steve nash

Produced by @jayprincemusic
Vocals by Jay Prince & @raheaven

Taken from the 'BeFor Our Time' EP.

Download at http://beforourtime.com
Download on Bandcamp http://jayprince.bandcamp.com/album/befor-our-time

Be For:

There are two definitions to this EP, the first being literally being “for our time”. In the current era of musicians, like myself from London, people tend crave and look to the states for answers and are quick to criticise the music from our own home. Some may disagree – but I speak from experience. This EP is the project that demonstrates there is hope where we’re from and where I’ve come from and we should unite in that. We all have a story to tell. This project is about Truth, Love and Passion.

Before:

The second meaning of this project is its nostalgic presence. This being a story telling project, it is filled with reflecting on situations and life experiences. The whole theme sonically is driven by reminiscence; I wanted to bring the same feeling or something close to the feeling, you felt when Hip Hop was at its peak of greatness and what is said actually meant something. I was born in 1993, and with this project I wanted to give people that same feeling of when music and Hip Hop was appreciated and respected by the masses in the 90's, and bring that feeling back to my home city and the world.

BeFor Our Time, For The People.

FOLLOW JAY PRINCE
Facebook - on.fb.me/1kCu5Nr
Twitter - twitter.com/JayPrince

BeFor Our Time

Polaroids

A LITTLE BIT OF LUST - PHONYPPL 
SHOW TOMORROW AT SOBs 
tickets: http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=5811145

Little Bit Of Lust.

V1
ooo I'm black & I'm proud im black they can't keep me down
I'm black in black with a smile a black Beemer to match 
2 Afro puffs in the back, who Afro centric & bold 
with langston Hughes in they soul & Oprah money for goals
that's my black queen for u 
bout a buck & I love it a Nefertiti tat & innanet on black in her stomach 
a black mink & fisted pick bc she's black & in public 
she's living in colour & woah that's dy no mite 
quite my type I met her on the soul train 
with her girlfriends yeah they girlfriends & them girls them 
oh so black with a smile black u can't keep em down oooo they black & they proud 

(HOOK) 

V2
I'm black & I love it I'm black so black is the subject 
I'm black in back & I'm loud 
I'm black so black & I'm proud 
this for my men in black. will smith 
in pursuit of happiness 
malcom x all yo problems 
get yo hand out my pocket 
james brown get down 
get up & check my style I been doin it an doin it an doin it well 
I been doin it I'm jackie brown so ordell 
coffee baby foxy lady Sheba baby lets chill

HOOK

Download the album, "Quebec Place" out now!

iTunes: https://itunes.apple.com/us/album/quebec-place/id1142002536?uo=4&at=1001l3Iq&ct=888915261569&app=itunes
Google Play: https://play.google.com/store/music/album/Innanet_James_Quebec_Place?id=Bdol72nnb73lvj3laxgei3t5fi4&PAffiliateID=1101l3z7&PCamRefID=888915261569
Amazon: http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Ddigital-music&field-keywords=Quebec%20Place

Download

Black Prod. MZA

[Verse 1] They say the Dragon’s sharpening claws, But they don’t read the moral clause. 
This ain’t conquest, this ain’t greed, 
It’s defence born from a Western creed.

[Verse 2] For centuries, the cowboy code, 
Rode into nations, stripped the load. 
Flags on soil, resources drained, 
Cheap hands worked while debt remained.

[Verse 3] 
China watched, took note, stayed still, 
Built her base with patient will. 
Knew the West would test her gate, 
So she trained to meet that fate.

[Verse 4] 
Reinforced the shield, not the spear, 
Made it clear: “We don’t start here.” 
But if you push, we’ll hold the line, 
Defence is not a warlike sign.

[Verse 5] 
The media spins the same old tale, 
Dragon rising, ships set sail. 
But they don’t show the other side, 
Where China’s hand is open wide.

[Verse 6] 
“No strings” loans, no hidden chains, 
No puppet strings in foreign veins. 
Ports and roads, schools and light, 
Built without the vulture’s bite.

[Verse 7] 
This ain’t the IMF’s old trick, 
Where aid turns into debt so thick. 
It’s partnership, it’s mutual gain, 
Not empire dressed in aid’s name.

[Verse 8] 
Never before in human time, 
Has a power at its prime, 
Said “Enough — no more the theft, 
Let’s build the world with what is left.”

[Verse 9] 
They fund the bridges, pave the way, 
And don’t demand your soul to pay. 
No oil grab, no land in lease, 
Just trade and growth, a pact of peace.

[Verse 10] 
But the West can’t let that stand, 
It breaks the script they’ve always planned. 
So they paint the Dragon black with lies, 
To hide the truth from public eyes.

[Verse 11] 
They call it threat, they call it scheme, 
But that’s projection from their dream. 
The dream of ruling every shore, 
A dream the Dragon won’t explore.

[Verse 12] 
Instead she says: “Let’s step as one, 
The age of zero‑sum is done. 
Mutual benefit, shared ascent, 
A future built on joint intent.”

[Verse 13] 
And while they talk of war and fear, 
China’s building space right here. 
A solar farm beyond the sky, 
Beaming power down to buy.

[Verse 14] 
Microwave streams from orbit’s ring, 
Clean energy for everything. 
First step to move the mines away, 
To space where scars don’t mar the clay.

[Verse 15] 
Automation in every field, 
AI minds that never yield. 
Not to replace, but to enhance, 
To give the species one more chance.

[Verse 16] 
The West still clings to oil and guns, 
While China builds for distant suns. 
Factories in orbit’s span, 
A post‑war dream for every land.

