Full feature, interview and tracklist coming soon!

Off The Record Mix Series 23: Suzanne Kraft

Amsterdam selector Orpheu The Wizard connects oddball and straight forward jams from different decades and different record shelves in a monthly two hour show.

https://www.nts.live/shows/orpheu-the-wizard/episodes/orpheu-the-wizard-22nd-july-2022

Orpheu The Wizard 220722

Delighted to host @melodyastruth influence mix on Oddity Radio.

@jonnynash : It is a selection of music I've been enjoying over the last year, with a loose focus on "guitar music".

Turn on, tune in and don't drop out!

For regular updates please follow : www.instagram.com/oddityradio.fm/

Jonny Nash - Oddity Influence Mix

This month we welcome Mari*, a driving force behind much beloved online radio station Worldwide FM. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Mari, people might know you for being one of the driving forces behind Worldwide FM. Can you tell a bit about what you do there and how you ended up with that position?

M: I am “Head of programming and A&R” at Worldwide FM. I oversea programming, produce special guest shows and develop relationships with artists and labels. I’ve been working in radio for about 20 years. Starting with college radio in Boston, and subsequently I worked in New York and then Tokyo and now I’m based in London. So, I’ve always worked as a radio producer! From 2005, I produced Gilles Peterson’s daily show for 7-8 years on J-WAVE, one of the biggest FM radio stations in Japan. I also produced music events for the radio show and brought him over to Japan a couple of times, and this is how I started working with Gilles. 

MFM: How's the online radio scene in Japan actually?

M: Unfortunately, Japan is super behind with anything got to do with playing music online due to the strict and old school music copyright laws. Even Japanese radio stations are not broadcast outside of Japan. People still love tuning into AM/FM radio which could be a good thing, but it’s hard for music to be heard outside of Japan if the copyright law is too strict. Japan is probably one of the most complicated places to start an online music platform which people can tune into for free.

MFM: It seems that the pandemic brought many new online broadcasting stations, likely due to a lack of a stage for artists. How do you feel about this development?

M: It’s great that people realised there is so much potential in online radio stations during the pandemic. Hopefully, listening to radio will stay part of people’s life. Now the norm is back, people are getting busier and artists are back in the studio and touring. It is impossible to run a station in the same way as it was during the pandemic, so stations need to keep up and make relevant adjustments in their programming to fit into this changing world. Continuation is key to success, and also “sustainability” is another essential element to be considered, especially for independent online radio stations.

MFM: How important do you believe online radio is in the current field of music? What do you believe should be its main purpose?

M: With online radio there are so many possibilities and more freedom of expression, whereas traditional radio has to deal with regulations and politics. Online radio can build a strong sense of community as most of them were started out of sheer love to support music and culture. The interesting thing is that online radio can build a community that is Worldwide! Also, online radio could be a good start for young DJs and a place to develop young and up and coming artists as the presenting skills you need are much less on online radio than the traditional radio. There isn’t any format how online radio should be or sound like so there are more possibilities to create something new. I hope to continue searching and developing the unique and engaging platform where people feel welcome and part of by tuning in from any part of the world.

MFM: As a host yourself, what do you seek for in a show? 

M: I like to insert unique content in my radio show which is not just about presenting new music. I like to have some humour and personality in my show, and make people feel great with my music tastes. I don’t have much to say about other people’s show but being original is very important, people follow personality, great content and like to enjoy a show.

MFM: Any future plans at Worldwide FM you'd like to share? A scoop maybe?

M: We are building a new studio which will allow us to do more including live sessions! I cannot wait!

MFM Mix 042: Mari*

SPIRITUAL OBJECTS RADIO EPISODE 16 W/ YU SU

Asia-inspired ambient mix on Klasse Wrecks Wradio-show, broadcasted on LYL Radio (12.10.18). Dial up, tune in and zone out.

++ be sure to check out "Double Vision EP" by Luca Lozano & Telephones, 12" out on Klasse Wrecks now!  https://klassewrecks.bandcamp.com/album/double-vision-ep

Ambient Asia Mix @ Wrecks Wradio (LYL Radio 12.10.18)

@earlgreyradio

E2E: Did your move to Melbourne influence the mix? 

A little bit, yes. I have been feeling particularly nostalgic lately and that probably came through in the selections. Last week, I drove from Glebe to Brunswick in a 12 seater bus with my cat Romeo. We listened to this mix together to see how it sounded on the road. Unfortunately, Romeo did not like it and he did not like much that day. 

E2E: Were there any environments or contexts that you had in mind when putting this mix together? 

As the title of your mix series suggests, music can be a wonderful accompaniment to activities. When I have watched a film that has really affected me I’ll often listen to the soundtrack for weeks after and sometimes make my own imaginary soundtrack of songs that fit with the world of the film. While I was reading Cormac McCarthy’s ‘Border Trilogy’, I wanted to find ways to stay in the novel when I wasn’t reading it. The novels are set at the southwest border of the United States and the characters spend a majority of the novels riding on horseback, often alone and usually on a quest to avenge a loss. I found myself preoccupied imagining the sort of music the characters and their horses could be listening to, riding under lonesome skies, contemplating their place in the world. 

I don’t expect that much of your audience owns or has access to a horse. Still, I hope some of them can enjoy these songs on journeys of their own. 

E2E: Any news or projects coming up with Best Effort, Ken Oath Records or Rimbombo?

Nothing is planned on the release front and my bank account implies that maybe it’s time for a bit of a break. Best Effort Dance Parties will continue every few months at Freda’s and I’m looking forward to some summer parties in Sydney with my Rimbombo buds Adi and James at the end of the year.

music for... horse and rider - DJ Earl Grey

Recording of Terekke's set at the listening stage during Dekmantel Festival 2019.

Dekmantel Festival 2019

Listening Stage: Terekke at Dekmantel Festival 2019

Phuong Dan & Heiko Jahnke @ Beta Lounge 2010

recorded live at Betalounge Hamburg
www.betalounge.com

Beta Lounge 2010

Phuong Dan & Heiko Jahnke @ Beta Lounge 2010

For my Maika,

I miss you. 

Love forever, 
Lauren.

- - - - -

I pay my respects to the traditional custodians of this great southern land, the Gadigal of the Eora nation and their Elders past, present and future. I acknowledge their culture and relationship with the land and water. Aboriginal land; always was, always will be.

For Maika

For our second installment of the Musik Mix series we are joined by 5ive from japan and Samo from Sweden in a remote joint effort.
Tupplur simply means - to take a nap in swedish. 
Taking an afternoon nap is happiness!

artwork by Tobias Centerwall

Sattaoja Musik Mix - Episode 2-  5ive & Samo - TUPPLURS MIX

check dj-dates & other mixes here:
www.phuong-dan.de

For bookings contact (at) phuong-dan.de

Phuong Dan & Heiko Jahnke @ Beta Lounge 2010

Phuong-Dan

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