HK_Calm-&-Steady_tracks_142

From the last album "Gleitch" 
little Dolce ...
Follow me here too =) : https://phonostinato.bandcamp.com/follow_me

#IDM #Drumandbass #DnB #Ambient #Experimental #Glitch #techno
#Electronica #Electro #PhonoStinato #Phono #Darkwave #electronic #Piano

Gleitch

Stracciatell

Free Download

Big Thanks to unsplash.com/@corey_saldana for beautiful Photo!

For Friends

The Faded

THEY SAW MY KITE ON MARS

Hey Pelle (2021)

Music, instruments, recording, mixing, and cover design - Dmitri Koteshov.

The track is dedicated to the memory of Pelle "Dead" Ohlin. The picture is by Gerry Vassilatos. 

August 15, 2021

Hey Pelle

Chcrrn)

Pontes interligam ao mesmo nível pontos não acessíveis, separados.
Assim como as pontes, essa faixa foi construída para que através desses pontos, crie -se um elo, permitindo a passagem de qualquer coisa, sobre qualquer obstáculo. 
Agradeço ao meu amigo @ni-ni-shrubbery por ter sentido e interpretado os sopros dessa belezinha, e pela união de duas mentes psicodélicas separados pelo espaço-tempo, mas unidos pela música.
Sinta.
________________________________________________________________
Bridges connect inaccessible points at the same level, once separated.
Like bridges, this track was built so that through these points, a link is created, allowing the passage of anything, over any obstacle.
I give thanks to my friend @ni-ni-shrubbery for having felt and interpreted the winds with passion for this beauty, and for the union of two psychedelic minds separated by space-time, but united by music.
Feel.
______________________________________________________________
\Yabiru
Bandcamp_______ yabiru.bandcamp.com
Facebook_______ fb.com/yabirumusic/
Instagram_______ instagram.com/yabiru.sonhador
Soundcloud_______ @yabiru
______________________________________________________________
\Ni!
Bandcamp_______ nimusic.bandcamp.com/releases
Soundcloud_______ https://soundcloud.com/ni-ni-shrubbery

Feat. Ni! - Pontes e Pontinhos

the mood of Kaurismaki's films
short topic of improvisation

2021-09-06

NLS - 2021 - 09 - 06 - 6 :30  PM

Red Dust

surf rock track by Paula Zalve and Rob Deckx, at Academie Hoboken

NIGHTBIRD

Yet again, I set some rules and left the synths dreaming while I had a nap.

This (with a bit more intervention after the fact this time) is the result.

Machine Dreaming Blue

Inhabité

The melody is warm and cozy, as if you were at home among your loved ones^^)

Atmosphere home

Self-Similars

I hear the planet sing as it plummets into a sonorous darkness, a strange uncertainty laced with interferences; white noise, brown noise, red noise, all the noises, in a tangible distortion, like every sound I have ever heard pushed through one hundred distortion pedals at once. 

The stars hum in a low mussitation, distinguishable against the rhoncus rattle of people, places and things in a rising and falling glissando of sleepy and awake. The muffled cacophony of breath against breath, whistling, singing, mirrored in the whispering trees. These eolian instruments invoke a doppler effect as we rotate around each other, my binaural perception altered by every movement, becoming boomy, then tinny, then zing. I never knew I could orchestrate with trees. Then just as I am wrapped entirely in a sonic envelope of frequencies, I locate a rhythm of heartbeats and hoofbeats, the pulsing paradiddle of further resounding aliveness. 

I feel the compression closing in all around me, attenuating, boosting, clamping, I grasp for some dynamic headroom to make sense, to find closure, to resolve, to normalise. But there is nothing but the tintinnabulation of bells, beautiful shimmering chimes, in the distance somewhere over there, as they have always been. 

And in the fury and clamour I realise that when it goes dark the lights come on. This is the essence of ‘Glowball,’ a three track sonic pilgrimage on meditations with a Microkorg in times of global weirdness. 
credits
released November 22, 2020

Voice sample taken from Paul Stamets Lecture, Chicago Green Festival, 2009 

Title: Mushrooms Can Save the World 

Upload Date: August 13th 2012 

Author/Archivist: Monte Barry 

Source: Archive.org 

License: creativecommons.org/publicdomain/zero/1.0/

from Glowball, released November 22, 2020  available for download at: 

https://skyhighdiamonds.bandcamp.com/album/glowball

Hypnagogia

MAKE SHADOWS TOGETHER - SUMU (album, 2021)
Release date: April 7th, 2021
Formats: CD + TAPE + DIGITAL

Make Shadows Together is proud to present the debut album 'Sumu' that introduces their sonic visions and soundscapes that are based on floating and experimental violin and viola melodies created by Jussi Suonikko and solid synthesizer, organ and piano ground, layers and melodies created by Juha Mäki-Patola.

Make Shadows Together creates cinematic and minimalistic ambient music with a sombre twist, and meditative soundscapes that are floating calmly but also soaring.

Jussi and Juha started to make music together over a decade ago. Since then both have worked in several roles in Finnish music community as musicians, recording, mixing and mastering engineers, composers and sound designers.

Make Shadows Together took their name from a poem that legendary songwriter Mark Olson wrote when he heard the song "Leonids".

Concrete canal
Radio hi-fi sound
Picnic palace place
Burned out suitcase
Black umbrellas
Make shadows together

'Sumu' got its first steps in 2018 when Jussi sent an abstract violin melody to Juha and he created solid ground for this piece. The piece is "Deprivation" which gave inspiration to fellows to create more music. Slowly but with steady steps 'Sumu' started to see the daylight and at the end of memorable year 2020 all songs were in shape, and Make Shadows Together was ready to release their debut album 'Sumu'.

Jussi Suonikko - violin and viola
Juha Mäki-Patola - synthesizers, organ, piano, guitar and percussion

Composed, produced, recorded, mixed and mastered by Make Shadows Together

Cover art and design by Liina Mäki-Patola

Deprivation

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Stracciatell

Phonostinato

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