Spontaneous Studio Session in Summer 2021.

Piano: Mi Ho
drums: Veit Schmoll

SUMMER 2021

Zoology Of The Future

La Botanica Parallela

That Cloud Does Impressions

Vinyl set for outdoor chill by Dan. Mixed with two Technics SL-1210 MK2E (Shure Whitelabel with great Jico) and Vestax PMC-250. Recorded with a Revox B77.

Tracks: Anthony Linell – Breeders Trophy (NE50) +++ Mønic – Life Dissolved Into Sleep (DNLP26) +++ Lucrecia Dalt – Espesa (RVNGNL65) +++ Shifted – Standing Water (AVNLP006) +++ Pessimist & Karim Maas – A3 (PESS002) +++ Vril & Rødhåd – Apophenia (WSNWG005) +++ Kirlian Camera – Tor Zwei (OPIVM MMXV/X) +++ Lussuria – American Babylon (HOS-383-LP) +++ 1kPieces – 20190103-0 (BETON 002) +++ Hvide Sejl, Varg, F. Valentin – & A Painting In A Room (PI 173) +++ Meridian Drift – We Crossed Paths (BETON 001) +++ Diane Barbé – Meanwhile The Blue Forest At Night (Part 1) (ND4EVA) +++ Civilistjävel! – C1 (Civilistjävel! 4-5) +++ Ivic – B (JSE 01) +++ Feral – Fall (HYPNUS028) +++ PX000 – End of the world (BETON 000) +++ Regis – Eros In Tangiers (1923) (DNLP28) +++ Katie Gately – Waltz (HTH121) +++ Raime – Your Cast Will Tire (BLACKESTLP001) +++ Red Stars Over Tokyo – Crossing A Frozen Sea (Extended All Night Version) (TTTB07) +++ Pretty Sneaky – A (PRSN 007.2) +++ Amanda Palmer & Edward Ka-Spel – Subway (8FT035LP) +++ Ikkebot – Marie Windsor (BETON 000) +++ Amanda Palmer & Edward Ka-Spel – The Sun Still Shines (8FT035LP) +++ Alexander Lewis – Black Thread (BLACKEST014) +++ 1kPieces – 20180607-1 (BETON 002)

Beton Record Release Party 30 July 2022

Solo performance on "brœk", experimental musik / performance series in which artists address the theme “brœk”(broke), organized by Bilwa.

11.12.2022 Kreuzberg Berlin.

alte Wiege

Improvisation at PAS, event: amorphq__01

Recorded by a great friend:
https://soundcloud.com/phyte

who I have a piano & drum duo project with:
https://soundcloud.com/vmvmvmvmvmvm

07.02.2023 PAS Piano Solo

Music for Whales, an ambient radio transmission. All preludes, interludes and epilogues of Boards of Canada mixed. An anthological  trip through a smorgasbord of musical multiverses from the one of the most influential groups ever listened.

Nothing else to say... Whales would not understand us.

1. Corsair
2. Telepath
3. The colour of the fire
4. Uritual
5. Sundown
6. Transmiones ferox
7. The Devil is in the details
8. Farewell fire
9. Diving station
10. Atoronchonon
11. Bocuma
12. Gemini
13. Collapse
14. One Very important thought
15. A is To B As Is To C
16. White Cylosa
17. Sherbet Head
18. Over the horizon radar
19. Under the coke sign
20. The Smallest weird number
21. Open the light
22. Into the Rainbow Vein
23. In the Annexe
24. Olson
25. Dandelion

Music For Whales - Boards Of Canada

“Terminalia Amazonia” is the new expression of jazz core veterans Zu, and it is a project that has the taste of a slow journey in pursuit of a moment. For the past four years the band’s members have regularly visited an undisclosed indigenous village on the Ucayali River close to the border between Peru and Brazil, where they could learn about the woven songs of the Amazon, being taught to sing them, and eventually record them.

“Terminalia Amazonia” is a 72 minutes long composition that finds its physical shapes into a double vinyl album (coming in two versions: black or transparent) and a compact disc, that will be released on October 11, 2019.

“Terminalia Amazonia” is a co-production between Archeological Records and House of Mythology, 
with conceptual development by Andrea Stillacci from the french branding agency Herezie.

On the early days of the project, soon after Massimo Pupillo’s return from Peru, the band asked Archaeological Records to curate and coordinate the work for an album about the knowledge and experiences that they acquired when in the forest, and together they decided to organize a live show in order to have a ritual master that would be still alive when working on it in studio.

The artists didn’t just recollect their memories in tranquillity, as they had a field recording (of a Shipibo ceremony that they could witness and record) to guide them, and after a few days of improvisations on those precious memories they went on a stage that was set for the occasion in Firenze (during the DioDrone festival) and recorded the set that would have later become the “Terminalia Amazonia” record. 
A ceremony of sound celebrated into another ceremony of sound.

Named after the binomial name of a tree, this work had a long incubation in its making. It took more than four years of trials and errors to find the right way to communicate this very crucial and ineffable personal experience. The result is a long and slow exploration into the magical and healing powers of plants, sound and chant.

All field recordings were made in an indigenous village on the banks of the Ucayali river in the Peruvian Amazon (thanks for the collaboration on this go to Laura Dev from University of Berkeley). 
 “Terminalia Amazonia” is also the first instalment of the new-found original line up of Zu – 
Jacopo Battaglia (who took a pause from Zu when formed Bloody Beetroots), Luca T Mai (Mombu), Massimo Pupillo – this time recording in quartet with our longstanding sound engineer Lorenzo Stecconi.

“Terminalia Amazonia” represents the very first sessions of the old line up together in one room, creating new sounds together, but it represents a moment of radical change as the artists chose to use only vintage electronic synths as EMS Synthi, OSCar, Roland System100M, Arp2600, Octave-Plateau Voyetra Eight (courtesy of synth collector Cristiano Bocchi). 

This is together an act of joy and of sacred sadness for the state the forests of the world.

“Terminalia Amazonia” will be premiered at RomaEuropa Festival in Roma (Italia), on 4th October 2019.

A Porta Arborea

I recorded myself playing guitar on the balcony with cars coming and going in the background. To this i added fieldrecordings of an airport, a Lithuania park where speakers were running old soviet songs every 30 minutes and a church organ. 
In the end all forms dissolve again, letting life go on. They were together for a brief moment, then passed on. 

Recorded with a Zoom H6. All editing done with Audacity.

A track for these uncertain times. 

02/04/20

Resemblance

Experiments based on field recordings, acoustic instruments and electronics 

Resemblance

phyte

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