linda introducción. muy brillaante. y ese detalle de cuerdas acústicas le da un plus.

Interesting sound and great melody !! I like it :)

Very pretty and well produced, really does give a water or ocean vibe.

Cool track. I really like the delayed effect.

this reminds me of an aquarium song lol, something you see underwater

original sounds with strange bubble music...

Sound Cloud Instrumentals

Steppin' On Leaves

sonder – n. the realization that each random passerby is living a life as vivid and complex as your own.

Sonder

Ghost Theater for Two Female Singers, Large Chamber Ensemble and Optional Film. Duration: 11'. Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/robert-paterson-works/

PROGRAM NOTES

Ghost Theater was commissioned by David Alan Miller and the Albany Symphony for the Dogs of Desire, the symphony’s groundbreaking, eighteen-member, chamber ensemble. The only requirement, other than length and instrumentation, was that I work with a collaborator, so I chose award-winning, Vermont-based filmmaker Jay Craven.

The work is about what the title describes: a theater haunted by apparitions, and in particular, disembodied shadows and ghosts of soldiers killed in combat. However, as the work was created, it took on additional inspirations: the thought of being haunted by one’s past, especially via a musical lens, and also the memories of war stories told by my father when I was growing up, who was born and raised in Rensselaer, right outside Albany, and who was stationed in Korea during the Korean War. Throughout the work, I interweave abstract references to pieces and composers that have not only inspired (or haunted) me, but also my mentor and longtime friend, Christopher Rouse. In particular, I quoted the drum part for Led Zeppelin’s When The Levee Breaks, the same drum lick that also appears in Rouse’s Bonham for eight percussionists. The entire piece is presented as a series of connected, pseudo-programmatic vignettes, each one flowing into the next, without break. The vocal texts are derived from three sources: an epitaph found on many European gravestones, and brief quotes from poems by Wilfred Owen and Pablo Naruda.

Although this work may be performed as a stand-alone concert work, it may also be presented with Craven’s film. In the world of filmmaking, films are usually created first, with music added later or even at the very end, but Jay and I went back and forth quite a bit, treating the process in a more collaborative manner. Once we had an idea, Jay created a rough outline and then shot footage in collaboration with video artist Catherine Siller. After studying a rough cut, I composed the music. The film was then edited around a digital mock-up of the music. The result is a surreal, dreamlike work that interweaves music and film, creating an aural and visual tapestry.

Ghost Theater is dedicated with gratitude to Christopher Rouse, David Alan Miller and the Albany Symphony.

Ghost Theater

King and Queen

top modèle.

A darkx smooth Shoreline Mafia x  West Coast type beat to rap to.

THIS BEAT IS NOT FREE. IT IS A PAID BEAT ONLY. Usage of this beat without purchase or licensing will be subject to copywrite.
PLEASE CONTACT e.l.i on Instagram in order to discuss purchasing and licensing of this beat.
INSTA: https://www.instagram.com/prod.e.l.i

INSTAGRAM PROFILE

[NEW] - "ROYALTY" Dark x Shoreline Mafia x West Coast Type Beat

This piece is inspired by series of the Korean folk music such as the Chestnut Song (군밤타령), Nyl-lee-lee-ya(늴리리야), and Arirang (아리랑). These songs have been practiced and sang for a long time, bringing people together, relishing a good harvest, and celebrating a harmonious nature and spirit.

However, Korea is now separated into two, communist North Korea, and republic South Korea, divided and victimized by the political and historical reasons, both nations share the pain of separation and broken families. 

However, it is my strong belief that our proud Korean spirit still remains, and it still on-going determination for both nations to be reunited and rejoice the harmony once we shared.

By composing Korean melody with the orchestral palette, it is my sincere hope for all Korean people, to honor the good spirit, cherish the heritage, and spread the goodwill which can influence people all around the world as well.

Los Angeles Film Conducting Intensive (LAFCI) is a workshop to train art of conducting and provide an education and resources to help media composers succeed on the podium. A team of great faculties was there to teach such as Angeles Velez, Conrad Pope, William Ross, Jorge Mester, Emilie Bernstein, and Carl Rydlund, a Hollywood's best professionals who have a long history of film-music production experiences. Each one of them there to train, discipline, influence, and encourage for all of the LAFCI participants.

As a 2019 LAFCI fellow, I was privileged to compose, conduct, and record my personal work at the Eastwood Recording Stage, Burbank, USA. It will remain as one of my memorable experiences, and I would highly recommend this workshop for those who wish to improve their art of conducting and work ethics as a film, media, and game composer.

Roasted Chestnut Carnival

Listen to "Face 2 Face" produced by Phucka Yu

To hear more music click on the BUY link or the link below and select your preferred streaming platform.

Linktr.ee/phucka_yu

Face To Face (Instrumental)

Instrumental

Face To Face (Instrumental) produced by Phucka Yu

Listen to "Nowhere" (Instrumental) produced by Phucka Yu

To hear more music click the BUY button or the link below and select your preferred streaming platform.

