Classical-Post

this is a recorded impromptu, unknowingly played and recorded in the very same night Carlos Paredes passed away, played like a distant reading (or listening) of his theme "amanhecer", later known as "verdes anos".

where to fall

We Move Lightly

11 Opus 37

Was making this for Halloween but didn't get a chance to finish it in time so here it is! Free download 
http://www.mediafire.com/download/0op1wfbwasu2l5e/Resotone+%26+Nori+-+Ghost+Crickets.mp3

https://www.facebook.com/Resotone?ref=hl
https://soundcloud.com/norielle
https://www.facebook.com/Nori.Music

peacee

Free download

Resotone & Nori - Ghost Crickets

Made for
 https://itunes.apple.com/us/app/bubl-christmas-ice-cream-musical/id892939714?mt=8

Christmas Gelato

https://www.youtube.com/watch?v=oTyj4QkASss

NILS FRAHM - ME (Julien Marchal Rework)

Recorded for Gonzalo Bénard for his art video 'Distichous - Mind vs. Consciousness'

Vimeo Link: https://vimeo.com/134122061
Youtube Link: https://yout.be/IrPex57oeE0

G's Website: www.gbenard.com

Beautiful Storm in the Ocean

Dmitry Evgrafov & Vika Bogorodskaya — Ride

from 'III' [CD|2xLP|DIGITAL]
Denovali Records · den246
available on all formats at [http://denovali.com/bersarinquartett]

Melancholia. Longing. It is difficult to speak about these moods or states of the mind without invoking stereotypes. In ancient medicine, melancholia was considered to be one of the four temperaments, matching the four humours. In fact, melancholia, meaning "black bile" in Ancient Greek, was thought to be caused by an excess of this very body substance. By contrast, in more modern interpretations, literates and Freudians relate many variations of longing to the one primordial longing, the desire to return to one's mother's womb. In this context, the womb is considered to be the place of absolute comfort and cosiness, of total bliss. Thus it should not be surprising that to many of us melancholia is a mood which we like to invoke and to maintain, we like to envelop ourselves in it like in a warm blanket. Our brain and our sensory systems appear to be made for perceiving and emotionally responding to music in a very immediate fashion. Consequently music is the obvious drug for all of us melancholia-addicts. However, there is a thin line between melancholia and sadness, and music which is meant to be melancholic too often crosses this line by far. Only very few artists succeed in avoiding this crossing, and in creating music which is melancholia in its most pure form. It is safe to say that BERSARIN QUARTETT - the electronic music project of Thomas Bücker - is one of them.

After his successfull selftitled debut in 2008 and the sophomore "II" in 2012 - album of the month in many magazines and in numerous "Best of the year" lists - Bücker returns with his third BERSARIN QUARTETT album "III", due for release 6.11.2015 on Denovali Records. Much like his two predecessors, III is a pure paradox. It is the creation of a perfectionist, an adamant control freak. Every element, be it a note, an ambience layer, a string arrangement, a field recording, a baseline, a vocal (Clara Hill on Track 11) or a beat, is meticulously modified and then assigned its place in Bücker's vast but still minimalistic arrangements. Thus, superficially Bücker's pieces seem to radiate a certain mechanical bleakness. However, there is a unique reduced warmth and liveliness emerging from these stainless compositions and transcending them. This transcendence is precisely the point where Bücker ironically looses control over his creations. In contrast to the first two BERSARIN QUARTETT albums, III offers a few darker shades and succeeds even further in narrowing down the arrangements to the absolute essentials without loosing the characteristic grandeur of Bücker's sound. Whereas BERSARIN QUARTETT's debut was merely a description of melancholia in its most pure form, III maybe even goes as far a defining what melancholia really is. It is the only emotion in the vast spectrum of human states of mind which one can bear forever. 

Bersarin Quartett - Sanft verblassen die Geschichten

Bersarin Quartett - Jeder Gedanke umsonst gedacht

As It Ends

After releasing Nils Frahm’s two-track solo synthesiser EP ‘Juno’ in a highly sought after 7” edition, Erased Tapes now re-release the original Juno tracks with guest reworks by Border Community's modular synth wizard Luke Abbott and Warp veteran Clark. Both known for their like-minded use of analogue synthesisers in their music, it makes them the perfect artists to rework the originals. Similar to Frahm’s online project ‘Screws Reworked’, where he invited fans to download his solo piano songs to reinterpret them with their own medium of choice, it’s far from being the typical remix EP. Aptly titled ‘Juno Reworked’, it will be released worldwide in the form of a limited 12" Vinyl and Download.

