i used to play this while i played roblox in school, simpler times

2017 a list of all time favs

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Come Undone (feat. Kazu Makino of Blonde Redhead) [Clip]

In celebration of Ghostly's long-awaited AiAiAi TMA-1 collaboration headphones, we've asked 3 of our favorite artists, NYC's Vatican Shadow, Detroit's Monty Luke and LA's Moors to remix favorites from Recondite, Shigeto, and Lusine. These cuts have enough low end to activate the deep bass response and the detail and crisp high-ends. Perfect for DJing with or the home/subway environs.

https://soundcloud.com/lusine-official
https://soundcloud.com/wearemoors

Purchase AiAiAi TMA-1 Headphone: Ghostly Edition at:
The Ghostly Store:
http://www.theghostlystore.com/products/tma-1-headphones-ghostly-edition
AiAiAi: http://aiaiai.dk/store/headphones/tma-1_ghostly
Bleep: https://bleep.com/merch/902-aiaiai-x-ghostly-ghostly-x-aiaiai

Lusine - Arterial (Moors Remix)

Remix by Four Tet. Featuring Luke Lalonde, Adem and One Little Plane

Caribou - Melody Day (Four Tet Remix)

Taken from Portico's album Living Fields, released 30th March 2015 on Ninja Tune.

Ninjashop: http://smarturl.it/polfnj
iTunes: http://smarturl.it/polfit
Amazon: http://smarturl.it/polfamcd
Spotify: http://spoti.fi/16EhHNI

(Ninja & iTunes pre-orders come with Instant Download of '101')

porticomusic.co.uk
ninjatune.net

Portico - '101' (ft. Joe Newman)

The Sound of the Smiths

Heaven Knows I'm Miserable Now (2008 Remaster)

Scrambles

Boards Of Canada - Dayvan Cowboy

Trentemøller is a wizard and should need no further introduction.

This incredible remix he did of Efterkang's song Raincoats was part of a remix swop, where Efterklang remixed his song Tide in return. Attached to the swop was a also an artwork contest, where the winner's artwork would be used for the iTunes release of this remix swop. You can watch all the winners and submitted artworks at: http://www.flickr.com/photos/artworkcontest/

The original version of Efterklang's Raincoats can be found on their third album 'Magic Chairs' (2010, 4AD & Rumraket).

The original version of Trentemøller's song Tide, can be found on his album 'Into The Great Wide Yonder' - http://www.anderstrentemoller.com/

Raincoats (Trentemøller Remix)

‘Portraits Outtakes’ Out Now -
Counter: http://found.ee/portraitsout
iTunes: http://found.ee/portraitsout-it
Bandcamp: http://found.ee/portraitsout-bc
Spotify: http://found.ee/portraitsout-sp

Taken from ‘Portraits Outtakes’ released 22nd January 2016 on Counter Records.

“A selection of 3 previously unreleased tracks from the Portraits sessions.”

Follow Maribou State -
Facebook: http://found.ee/maribou-fb 
Twitter: http://found.ee/maribou-tw 
Soundcloud: http://found.ee/maribou-sc
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Subscribe to the Maribou State YouTube channel - http://found.ee/maribou-ytsub

http://mariboustate.com
http://counterrecords.com


Portraits Outtakes

Maribou State - 'Colours In Sea'

OMD - Enola Gay

Every once in a while we surface to share our music and shed some light in an otherwise bleak reality. And that time is soon upon us, Ladies &amp; Gents. Our third installment, called "Junior", will be out on the 23rd of March 2009.

Röyksopp Forever

From the new Kettel & Secede album "When Can", released on Sending Orbs November 26th 2012.

Buy you copy of When Can on CD or in MP3/FLAC formats in our webshop: http://www.sendingorbs.com/products-page/artists/kettel-secede-when-can/

Buy this album

Kettel & Secede - Fullmoon (When Can)

Seconds- human league

Taken from 'Ultraísta Remixes'

https://itunes.apple.com/gb/album/ultraista-remixes-bonus-tracks/id689968135?ign-mpt=uo%3D4

Ultraísta Remixes compiles a year's worth of remixes from friends and collaborators within the ever-expanding Ultraísta orbit. Though some of these tracks have become breakout singles in their own right – collectively clocking more than two million plays on the band's Soundcloud and YouTube channels – Ultraísta Remixes has been perfectly sequenced to succeed as a stand-alone album (an alarmingly strong one, no less). Rarely do remix albums have this level of quality control and seemingly infinite replay value. Whereas Ultraísta's debut album commits to its palette with uncanny precision and devotion, Remixes explodes its individual parts and reveals the group to be equally compelling as techno powerhouse (Four Tet, FaltyDL, DC Sux), dark electro-pop (Zero 7, Zammuto, ERAAS, Canon Blue), experimental dance (Prefuse 73, Matthew Herbert), and even driving industrial rock (David Lynch in an inspired NIN-meets-YYYs turn). The combination of all of these seemingly disparate parts makes for a surprisingly cohesive whole, and a remarkable companion to the original album.

Ultraista - You're Out - Prefuse 73 remix

Hello , I hope this one person will read this in the future :D We all say hi to you from the past, Nexus

Boards Of Canada - Dayvan Cowboy

Phuturist Windcrow

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