16.10

Sensorama - Helgoland 
Mellow Man – The Deep 
Korsakow – Deep Love 
Korsakow – Abduction 
Roman IV – Green Tea 
Isolée - System  
System 360 – Machines 
Lynx – Call… 
Burger/Ink – Twelve Miles High 
Sensorama - Echtzeit (Move D Rmx)

Hausmusik 15 (1996)

At Unsound 2021, Shackleton and Wacław Zimpel will present a new work entitled ‘The Spirit Still Remains’, an Unsound-commissioned performance involving alto clarinet, electronics and voice. Broadly understood as ritual and devotional music, the work will explore transcendence, love and death.
As part of the Unsound podcast series, Shackleton and Zimpel were asked to make a mix that would somehow connect to this project, to perhaps reveal some of its inspirations and reference points.
Shackleton and Zimpel say: “Over the course of the past couple of years, we have often recorded or rehearsed together. Generally at the end of the day, we might get a couple of beers in and listen to other people's music. Some of it is stuff we both know and like, some of it music that one of us thought the other might like. When we were asked to do the mix, we thought it might be good to select music that we had listened to together. Then we decided to expand the scope a bit to fit more of a common theme. Broadly speaking, the mix is intended to be ritual, sacred or meditative music in various forms, something we are trying to achieve with our project. We hope you enjoy it.”

Tracklist:
Catherine Christer Hennix - The Deontic Miracle - Selections from 100 Models of Hegikan Roku -  Music of Auspicious Clouds (part 1)
Johnny Cash Reads The New Testament - Mark Chapter One
Brast Burn - Debon - Debon Part 1
Six Organs Of Admittance - Nightly Trembling - Redefinition Of Being
Ormatan Tarawangsa - Panimbang - Limbangan
Catherine Christer Hennix - The Deontic Miracle - Selections from 100 Models of Hegikan Roku - Music of Auspicious Clouds (part 2)
Sequentia (Barbara Thornton & Laurie Monahan) - Hildegard Von Bingen - Canticles of Ecstasy - O Vis Aeternitatis
Johnny Cash Reads The  New Testament - Mark Chapter Two
Sleep - Holy Mountain - Holy Mountain
Johnny Cash Reads The  New Testament - Mark Chapter Two
Shun-Nohden Satto - Anthologie de la musique traditionnelle japonaise (Mono Version) Entenraku -  Nokorigaku Sanben (Hyojo)
Terry Riley - Songs For The Ten Voices Of The Two Prophets - Chorale Of The Blessed Day
Technical Space Composer`s Crew (Holger Czukay & Rolf Dammers)	 - Canaxis 5 - Boat Woman Song (part 1)
Ustad Bismillah Khan - The Shehnai Legend: Bismillah Khan & His Ensemble - Raga Bhimpalasi, Aochar, Gat In Slow Ek Taal, Gat In Fast Teen Taal
Technical Space Composer`s Crew (Holger Czukay & Rolf Dammers)	 - Canaxis 5 - Boat Woman Song (part 2)
Alemu Aga - Éthiopiques 11, The Harp Of King David - Man Yemèramèr 
Alice Coltrane - Universal Consciousness - Oh Allah
L. Shankar, Zakir Hussain, Vikku Vinayakram - Ragam Abheri
Johnny Cash Reads The  New Testament - Mark Chapter Two
Robbie Basho - Art Of The Acoustic Steel String Guitar 6 & 12 - Pasha II

Unsound Podcast 71: Shackleton & Zimpel

Streaming from Amsterdam's Radio Radio: this is RRFM.NL w/ @mattikk

RRFM • Quantum Electronica w/ Mattikk • 10-03-2022

www.openlab.fm | 106.4FM in Ibiza & Formentera
Check the full tracklist on our website:
https://openlab.fm/news/dusk-delay-014-lord-of-the-isles

Another mind-melting episode of Dusk Delay from https://soundcloud.com/lordoftheisles. Diverse as always, swerving from deep modular analog goodness from Valentino Mora into some choice Ama Piano from Teno Afrika then off into tribal techno and ambient from the likes of Dino Sabatini and Acting Press’s Money Morning among others. Returning to earth with new music from Prime Vertical on Illian Tape, classic LOTI and Boards Of Canada.

