A piece for a soundtrack. This theme is based on Gregorian Plainchant and is featured on my latest upcoming album, "Wherever You Take Me"

Day of Wrath (Soundtrack Demo 2)

Lifting (solo piano)

This track was written as a theme for a YouTube livestream by a real-world Airbus A320 pilot in celebration of 20,000 subscribers to his channel, in which he flew a Boeing 747 in a flight simulator from San Francisco to Hong Kong in real-time.

Asian Tour From a Pilot's Perspective (For V1-Simulations)

This piece was written and dedicated to friend of mine who loves art and music. When he started to experience some struggles, I felt impressed to write and dedicate this piece to him. Eventually I hope to take this piece and write a software program that will analyze the piece's structure, harmony, and rhythms and generate reactive art in real time. Let me know what you think!

Inspiration Forever (Electronic Ambient Demo)

Something Healing (solo piano)

About a year prior to composing "Kevin's 7K to London", I discovered a YouTube channel called “V1-Simulations” featuring content from an Airbus A320 pilot who flies for a major US carrier. On his channel, Kevin (he withholds his last name for privacy reasons) produces educational tutorials about flying the Airbus A320 family of aircraft, where he demonstrates procedures and conducts flights using X-Plane, an FAA-certified desktop simulator. Over the past year, he has built a very active community on his channel. I frequently watch his live streams, during which he takes an Airbus A320 or other virtual aircraft in X-Plane and flies somewhere within the continental US. He flies the airplane as close as possible to real-life, and even demonstrates how to deal with system failures and abnormal operations thanks to the simulator’s ability to inject fault scenarios during the flight if desired. Throughout the course of these live streams, he actively uses YouTube’s live stream chat feature, where I, along with my fellow viewers have provided many questions and comments. During the course of these chats, I told him that I am a composer and producer, and volunteered to write introductory music for his channel, as well as custom alert sounds for when a user donates, subscribes, or becomes a new member—so his channel would be unique rather than using the stock royalty-free music provided by YouTube, which many other YouTubers use. 
     Kevin accepted my offer, and I wrote a piece that could be looped before the start of each stream. Recently, his channel surpassed 7,000 subscribers. To celebrate, Kevin decided to host a seven-hour live stream, in which he would take an Airbus from John F. Kennedy Airport to London City Airport. This piece serves as special introduction music for this commemorative event. In addition to the driving and energetic orchestral writing, of note are the samples of a specific set of engines on Airbus, which happen to be Kevin’s favorite owing to their high-pitched whining sound during spool-up and cruise.

Kevin's 7K to London (Soundtrack Demo 1)

This arrangement of "On This Day of Joy and Gladness" was written especially for the inauguration of the 17th president of Brigham Young University-Idaho

On This Day Of Joy And Gladness (Hymn Arrangement)

A short piece with strings and winds to set a contemplative and inspiration mood.

Inspiration (inspirational demo)

An orchestral piece with driving rhythms inspired by the fourth movement of Shostakovich's eighth symphony telling the story of World War II.

For Good (Soundtrack Demo 2)

A dubstep piece inspired by the sounds of high-performance supercars.

Rev - Matching Downshifts (trap demo)

A wind ensemble arrangement of the hymn "I Need Thee Every Hour" with jazz and gospel inspired harmonies.

I Need Thee Every Hour (Hymn Arrangement Demo)

"Golliwog's Cakewalk"—the sixth and final piece from Debussy's suite, The Children's Corner. Featuring fun rhythms and dramatic timing, it's one of my favorites to play.

Golliwog's Cakewalk

The first track on the album, "Finding Light." Beginning with ambient rain sounds, this track morphs into a cinematic blend of soundscapes.

Jeremy Harvey

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