Incredible. reminds of your work on architect - I lost my 808 , upnotched

Field Writings I est une pièce improvisée née de quatre accords/amalgames de notes prédéterminés.  Nous y jouons avec la rencontre et la quasi-synchronicité des sonorités de nos instruments afin de bouger au sein de ces bassins de notes.  Prenant l'allure d'un thème et variation, la progression harmonique reste la même tout au long de la pièce mais la clarté de l'harmonie se voile ci et là du aux libertés et développements que nous empruntons.  La pièce suit le parcours d’un élargissement énergétique depuis une mélodie à l’unisson et d’un retour final à son miroir plongeant vers le bas.

Field Writings I

Huro

Split

Container

The Sacrificial Code

Kali Malone - Litanic Cloth Wrung (from "The Sacrificial Code" iDEAL 2xLP/3xCD)

Taken from the album 'Cylene' released as 2LP and Download.

Cylene

François J. Bonnet & Stephen O'Malley 'Première noire' (EMEGO 262)

Here's an unreleased take of Connie Converse and friend singing Talkin' Like You, ca. 1954. Accompanist unknown.

Unreleased

Connie Converse - Talkin' Like You (Two Tall Mountains) [Unreleased Duet Version]

Personal Wastelands is an album rooted in contradiction. Although FOQL and Fischerle are both based in Poland, these two artists—who are working together here for the first time—come from distinctly different backgrounds. FOQL, a former member of the groundbreaking Oramics collective who’s currently a part of SHAPE’s 2020 artist roster, usually operates in the margins between IDM and industrial, while Fischerle, a sonic nomad who heads up the Pawlacz Perski label, is someone whose detailed creations routinely bust through established notions of genre.

Forged over the course of a few sessions in FOQL’s Warsaw studio, the album began with improvisation, as the two artists—armed only with two identical drum machines—gradually discovered some remarkably potent common ground, a nebulous "wasteland" of bleak atmospheres, hypnotic dub and corroded rhythms. There’s a bleakness to the music, yet the album's percolating percussion and robust basslines—which nod toward the more experimental end of the UK hardcore continuum—are downright lively, even when they've been slathered in sludgy reverb. Like many releases on Paralaxe Editions, Personal Wasteland defies easy categorization, but despite its many contradictions, it's a compelling document of what can happen when two exploratory talents join forces and simply let their creativity run free.

Music by FOQL & Fischerle.
Artwork by Oficina de disseny.
Printing by L'automatica, Barcelona.
Mastering by Kris at Linear.ms.
Words by Shawn Reynaldo.

Pre-order here: 
https://paralaxe-editions.bandcamp.com/album/personal-wasteland

Personal Wasteland

Swimming Pool 2.0

@networkerror + @felishaledesma

cover by isabella

isabella & felisha - chain mail vol 1

This is my set of edits for the @machine-girl @wwwftilldeath @nucenosis online rave in imvu and twitch.

https://www.facebook.com/events/3041365099256953/

30 minutes of original edits from two live-coded generative improvisations using my software, Conductive.

screen capture by @leevisa

Nucenosis Set 200425

reup con better quality
arte x @aet-ael-634387064 <3

tejido plateado

http://philippevandal.com

philippevandal0@gmail.com

Huro

Philippe Vandal

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