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid

Dusk Delay 014 - Lord Of The Isles

http://mnmlssg.blogspot.com/2012/01/ssg-special-finn-johannsen.html

2012-01-17 Mnml Ssgs Special (Electro Special)

Heaven is in You began as an intent based project in wide ranging exploration of the world and our own being. Now defunct, ADAB once curated the Cleveland based Heaven is In You parties alongside colleague Eric Sarley (Ghost Noises) for what became locally known as a labor of love in sonic variety. The sentiment finds itself resurrected here for ADAB's monthly transmissions.

https://www.nts.live/shows/adab/episodes/adab-8th-october-2022

Heaven is in You w/ ADAB 071022

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

https://www.nts.live/shows/soup-to-nuts-john-gomez/episodes/soup-to-nuts-john-gomez-7th-november-2022
John + Shanti go live from the studio, playing some timeless childhood-era records and chatting thru English / Latin identity.

Soup To Nuts w/ John Gómez & Shanti Celeste 071122

Transmigration means to pass into a different body after death and in terms of the labels policy it does just that, it takes something passed and gives it a new lease of life. David Fogarty aka Louis Satori has carefully curated the identity of his imprint using sounds of the past and with the name sake of the label, keeps that mind state in play. Fogarty has reissued such artists as Susumu Yokota(under his EBI alias), Drum Club, Alien Mutation, Downlink and more and this has seen these releases pass into some of the biggest DJ names giving them even more exposure that they may not of had the first time in some cases. As expected with such deep rarities given second life can only be exposed by someone who deep digs. Having played all around Berlin and recently after making his debut in Berghain we are honoured to have Louis Satori take over the Off The Record mix for a cosmic selection of EBM, industrial, ambient, acid and more. We had a quick chat with Fogarty about the label, Susumu Yokota and what he has coming up.

Off The Record Mix Series 35: Louis Satori (Transmigration)

I thought I'd do a minimix of some of the new tracks forthcoming on We're Going Deep and We're Going Back.

Couple of tracks off the James Shinra, Owen and Melchior, Troy Anderson and every track off of WGD 009.

Hope you enjoy them.

Spring WGD Sampler Mix

Music in praise of the Moon
Mix series hosted by Stathis and Luigi Di Venere
32nd Episode by K.atou @https://soundcloud.com/k-atou
Artwork by Thodoris Dimitropoulos

Moon Gazing 032 by K.atou

@Mikeburns

Mit freundlicher Unterstützung und Förderung der Stadt Wien Kultur/ MA7

Video-Stream

Mike Burns - 14/04/23

Gym Motivation #4 dNmS.wav

#AmbienteHouse #MelodicHouse #Minimal #Instrumental #Meditation

Violence Edit 1.wav

Original Instrumental Song
比較的サマー (Relatively, Summer)

Studio One Pro 7.2.2
Massive X

Relatively, Summer

Don't say we aren't good to you. Ending the year with a bang we bring you a special mix from the one and only Steve Rachmad, the longstanding Dutch techno veteran. A pivotal figure in dance and electronic music, he has cast a spell upon techno in a manner unlike any other, his music championed far and wide by a sprawling array of dj's. Never one to stand still he has channeled his creativity across a number of personalities and guises having released as A Scorpion's Dream, Adverse Match, Black Scorpion, Continuous Cool and of course Sterac. 

His music is machine driven, drawn on a wealth of experience and experimentation through hardware and analogue equipment whilst in the booth his approach as a dj is versatile and constantly changing. 

This mix was recorded at Thuishaven as part of the close of their winter season.

Read & Download

Steve Rachmad: The Ransom Note Mix

London's leading independent record shop. Also home to labels Phonica Records, Phonica White, Phonica Records Special Editions and @KarakulRecords.

Full features, including interviews and tracklists, for our Phonica Podcast and Phonica Mix Series on our editorial platform Off The Record ⬇

http://offtherecord.net/

Off The Record Mix Series 35: Louis Satori (Transmigration)

Phonica Records

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