Classical

Bach: Partitas Nos. 1 - 6, BWV 825 - 830 by Glenn Gould

Partita No. 4 in D Major, BWV 828 - VI. Menuet (Remastered 2022, Version 1963)

Arcangelo performs Gratias Agimus from the J.S. Bach B Minor Mass

J.S. Bach - Mass in B Minor: Gratias Agimus (Hyperion)

Bach suite no 4 en mib maj. pour violoncelle seul
Bach sonate no 1 en sol maj. pour violoncelle et clavecin
Violoncelle: Denis Guy
Clavecin Anne Gallet
Concert au temple de St-Blaise. (1982)

Bach Suite pour violoncelle solo no 4,  Sonate No 1 pour violoncelle et clavecin, St Blaise 1982.MP3

Live recording of the 30th regular concert on June 12, 2011
Fuji Philharmonic Orchestra
Conductor: Mr. Daisuke Soga
Trumpet Solo: Akihiko Ikawa

09 Cavalleria Rusticana Intermezzo

Jesu - Joy of a Man's Desiring

Arvo Pärt:
Te Deum (Live-Recording, Munich,  2014)
Wallfahrtslied ("Pilgrims Song") (Live-Recording, Munich,  2014)
"Berliner Messe"  (Live-Recording, Munich, 2012)
“Dopo la vittoria” (Live-Recording, Munich, 2012)
Chor des Bayerischen Rundfunks 	
Münchner Rundfunkorchester
Peter Dijkstra – conductor
Total Time:  69‘41
Product-Number: 900511          

Arvo Pärt, who was born in Estonia in 1935, has succeeded in bringing sacred music back to a broader audience, and away from the confines of the church service, more than almost any other contemporary composer. The meditative character of his works, and his return to the simplest and most basic musical forms, convey moments of intense spirituality to audiences. 
The Berliner Messe is named this way because it was first performed in the city's St. Hedwig's Cathedral (1990) to mark the German Katholikentag (Catholics Day).
Despite its radical reduction of means of expression, Pärt's music demands the greatest care in execution from those performing it – and this has been masterfully realized in the present recording by the Chor des Bayerischen Rundfunks and the Münchner Rundfunkorchester, whose combined and homogenous sound results from their regular cooperation.

Arvo Pärt BERLINER MESSE Gloria

Otto Klemperer
MENDELSSOHN 
Midsummer Nights Dream – Incidental Music 
Käthe Möller-Siepermann (sop) 
Hanna Ludwig (mezzo) 
Kölner Rundfunkchor Chorus Master: 
Karl Kaufhold 
Kölner Rundfunk-Sinfonie-Orchester 
SAAL 1, FUNKHAUS, COLOGNE, 9-11 JUNE 1955 
- 
BEETHOVEN 
Symphony No.8 
Kölner Rundfunk-Sinfonie-Orchester 
SAAL 1, FUNKHAUS, COLOGNE, 28 MAY 1955 
Rehearsal of Beethoven Symphony No. 4 
SAAL 1, FUNKHAUS, COLOGNE, 25 OCTOBER 1954


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Otto Klemperer was widely regarded as one of the leading conductors of the 20th century along with his compatriots, Wilhelm Furtwängler and Bruno Walter. These performances date from 1955, a period when Klemperer was at his most authoritative, spending a number of seasons guest conducting in Cologne with great success. Both Mendelssohn's Midsummer Night's Dream and Beethoven Symphony No.8 are sourced from the original WDR tapes and have been superbly remastered. They appear for the first time on CD

http://www.icartists.co.uk/classics

OTTO KLEMPERER - Mendelssohn- Midsummer Night's Dream Incidental Music - Scherzo

Schubert: The Complete Piano Sonatas Played on Period Instruments

Sonata No. 2 in C Major, D. 279 / 346: III. Menuetto (Allegro vivace)

Motetten & Kantaten der Bach Familie

Ich lasse dich nicht

Composer: Gerard Farré (2000-)
Piece: Nocturne No. 3, Op. 11
Performer: Carlos Márquez, piano

For scores by this young Spanish composer please visit:
https://musescore.com/gerardfarre

Gerard Farré: Nocturne No. 3, Op. 11

Bach Double Violin Concerto

A short little harpsichord piece by Mozart.  Works well as classical background music.

Purchase License

Mozart Allegro in F, K.1c (harpsichord)

Mendelssohn, String Octet, Scherzo  3rd mvt

Mendelssohn - String Octet, Scherzo

A Festive Consort
Composers: Bach, Berlioz, Corelli, Gabrieli, Handel, Mozart
Performers: Robert Haydon Clark/Consort Of London

Bach: Christmas Oratorio, Sinfonia in G Major, Cantata No. 2,

Valencia 1st Movement

Since 2005 Phoenix Music International Ltd has been building a catalogue of music that crosses genres, eras, geographical lines, scenes and cities. It began with Belfern and Deviant, and since has taken in Gut, Telstar, Jet Star, Resist, Collins Classics, Renaissance and Azuli. A proper in-house publishing company now exists, as does a team of nine music lovers of all tastes and flavours.

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Bach: Christmas Oratorio, Sinfonia in G Major, Cantata No. 2,

Phoenix Music

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