Always something

‘Entre Chien et Loup’ is the third single and final taster of Project Gemini’s much anticipated, forthcoming second album Colours & Light. A Francophile-flavoured waltz through the depths of emotion, anguish and escape, served up through the lens of Project Gemini’s cinematic style. Featuring the vocal elegance of Gloria’s Wendy Martinez and guitar solo grit of Wolf People/Large Plants’ Jack Sharp, the beauty of the music is also wrapped up in the pain of its context. Shades of darkness, studded with pockets of light.

Having gained a great 6 Music reception with the title track and second single, Colours & Light, Project Gemini aka Paul Osborne presents one of two album cuts that Lyon-based Wendy Martinez features on. Having sent through the instrumental of ‘Entre Chien et Loup’, Paul mentions: “When Wendy sent me back the beautiful vocal parts she’d written, I was completely blown away. She’d totally elevated the track to another level. Lyrically, it documents an individual escaping a destructive relationship, and the song title (‘between dog and wolf’ a well-known French phrase used to describe dusk/twilight) was absolutely perfect. Jack Sharp added the finishing touches with his mesmerising guitar solo.”

Sweeping and celestial, the Francophile touch is heightened by Paul’s analogue saturated, Mellotron playing and the percussive tactility of Eleven 76/Call Sender’s Paul Elliott. A wandering bassline and the expert drumming of Sababa 5’s Raz Man, anchor the track further to its earthly nature.

Project Gemini - Entre Chien Et Loup

doctors office (voice memo)

First single following the album "Sözleri Benim"

Yaşadığımı sanmışım

Fast Asleep

Sleepy

First EP of a french shoegaze band based in London

Souvenir

Part Of You (Chomsky Remix)

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After Francis Harris' third album 'Trivial Occupations' gained magnificent resonances during press and listeners - his “meandering, spine-tingling loveliness” (DJ Mag, USA) became an album of the year in several publications - here is the Remix-EP with two very special reworks.

While the left-field ambient waves of 'Trivial Occupations' still linger in the ears, Joaquin Joe Claussell and LNS tamper with the two bit more beat-driven 'Minor Forms' and 'St. Catherine And The Calm' for two new interpretations that totally break the chains.

New York based DJ, musician and producer Joaquin Joe Claussell, label-owner of both Spiritual Life Music and Sacred Rhythms Music is looking back on a list of countless works on Labels like Vega Records, Brownswood Recordings and Wonderwheel Recordings. Famous for his percussion-driven Afro-House tracks which are influenced by his Puerto Rican background, he also has a deep connection into New York’s local Jazz Scene. Claussell's Cosmic Arts Version of Minor Forms features the outstanding Jazz-pianist Bennett Paster with skillful and organic Piano lines. The track opens up with indistinct vocal chants and distant piano-tinkles alongside scattered drum hits. This moody, steady swelling beginning follows on the vibe of the original’s jazzy trumpets. As the bass, played by Claussell, hits at some point, the whole track turns into a fusion of  virtousic synth and piano melodies, underlined with excentrical drum rolls. A turn back into the lighter ambient-spheres finally ends the wildness.

"No different than how I approach producing remixes," says Claussell, "my goal first and foremost is to initiate a connection with the original composition. What this allows me to do is become intimate with the piece in a way that it almost becomes one of my own. Once the relationship is established, I then sketch out the ideas in my head - then on to the canvas - hence whatever format, whether that be DAW or Tape that I feel can most appropriately assist me in getting the job done. As it relates specifically to 'Minor Forms', I envisioned it becoming a journey that moves in 4-parts (Deep Wilderness, Morning Light, Jazzstosphere and back into the Wilderness). The ultimate goal was for the remix to become a story that continues moving through different atmospheric scenes and melodic emotions-all the while respecting the brilliance of the original story. An important part however, is that i need to feel the original composition before i entertain the idea of  agreeing to do remixes. And so, hats off to Francis Harris for creating an inspiring piece of music to begin with."

The lively breathing nature of 'St. Catherine And The Calm' is what Laura Sparrow aka. LNS is most fascinated about, so her approach for her remix was to “utilize Francis organic sounds and approach it both via hardware electronically, and using real instruments”, she says. Her Sister, Nadia Sparrow, who is a professional flutist played over the track, creating a goosebump-atmosphere, that is permeated by floating tape-delays of the originals’ piano and vibraphone. Calm and breakbeat-like drums provide the basis for this breathtaking harmonic adventure. LNS, originally keeping the spirit of Vancouver’s underground scene alive, is now at home in the Berlin’s equivalent. Not only her love for Detroit and UK-Techno during Djing, but also a great variety of musical influences mirror in her productions. On her recent releases on DJ Sotofett’s Label Wania and her self-released Recons One EP she shows off a interesting mix of short edged electro and leftfield electronica.

With almost thirty minutes playtime, Trivial Occupation Remixes leaves the impression of listening to an entire album that continues telling the story of the original.

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