Linktr.ee/phucka_yu

"Nowhere" (Instrumental) produced by Phucka Yu

Auteur-Compositeur ,Guitar : Doc Naz, Franco Casagrande : Chant,Lead Guitar, Calpini : Drum, arrangemt ,mix,production
the riff was composed on 6/8 afro rhythm, The drummer had the idea to make a 4/4 rhythm, and the singer was asked to sing blues in 4/4. It was hard, because to sing with the riff, he had no point of reference, so he had to work, and count, to be able to place himself well and not to get lost, he did a good job, I thank him, thank you Mr Franco Casagrande.

www.youtube.com/user/legauffrier
www.youtube.com/playlist?list=UUs…flfbSLn4MfkFDt6ig
www.instagram.com/casagrande_music/?hl=fr
www.instagram.com/christophecalpini/?hl=fr
www.instagram.com/dog_almond_music/?hl=fr

FirstCollab

nassmaster

Listen to "Flight" (Instrumental) produced by Phucka Yu. To hear more music click the link below and select your preferred streaming service.

Linktr.ee/phucka_yu

Flight (Instrumental)

Flight (Instrumental) produced by Phucka Yu

Listen to "Pablo" (Instrumental) produced by Phucka Yu. To hear more music click the link and select your preferred streaming service.

Linktr.ee/phucka_yu

Pablo

Pablo (Instrumental) produced by Phucka Yu

Listen to "Lit" (Instrumental) produced by Phucka Yu. To hear more music click the link and select your preferred streaming service.

Linktr.ee/phucka_yu

Lit (Instrumental)

Lit (Instrumental) produced by Phucka Yu

(c)2021  Guitar, bass, Composing, programing, recording, mixing and mastering by Robert Grigg
A fun little ditty!

Video Link!
https://youtu.be/P5MKya1bNpU

The Rooster Walk

Wind Quintet
Duration: 18'
Commissioned by Quintet of the Americas; Underwritten by the American Composers Forum with funds provided by the Jerome Foundation
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=909

PROGRAM NOTES
All of the movements of this wind quintet are connected and inspired in some way by American icons, surrealism, collage, post-1950s imagery and suburbia.

The first movement, Andante, begins with the ending and ends at the beginning. Some instruments mimic others and just when you think an idea might go in one direction, it goes in another. I gleaned many of my ideas from studying cinematic character development and the unusual forms used in many modern films such as the 1994 film Pulp Fiction by Quentin Tarantino.

The second movement, Suburban waltz-fantasy, contains quotes from 1960s-70s TV show themes: The Jetsons, All in the Family, Green Acres, The Dick Van Dyke Show, The Brady Bunch and Leave It To Beaver. The movement begins with a waltz-like feel and two of the players mimicking “suburban chicken lady housewives cackle-gossiping across a backyard fence.” An obnoxious stray dog interjects with loud barking and then the movement takes off in a different direction. Some of the quotes are re-composed to sound like bird songs, others are textural and a few are so subtle that they are not easy to discern. Some of the parts even sound like they are mocking each other. This movement is a strange, surrealist collage.

The most immediate and obvious reference in the title of the third movement, Melting Clocks, is to Salvador Dali’s famous 1931 painting The Persistence of Memory in which there are images of melting or limp watches. I imagine a room full of clocks all ticking away, yet slightly inaccurately, the “baby clocks” a little faster than the “old grandfather clocks.” The middle section contains a few brief quotes form the first movement, and the “slightly melted” end of the movement brings back the cuckoo, but this time it melts as if it is in a house consumed by fire.

The fourth movement, Klezmeshugeh, derives its title from my combining the words ‘klezmer’—which is a combination of the two Hebrew words, kley and zemer, meaning ‘instrument of song’—and meshugeh, which is a Yiddish word meaning ‘crazy’. Essentially, this made-up title means “crazy instrument song.” In this movement, there are a few “wrong notes” that allude to the players pretending to sight-read. The end also concludes with a few thematic fragments from the second movement.

Wind Quintet was commissioned by Quintet of the Americas and underwritten by the American Composers Forum with funds provided by the Jerome Foundation.

Wind Quintet - IV. Klezmeshugeh

Music Producer 
From: Queens,Ny
Location: DMV

All original music from producer Phucka Yu.  For more beats/instrumentals click any of the music store links below or just search Phucka Yu on any music streaming service. 

Music Available on: Spotify, YouTube, Tidal, Google Music, Napster, Deezer, Facebook, Instagram, TikTok, Apple Music, Amazon Music, Pandora, etc.

Contact info:
Click any social media link below or email at phuckayuent@gmail.com

Fans of: Hip-Hop, Rap, Trap, R&B, EDM, IDM, Electronic, Lofi, Instrumental, Beats, Freestyle Rap, New Music, Music Producers, Beat Makers.

#Instrumentals #Beats #Producer

2020 SoundCloud Music Playlists
#Music #SoundCloud #Playlists

"Nowhere" (Instrumental) produced by Phucka Yu

Phucka Yu

Recent comments

The Infinite Wimshurst

Phoenix Records

Li Dommo

Hamzz

Related tracks