@physical-therapy @ccl-url is there any chance that any more of this set could get posted at some point? It's so good...

img what js this?? this piano riff is so spooky and lovely

@ccl-url @physical-therapy heya is there a chance of an ID on this beautifully fruity number :~D

What is this track?! I've been looking for this one since '94

13.2

friday at sustain-release 2021, 12-2am. thank you karen nicole for the photo :)

thank you @sustain-release-nyc

livwutang @ Sustain-Release Year 7

40.650002, -73.949997

Yibing (@yibingg) casts a gentle haze, a curative steam seeping into mind and spirit. Surrender to thermal expansion and pass through the terraqueous membrane. The tonic you seek has arrived.

d o w n 2 e a r t h 43 - Yibing

almost 4 hours bubs to bubs @kiernanlaveaux live from de sound room September 2022

CCL b2b Kiernan Laveaux Live @ Public Records [09.09.2022]

@razrbark at Hemlock Nights Friday evening.

Campout Mix Series:  Razrbark

Purelink have been described more than once as an "ambient boy band." (They themselves say "jam band.") It's not meant dismissively—the American trio purposefully mean to function as a band, even if their main instruments are laptops. Ambient might not quite cut it as a descriptor, though. The group's music crosses eras and scenes, touching on the late '90s clicks & cuts boom as well as the billowy ambient techno put out by labels like 3XL, West Mineral Ltd. and NAFF. 

Their most recent LP, Signs, released on enigmatic imprint Peak Oil (and one of our favourite albums of 2023), is especially impressive, made of stuttering rhythms and glassy textures. In other words, it's ambient-not-ambient. While members Concave Reflection, kindtree and Millia have all made excellent music on their own, something special happens when they come together.

Purelink's RA Podcast is another stellar contribution to our post-New Year's tradition, where we highlight a more laid-back sound to soothe weary minds and frazzled brain cells after the heavy holiday celebrations. This is 90-plus minutes of intricately textured downtempo, dub techno and even UK garage, all cut through with a floaty, almost drowsy quality, with plenty of exclusives and unreleased cuts from the likes of Nick León, James K, Downstairs J and more. It highlights Purelink's position as a bridger of worlds, sounds and tempos.

Read more at https://ra.co/podcast/917

RA podcast

RA.917 Purelink

Available on Audio Cassette and digital download directly from the label’s Bandcamp: https://cclurl.bandcamp.com/album/a-night-in-the-skull-discotheque

Side A: Bass is Eternal
Side B: 2-step Mutual Dream

A Night in the Skull Discotheque by the beloved underground selector CCL is the latest offering in the T4T LUV NRG label’s highly limited DJ mix series of cassettes. This immersive journey through a wonderland of proto-dubstep sounds from the late 1970s through the year 2000 is a sonic sibling to CCL’s acclaimed 2018 mix Ode to Queer Steppas.

Inspired in part by Eris Drew’s use of “old records to create new styles out of fragments” on her Raving Disco Breaks Vol. 1 mixtape (T4T LUV NRG, 2019), CCL approached this recording with a parallel frame of mind. Created with 3 CDJs, one Turntable, and a Boss Digital Delay 200, the tracks included in the mix are deconstructed from their whole, and constituent parts are intertwined, sampled, and dubbed out while being further stretched beyond their physical limits. CCL mixed many tracks at the 'wrong speed', pitched beyond their original recognizable tone; others are recontextualized through imaginative layering.

With a solid nod to seminal mixtapes of the early 90s, CCL references the namesake for Side A, Bass Is Eternal, an unreleased 1992 mixtape by influential Bristolian producers Smith & Mighty, an important sonic fulcrum amongst the musical tributaries of the hardcore continuum that continues to reverberate to this day. CCL experienced the after-effects of this ‘proto’ sound genesis in 2008, while living in Bristol, by which point its emergent whispers had coalesced into what became known as dubstep. Tracing a rich history of reference through the samples, basslines, moods, and drum patterns emanating from Bass Is Eternal while looking for connections that predate it became a long-term fascination for CCL. The result is a DJ mix that connects the oft-forgotten dots between proto eras and modern developments in bass and dubstep.

