ALTEK - TRICKY DUB

Remix we've done for our good friend and incredible singer Mayer Hawthorne. And for free nontheless! 

ENJOY!



Mayer Hawthorne - The Stars Are Ours (Detroit Swindle's Big Dipper mix) - FREE DOWNLOAD

Future Classic and le coq sportif have teamed up to release a collection of limited edition pieces and exclusive tracks, “reissued” and “remixed” from the archives.

The Reissue Project clothing range has been designed by le coq sportif exclusively for Future Classic – delving into their extensive street and sports wear archives - from the 80s through to the early 90s - to develop six new designs inspired by both the heritage of the brand and clubs of today.

In return, Future Classic, who boast the likes of Flume, Chet Faker, Flight Facilities and more on the roster, has reissued tracks from their own archives, bringing them up to date with new remixes available exclusively via this collaboration.

Visit www.thereissueproject.com for more info

Reissue Project

Chet Faker - 1998 (Detroit Swindle's K.98 Remix)

Mr. Oizo - 'ISoap'

Traxsource exclusive: 13/04/2015

Full release: 25/05/2015



Ride The Night

Gregor Salto & Mitchell Niemeyer 'Just Yeah' is out now on Beatport: http://btprt.dj/1PB2Gwd

Download on Beatport

Gregor Salto & Mitchell Niemeyer - Just Yeah (Extended Mix) [OUT NOW]

Daft samples (1)

Pre-order the new album 'It Is What It Is', released 3 April on Brainfeeder: https://thundercat.lnk.to/it-is-what-it-isSo

Thundercat
Apocalypse
BF040

1. Tenfold
2. Heartbreaks + Setbacks
3. The Life Aquatic
4. Special Stage
5. Tron Song
6. Seven
7. Oh Sheit It’s X
8. Without You
9. Lotus and the Jondy
10. Evangelion
11. We’ll Die
12. A Message for Austin / Praise the Lord / Enter the Void

Forever a wildcat and wild card, Los Angeles’ bassist/songwriter/vocalist Stephen Bruner, aka Thundercat, is impossible to tame artistically. A true master of his craft, he can be found playing bass with Flying Lotus, Erykah Badu and Suicidal Tendencies, in the same breath as performing live with the likes of Stanley Clarke, Snoop Dogg or the Red Hot Chili Peppers. His 2011 solo debut (The Golden Age of Apocalypse, co-produced by Flying Lotus) created an equally genre-blurring enigma of indie rock and jazz, with a touch of electronica.

On his second album, Apocalypse, Thundercat pairs up with executive producer Flying Lotus to pull the veil back and reveal the simple truths of the cycle of life, for all its beauty and destruction. An album about loss and rebuilding, trying to gain something back, and capturing that moment of clarity where one finally finds feet back on the ground again. Bringing a fusion of pop, soul, electronica, prog rock and funk into an unexplored dimension, the album slowly descends and tunnels to the core of what it takes to grasp peace, at a time that it seems most far.

From the deep, rumbling entrance of ‘Tenfold,’ each of the 12 tracks coalesce with Thundercat’s signature bass, his riffs and basslines gliding sky high to meet Fly Lo’s astral touch. Bruner’s vocals and harmonies also soar with open honesty, rising above heartbreak with uplifting odes to love and companionship (‘Tron Song’) and wise mantras to live by (‘Special Stage’). The album plays as a comedy and tragedy at the same time, delicately addressing tracks like ‘We’ll Die’ while bringing the all-out cosmic funk of the anthemic ‘Oh Sheit, it’s X.’

As heavy as the lyrical weight may be, the divine musicality of Flying Lotus, and Thundercat’s instrumental collaborations, brings light. Navigating dense rhythms and intense harmonic progressions, the LP pushes through the hypnotic strands of ‘The Life Aquatic,’ the analogue explorations of ‘Lotus & The Jondy’ (recorded in Adrian Younge’s studio with drummer Thomas Pridgen), and Thundercat and Lotus’ prog rock jam ‘Seven,’ a spontaneous improv recording that organically materialized in less than an hour. It’s no wonder the kindred pair often refer to their freeform sessions as “going to space.” Continually pushing tracks to their furthest point, they take the listener to another place completely – somewhere beyond time, a place that transcends this realm. As the aforementioned track ‘Seven’ (named for its challenging time signature) asks, “Can you hear the sounds of infinity?”

Daft samples (1)

Phillip Hernandez 1

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