer

Philippe Heritier

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