For the resulting sonic ride on A Night in the Skull Discotheque, CCL leads us to a fantastical place of timeless surreality – a majestic haunted dancehall soundtracked by a giddy rush of steppers and dubbed-out delights. Subs rattle through syncopated percs, and moody synths glisten in macabre glory. Fantastical dancers wriggle in wispy eternity, liberated from their corporeal forms in all their greatest spiritual wonder. Both extravagant and dusky, A Night in the Skull Discotheque is a world of seductive in-betweens, a place caught between the moodiest depths and the highest exuberance – A love letter to one of the most impactful formative sounds of the last decades.


***************************************************************************************
A portion for the proceeds from this release will go to fundraiser "SUPPORT PALESTINIAN SOLIDARITY IN EUROPE!". You can also directly donate via:
https://www.gofundme.com/f/support-palestinian-solidarity-in-europe
***************************************************************************************

Tape design: Nina Muro
Mastering: TJ Hertz
Additional tape mastering: Eris Drew
Photography: CCL 
Linear notes: Nevan Jio

A Night in the Skull Discotheque [T4T015]

CCL - A Night in the Skull Discotheque

Juanita's Mix 100 with Ciel @ciel_dj

Q. How would you describe yourself?
A. a music maker with too much sincerity and a passion for sampling, film, and leftist politics

Q. What drew you to the music scene in the beginning and where do you hope to see it in the future?
A. Looking back at my life, I think everything from my birth led me on this path towards music. It was my first love. But as an only child, my experience with music growing up was always very solitary. I yearned to be part of a community radio station with Iikeminded music nerds, and it was working for a radio station eventually during my undergraduate that brought me toward DJing and rave culture. Back then I never thought I could do this full time, but once I got the chance to make a living doing this, I realized the scene was far from perfect, in fact it's very exploitative. I hope in the future we can find a way to fairly compensate music makers for the incredible gift of music they bestow upon the world, without becoming beholden to corrupt corporate & military interests. Artists can be hyper individualistic and self-interested, and I hope we can get better at looking out for each other instead of just our own paycheques.

Q. Tell us a little bit about this mix.
A. I wanted to present a different side of myself to international audiences on such a wonderful mix platform. Perhaps people outside of my home city of Toronto are less familiar with my downtempo sets, but it's been a significant part of my wheelhouse for years, and have gained even wider affection from me since I started doing a downtempo party in Toronto last year. Like I always say, 80-100bpm is the most natural tempo for extended human body movements. I also liked the idea of doing a mix that doesn't build in a predictable way, instead it waxes and wanes like the natural rhythm of life. So many of my favourite mixes build and release tension in a way that's very satisfying to listen to, the sounds intensify to a frenzy before disintegrating into nothingness. I wanted to play with that rise and fall and mix downtempo and dub with double time d&b in a non-linear way that is evocative of our most precious memories and tells stories we've only seen in dreams. Downtempo and dub also seemed like the perfect genres to play in the 100th mix for Juanita's, and in the lead up to my fav April holiday. :) I hope the listeners enjoy it.

Juanita's Mix 100: Ciel

Larry Termite takes over the Wharf Cat show with dear colleague Hank Jackson.

http://www.instagram.com/crude_tapes
https://www.instagram.com/anno_._l
https://www.instagram.com/wharfcatrecords

The Wharf Cat Show: When Larry meets Hank! @ The Lot Radio 05-09-2024

Londoner Josey Rebelle is 'just' a DJ. She doesn't make records, she plays them, but she plays them like no one else. Her impeccable taste and ability to join the dots between disparate genres in the club, on the radio and with the compilations she puts out has won her countless awards. She is known for drawing on her Caribbean roots as much as she is for the passion she pays with and the authenticity of her selections. Whether old or new, jungle or soul, a Josey Rebelle set is a thing of joy.

And she proves that for us this week with an almost two-hour mix that traverses a dizzying amount of terrain. It's a club-focussed trip that fizzes with apocalyptic energy before taking off into worlds of cosmic techno, twitchy club music and supple jungle. The drama comes as much from the mixing as the tunes but one thing is for sure, there is no real way of knowing whether you're listening to sounds from the past, present or future.

