● CD01_SPLIT : Humbros / R​.​I​.​P. ●

❊ Composé et mixé par Humbros
❊ Masterisé par Ernest Bergez (Sourdure)
❊ Artwork par Josué Confort ©
❊ Sortie le 9 juillet 2021
❊ Cassette, 80 exemplaires, papier recyclé

→ champdoner.bandcamp.com/album/cd01-split-humbros-r-i-p

Sumac

A1 - Humbros - Sumac

Avizohar
Watershed
Cassette (E258)

Mastered by Yves De Mey

​Release date: May 2022
Edition of 80 copies

Watershed is composer Itzik Gil Avizohar’s debut album, a sonic diary of different scenes, experiences, states of mind and consciousness, recorded in Jerusalem, Tel Aviv, Naples, Venice, Hamburg and Berlin over the past three years. The album features contributions from double-bass player Erez Meyuhass, London-based noiser Vera Spektor, and the black metal trio Karkait. 

Originally from Jerusalem, Avizohar is a member of the art collective Studio Straus and the industrial duo Kashaiof.

Watershed

Avizohar (E258; 2022)

Goddaughter - Goddaughter C38. Available Summer MMXXII
Echoes of music smeared with urban field recordings from NY's Weston Czerkies (Magnetic Coroner / Prime Ruin). Simply GORGEOUS! Limited to 80 copies with screen printed artwork.

Goddaughter - Goddaughter C38 (Excerpts)

A Candy-floss islet
At one glance poisonous
Nestle in the curve of the roots
Sylph is hiding sharp tooth

In the narrow cave
Hollow river gobbles the ruins

Air marches in servitude
Blown curves of early clouds
& the sight of the candy-floss
Remains as a white ribbon.

In the time we strive to forget unattainable voice, all splendor and great temptations are almost always the result of being conscious. Even a small shudder will break the sea, while the silenced rapture of aliveness can be construed in a world where the wind can be a guest and the trees are full nests. We stand argus-eyed, close by the horizon behind us, moving forward to the wave that will repeat itself endlessly.

'Ephemerides' reveals the duality of humming drones and natural sounds as mellifluous curl grinds in noise by the hands of Samuele Larese under his moniker - Lessons in Hate - within reposeful atmosphere of the mountains, which remains the basis for the record as it is orchestral-like, carried out by the forest.

Ephemerides

Lessons in Hate - Outer Space

"When we can no longer move forward or look outward, some reflect and seek truth in themselves – some sharing, through the language of music, what might be impossible to say through words."

Release: https://vaagner.bandcamp.com/album/speak-you-also

ASM04 | J. Carter – Where It Sees Itself Glitter: On Sand Dunes

"Spectral is a collection of tracks using either the Buchla 296 or 296e
Spectral Processor. It was fun taking it into different sonic universes to see 
what it would reveal. Enjoy!" - Todd Barton, 2022

TODD BARTON - SPECTRAL ( excerpt)

track done in collaboration with Noémi Büchi for Biodiversità compilation. Symbiotic Chants 2022

photo: Jean-Marc Avila [ https://jeanmarcavila.com ]
Mixing and Mastering: Suoni Speziali

Symbiotic Chants

Feldermelder & Noémi Büchi - Chasing Crispr Variants

KASSEL JAEGER 'Shift In Dreams' (SP144)

From the album 'Shift In Dreams', out on Feb. 24, 2023 on Shelter Press
Order: https://kasseljaeger.bandcamp.com/album/shifted-in-dreams

Music composed and performed by François J. Bonnet
Artwork by Eléonore Huisse
Mastering by Giuseppe Ielasi

Shifted In Dreams

KASSEL JAEGER 'Shifted In Dreams' (SP144)

American avant-electronic musician and essayist Bret Schneider holds no institutional allegiance to one artistic medium. His background encompasses a wide range of work experiences and reveals a man who is connected to the world around him in complex, alienated ways. His thoughts on music and philosophy are intertwined into a billowing exposition. But when exploring the dark recesses of his more aural works, there is an inherent flexibility. Phasing percussive elements and frayed droning lines all lead to a perpetually shifting feeling for an aural uncanny. As fractured as his music can be, there is a dim spark of rumination that threads through his synthetic machinations.

On his latest release, “Xilinx,” Schneider taps into a primordial electronic noise—the kind that rests just on your periphery, unwinding itself to reveal myriad sordid circuits and disjointed projections. These tracks maintain a wired mania, expressing an unsettling undercurrent of ragged repetition and warbling drones. There’s an unexpected elasticity to Schneider’s cabled rhythms, and they often shift across several temporal lines before turning inward, struggling to illuminate an intimate dissonance or imagine a multi-chambered core. Displaying a raw and unusually concise knowledge of how these sounds might fit together, “Xilinx” is part zoetrope, part post-industrial dreamscape. It is an inquiry into the idea of internal movement, a contorted experiment in musical patterning, and an experiment in self-replication.

Xilinx

Bret Schneider - VaVE1

Extract from 'Empire' EP, out FEB 14, 2019 on Shelter Press
Order: https://shelterpress.bandcamp.com/album/empire

SHELTER PRESS / SP107

—
Following the release of his album Stadium, out on Shelter Press last October, Eli Keszler returns with a brand new EP, Empire. Recorded between September and December 2018, this three-track EP is about finding stillness, tranquility and beauty in a dystopian landscape. In some ways, it continues the concepts explored on Stadium since it's also an EP inspired by cityscapes, architecture and, as Eli himself notes, "the illusion of order during declines." 

Eli started touring for Stadium at the start of October 2019 with a performance at legendary New York venue, The Kitchen, the day before he orchestrated a five-camera shoot — check out this remarkable concert-length film: (https://www.youtube.com/watch?v=xNLdBYvpiJk). 

Eli will continue to tour starting this month with three solo performances as part of Kevin Beasley's exhibition “A View of the Landscape” commissioned by The Whitney Museum in New York on Saturday January 26th at 6pm, 7pm and 8pm. 

He'll also be performing live at Mutek, Phi Center, Montreal on February 23rd, Fort Worth Modern Art Museum on February 28th (in duo with Nate Boyce), Gnration, Braga, Portugal on March 29th and Rewire Festival, Den Hague on March 30th. You can also catch him performing in Oneohtrix Point Never's band at Pitchfork Midwinter 2019, Chicago on February 17th and Myriad, The Roundhouse, London on March 8th. And, he'll be teaching at CAMP in the Pyrenees in April. 

For those new to Eli, his sound lies at the intersection of jazz, improvisation, fusion, modern classical and electronics. Although the music press has often tried to identify his work in terms of specific genres, he remains boldly on his own musical and aesthetic path. 

Stadium received record of the year from Boomkat and placed in countless end of year lists. Since copies of Stadium are sold out, a repress of the album will be released the same day as Empire on February 14th.

Empire

Enter the Bristle Strum

ELI KESZLER 'ENTER THE BRISTLE STRUM' (SP107)

pietra e oggetto (5. Untitled)

' .. son-ambient sculptures or creeping gas leaks, seeping out of speakers and into the atmosphere. '

Bret Schneider - VaVE1

Phinery

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