ORDER HERE: www.erasedtapes.com/store/index/ERATP049

LIVE DATES:

10.07. LEEDS (UK) – Opera North Howard Assembly Room
11.07. LONDON (UK) – St. John at Hackney 
25.08. AMSTERDAM (NL) - Grachtenfestival
26.09. SEATTLE (US) – Decibel Festival 
06.10. ESSEN (DE) – Swingfest – Weststadthalle
13.11. BORGERHOUT (BE) – De Roma 
14.11. LEUVEN (BE) – 30CC – Schouwburg
15.11. HASSELT (BE) – Cultuurcentrum
16.11. ROESELARE (BE) – De Spil tickets

OFFICIAL WEBSITES:

nilsfrahm.com · lukeabbottmusic.com · facebook.com/throttleclark · erasedtapes.com

Juno

Juno Reworked

Buy 12"/DL

Nils Frahm - For

Bersarin Quartett - Oktober

Bersarin Quartett - St. Petersburg

CD & digital > https://ampl.ink/XEjE0
Bruno Sanfilippo: Piano
Manuel Del Fresno: Violoncello
Pere Bardagí: Violin
Barcelona based piano player and electronic musician Bruno Sanfilippo is a classically trained musician and composer who has been exploring the borders of minimal piano concepts and electro-acoustic music for more than 20 years. His CD series "Piano Textures“ sets him in a direct tradition of artists as Harold Budd and Brian Eno, combining slow piano tunes with electronic soundscapes. With "ClarOscuro“, he now makes his step into the genre of modern classical music by presenting his first composition work for piano trio. Most of the nine tracks on the album feature Sanfilippo accompanied by Spanish musicians Manuel del Fresno on Violoncello and Pere Bardagí on Violin, while some of the tracks still let the sensitive piano playing stand on its own. With the fragility and beauty of some Arvo Pärt compositions and a high cinematic touch, "ClarOscuro" brings the perfect soundtrack for an imaginary movie.
www.bruno-sanfilippo.com

ClarOscuro

Select your platform

Recorded at Oslo’s iconic Rainbow Studio with engineer Jan Erik Kongshaug, the record features works by both Howard and bassist Jonathan Zion (Anton Delecca Quartet, Lior, Ian Moss). Joined by drummer Daniel Farrugia (Tin Pan Orange, Julia Stone, Magnolia), the trio’s minimalist aesthetic blends elements of improvised and popular music.

Oslo

Taken from 'Ultraísta Remixes'

https://itunes.apple.com/gb/album/ultraista-remixes-bonus-tracks/id689968135?ign-mpt=uo%3D4

Ultraísta Remixes compiles a year's worth of remixes from friends and collaborators within the ever-expanding Ultraísta orbit. Though some of these tracks have become breakout singles in their own right – collectively clocking more than two million plays on the band's Soundcloud and YouTube channels – Ultraísta Remixes has been perfectly sequenced to succeed as a stand-alone album (an alarmingly strong one, no less). Rarely do remix albums have this level of quality control and seemingly infinite replay value. Whereas Ultraísta's debut album commits to its palette with uncanny precision and devotion, Remixes explodes its individual parts and reveals the group to be equally compelling as techno powerhouse (Four Tet, FaltyDL, DC Sux), dark electro-pop (Zero 7, Zammuto, ERAAS, Canon Blue), experimental dance (Prefuse 73, Matthew Herbert), and even driving industrial rock (David Lynch in an inspired NIN-meets-YYYs turn). The combination of all of these seemingly disparate parts makes for a surprisingly cohesive whole, and a remarkable companion to the original album.

Ultraista - You're Out - Prefuse 73 remix

The first two tracks from my 2009 album Insides. Intended to be listened to together.
Get it here http://www.dominorecordco.com/uk/albums/26-03-09/insides/ - or on iTunes etc.


Jon Hopkins - The Wider Sun & Vessel

This is track 7 from '...and they have escaped the weight of darkness' (2010)

Classical-Post

Theodøros