Dekmantel Podcast 473 - Josey Rebelle

A wiggly journey through mid-to-late '90s Canada, released in spring 2019 via Vinyl Factory and posted for the first time on Soundcloud

Tracklist and additional info: 
https://thevinylfactory.com/features/west-coast-canadian-trance-new-age-mix-ciel/

Ciel mixes

"Last Ferry to Lotusland" mix for Vinyl Factory

Bizarro Blends 63 // Priori

NTS asked me to contribute a mix of my favorite club tracks Arthur Russell wrote or was involved with. Broadcast Nov 14, 2019 celebrating the life & work of this composer, musician and cultural icon with a special day of shows, archive recordings curated by Audika.

Bonzo Goes To Washington - 5 Minutes (B-b-b Bombing Mix)
Arthur Russell - Make 1, 2
Lola - Wax The Van
Arthur Russell - Springfield
Arthur Russell - Hop On Down
Arthur Russell - Arm Around You
Dinosaur L - Clean on Your Bean #1	
Loose Joints - Is It All over My Face? (Larry Levan Female Vocal Version)
Felix - You Can't Hold Me Down (Test Pressing Version) 
Felix - Tiger Stripes (Extended Version) 
Loose Joints - Tell You (Today) [12" Vocal]
Dinosaur - Kiss Me Again (Version)
Arthur Russell - See My Brother, He's Jumping Out (Let's Go Swimming #2)
Arthur Russell - Let's Go Swimming (Gulf Stream Dub)
Loose Joints - Pop Your Funk (Single Vocal Version)
Dinosaur L - #5 Go Bang! (Francois K Mix)	
Dinosaur L - Go Bang! (Thank You Arthur Edit)
Arthur Russell - That's Us/Wild Combination

Arthur Russell Day Mix for NTS

The Toronto producer eases in with a tranquil blend of fresh Australian electronica.

Interview with @cl_lit:

melbournedeepcast.net/portfolio/ciel/

About the mix:

"I had toured for the first time in Australia late 2018 and it made a massive impression on me. In many ways, it reminded me of a warmer version of Canada. People were incredibly kind and welcoming and I was blown away by the hospitality the promoters and local artists showed me. I also absolutely adored the incredible nature I saw in Australia, having played in Hobart and Brisbane and Melbourne and Sydney and Adelaide and Hopkins’ Creek Festival in a volcanic crater, I fell in love with the landscapes I saw and the animals local only to this part of the world. So when I first sat down to think about this mix, the bushfires had just started raging and the news was beyond depressing to see. Everywhere I saw online was just videos and pictures of burned animals and ash that was once blooming flora & fauna. A fan from Australia sent me a DM on IG, telling me how my song “Terracotta”, as it’s a track that talks about the sea and land, was able to give them a lot of peace during a time that was anything but.

And so I decided I wanted to make a mix that not only paid tribute to this incredible music scene and country and its amazing artists, but was musically able to provide a sense of solace to people who perhaps feel hopeless about our time on this planet. That is partly why I began the mix with music by indigenous tribes from East Timor—as “modern” people it’s sad to see that we’ve lost touch with the roots of our life on this planet as we know it, and I think we have so much to learn from indigenous cultures and their respect for mother nature. I also chose a lot of dub music, and music that featured lots of organic drums for similar reasons, as these styles of music owe as much to indigenous folk music as they do to modern electronic music. Ultimately I wanted the mix to feel like slipping into a warm bath. Hope it was successful. 🙂"

www.melbournedeepcast.net

Read the interview

MDC.238 Ciel

Last December @CCL-tuf and I were invited to play an all night back to back set at a party called High & Tight in Seattle. H&T is one of those parties that you dream of playing, where every detail from the sound to the setting is perfectly thought out and where the crowd stays with you for every twist and turn. We ended up playing for almost 9 hours (although actually I had to leave for the airport before the end.) This excerpt is the first 3 hours, slowly and carefully heating the soup before bringing things to a boil.

CCL X Physical Therapy [Live @ High & Tight 12/13/19]

Welcome Kia to BSRMIX #101

The Animalia boss deliveries two hours + of her signature deep and brooding sound(scapes) she has become synonymous with.

Read more about Kia and her amazing label Animalia here: www.buttersessions.com/blog/BSRMIX101

BSRMIX101 - KIA

Body Music

booking@globaltherapypathways.com

CCL X Physical Therapy [Live @ High & Tight 12/13/19]

Physical Therapy

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Donny Burlin (Space is the Place/O.E.A.)

Selector Records Seattle

Selector Records Seattle

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