[Verse 17] 
This ain’t imperial ambition’s call, 
It’s the blueprint to lift us all. 
But lies are loud, and truth is slow, 
So we must make the signal grow.

[Verse 18] 
Tell the world the Dragon’s plan, 
It’s not to rule, but join with man. 
To end the age of plunder’s reign, 
And heal the wounds of war’s domain.

[Verse 19] 
If the West can drop the sword, 
And take the Dragon at her word, 
Then maybe we can build the stage, 
For mankind’s long‑awaited age.

[Verse 20] 
So hear this track, and hear it clear, 
The future’s path is drawing near. 
Cooperate, or fade away — 
The Dragon’s offering a brighter day.

The Dragon's Offer

The Dragon’s Offer

Eric David - Soul

produced by galacticboogey
@kingharrisII @klutchnorris

do it to it.

from the album YES LAWD! http://stonesthrow.com/nxworries

Yes Lawd!

VINYL

NxWorries - Anderson Paak & Knxwledge - Lyk Dis

Happy 1st birthday, And After That We Didn't Talk
Featuring Marsha Ambrosius, additional vocals by @AndersonPaak
Sign up to hear new music first: smarturl.it/goldlinksignup?IQid=sc

www.goldlink.info
twitter.com/goldlink
facebook.com/goldlink
instagram.com/goldlink

See I Miss Pt. 2

See I Miss Pt. 2 (feat. Marsha Ambrosius)

Pressed for time (Crossed my mind) Feat. GoldLink

Shea Butter Mami

-Written by Matt McGhee
-Produced by Jaylen!
-Additional Production by Pat Smith
-Mixed & Mastered by Matt McGhee

@jaypreme

Shea Butter Mami

LUCKI - INCOMING (PROD. STOOPIDXOOL)*BROKEOFF EXCLUSIVE*

Huncho x Splurge- "Autozone"

TrapYounginBlaine X Splurge - Rollin

Splurge - BackWoods

like/komment/repost
Artist: @2gang.huncho
produced by @jeffersonbeats
Official video is on youtube

Huncho -"Movie"

download

GoldLink - 7 Golden Lampstands (prod. McCallaman)

An artist’s greatest superpower is freedom. Liberation is both the modus operandi and main ingredient of the fearless five-man band Phony Ppl. Comprised of the cream of Brooklyn’s young musician crop, each classically trained member is a product of musical parents who gifted their children exceptional DNA, exposure to the greats, and most importantly, wings for exploration and self-discovery. The result is a collective that’s as limitless as its music; one that has received praise from the likes of Tyler The Creator and Childish Gambino, performed with Erykah Badu, Jill Scott and The Roots, and killed festivals, late night television and their own residency at New York City’s legendary Blue Note. 					
The warmth of lyrics are mainly credited to lead vocalist Elbee Thrie, a former Manhattan School of Music student whose vocals possess a disarming charm and lyrics glow by advanced perspective and retrospection. Trained composer, Aja Grant provides co-writing, the keys and much of the band’s arrangements. Strings are manned by guitarist Elijah Rawk and Bari Bass, PHONY PPL’s visual artist and bass player. The crew’s heartbeat is percussionist and former Music Conservatory student Mathew Byas (whose father is DJ Jazzy Jay of the legendary Zulu Nation). 
After several jam sessions throughout high school, different iterations of the band, and honing in on their sonic cornucopia – the band has taken pride in their genre-less sound. Throughout the years, their music offerings have dabbled in experimental splashes of jazz, hip-hop, R&B, reggae, soul, rock and many more sub-genres. Their first official full-length offering Yesterday’s Tomorrow (2015) which houses discography gem “Why iii Love The Moon”, received critical acclaim from The New York Times, NPR, Rolling Stone and more. Their next album titled mō'zā-ik (Mozaik) would be released in 2019 via 300 Entertainment. The album earned its name because each of its songs is a singular piece of art possessing shapes and colors separate from the others, while adjoining to make symmetrical magic. Songs like “Way Too Far” and “Before You Get A Boyfriend” represent the dynamic nature of the album and solidify it as a body of work that transcends classification and time. 
The band’s new album Euphonyus is set to release this fall. An interpolation of the band’s name and the word “euphonious”, the album’s namesake comes from the duality represented by their connection to the people (You – Phony – Us) and the most literal definition of the word “pleasing to the ear”. The band’s sonic approach to the album is to connect the dots between the different feelings each song provides; housing tracks that are danceable, vibrant, and joyful under the same roof as songs that are laced with sadness, sorrow, and lust. The long journey to Euphonyus started in 2019 when the band embarked on their headlining tour with sold out dates across the country. Things caught on fire in 2020 during their set on Megan Thee Stallion’s “NPR Tiny Desk” where the artists previewed their collaboration “Fkn Around” which ultimately went viral. Shortly after marked the onset of the COVID-19 pandemic, which delayed the band’s album plans but saw the release of “On My Shit” ft. Joey Bada$$. During that time, the band learned how to make music as a unit without being physically together, a skill that birthed their song “Nowhere But Up” which was made on Zoom through screen sharing. In 2021, as the world started to open back up, the band went on tour again setting the stage for 2022. While the album release took longer than expected due to the pandemic, over the last three years the band was able to record songs across the country and worldwide ranging from their individual homes in NYC to Los Angeles, Philly, Japan, and Germany; building and reinventing each track over time.
In the words of the band, Euphonyus encourages listeners “don’t think, just feel”. With the help of an eclectic roster of features from the likes of JoJo, Kaytranada, Leon Thomas, Domo Genesis, and more, Phony Ppl are ready to step into this new era.

Little Bit Of Lust.

PHONY PPL

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